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Saptak means "gamut" or "the series of seven notes". It denotes the set of swaras, Sa, Re, Ga, Ma, Pa, Dha, Ni which comprise a musical scale in Indian classical music.
It lies in the talent of the music director. When a music is composed in a particular raaga...say for example In the movie "sankarabaranam" for the song "saamajavaragamanaa" is based on the raagam "hindolam" which goes the way Sa ga ma dha ni sa (arohanam) / sa ni dha ma ga sa (avarohanam). If you carefully listen to the swaras there would not be any swara with the note "pa". But the heroine thinks of her man love and mistakenly sings the note "pa". Also in the movie Annamacharya (nagarjuna ) the song "nigama nigamanthavar" if you carefully watch the swaras used... it goes like this sa ga ma ga ma dha ma dha ni dha ni sa ma ga dha ni sa ma ga sa...vividha virbhandamula...twine twine..;-)
There are many resources we can use to get free music for itunes or many other music softwares but they can be illegal and copyrighted.
Jingle Bell notes in Casio for beginners typically refer to the melody notes of the popular Christmas song "Jingle Bells" that can be played on a keyboard. The swaras, or musical notes, used for the melody are usually C, D, E, F, G, and A, based on the scale. Beginners can learn to play these notes in a simple sequence to create the recognizable tune, often starting with a basic right-hand melody while keeping a simple rhythm. This exercise helps improve finger coordination and familiarity with the keyboard.
There are many types of music that the music group called Rudejam plays. The music group called Rudejam plays a lot of rap music and a lot of abstract music.
In Indian classical music, shuddha swaras are the basic or natural notes without any alteration. There are seven shuddha swaras: Sa, Re, Ga, Ma, Pa, Dha, and Ni. These form the fundamental building blocks of melodies in Indian classical music.
The traditional Indian music notes used in classical Indian music compositions are called "swaras." These swaras are Sa, Re, Ga, Ma, Pa, Dha, and Ni.
In traditional Indian music, the different types of Carnatic musical notes are called swaras. There are seven main swaras: Sa, Ri, Ga, Ma, Pa, Dha, and Ni. These notes are the building blocks of Carnatic music and are used to create melodies and compositions.
Saptak means "gamut" or "the series of seven notes". It denotes the set of swaras, Sa, Re, Ga, Ma, Pa, Dha, Ni which comprise a musical scale in Indian classical music.
When learning Carnatic music notes, it is important to focus on understanding the swaras (notes), their intervals, the ragas (melodic scales), the talas (rhythmic patterns), and the nuances of gamakas (ornamentations). Practicing regularly, listening to experienced musicians, and seeking guidance from a qualified teacher are also essential for mastering Carnatic music notes.
It lies in the talent of the music director. When a music is composed in a particular raaga...say for example In the movie "sankarabaranam" for the song "saamajavaragamanaa" is based on the raagam "hindolam" which goes the way Sa ga ma dha ni sa (arohanam) / sa ni dha ma ga sa (avarohanam). If you carefully listen to the swaras there would not be any swara with the note "pa". But the heroine thinks of her man love and mistakenly sings the note "pa". Also in the movie Annamacharya (nagarjuna ) the song "nigama nigamanthavar" if you carefully watch the swaras used... it goes like this sa ga ma ga ma dha ma dha ni dha ni sa ma ga dha ni sa ma ga sa...vividha virbhandamula...twine twine..;-)
A raga typically consists of five to seven specific pitches, known as swaras, which are selected from the 12 pitches in the Indian classical music system. Each raga has its unique arrangement and combination of these pitches, along with specific rules for their usage, creating distinct emotional expressions. The precise number of pitches can vary depending on the raga and its classification.
Jathiswaram is a song consisting of only swaras(notes) and jathis(complex beats) to which the dancer dances while having no abhinaya, or expression. It shows how versatile the dancer is, and her capabilities. It is differenf from other dances in that other dances involve abhinaya, and tell a story through facial expressions, and how the body moves to the music to narrate the story. Jathiswaram does not do this.
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There are many ways to have played music in 1960. There were many instruments, records, and recording devices to play music on.
Music in general is not overrated, but there are many overrated pieces of music out there today.
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