Any note can sound horrible if it is not played in a progression of matching sounds or with different notes that "clash" or do not sound good together. But every note can sound good if played in an orderly manner. Personally, I play the Trumpet and in the trumpet, the F sharp note is very important and is very common. So, any key or note can sound good or horrible depending on how you play it.
thereisf sharp, f flat(note e), and f natural
The E sharp is the F note. The interval between C sharp and F (e sharp) in two whole steps.
F sharp
Just the opposite, actually. A sharp RAISES a note by one half-step.
It becomes a double sharp. For example, F double sharp is the natural note G.
F sharp.
It is a question of the players ability, it would be a pedal note of some pitch. The lowest "real" note that anyone can play is F sharp. However, pedal tones are hard-to-tune, scratchy-sounding notes that experienced players can do. Try bending an F sharp as flat as you can, and you might slip into the pedal tones. They sound bad at first, but with practice, they are playable notes. I think the lowest pedal tone possible is double pedal F sharp--that's two octaves below the lowest real note!
thereisf sharp, f flat(note e), and f natural
Any note which has the word 'sharp' in it is always a semitone above the given note.
The correct placement of the F sharp note on the staff is on the top line of the staff.
The E sharp is the F note. The interval between C sharp and F (e sharp) in two whole steps.
Technically speaking, D sharp major is: D#, E#, F* (F double Sharp,) G#, A#, B#, C* (C double sharp) D#. ***note: a double sharp (*) means that the note sounds a whole step above the principal note. For example: F*=G.
F sharp
The key signature that includes the note E sharp is the key of F sharp major.
The parallel minor of F-sharp major is F-sharp minor. A parallel minor key is the one with the same tonic note.
A major third (M3) above F-sharp is A-sharp. To find this, you count four half steps up from F-sharp: G, G-sharp, A, and A-sharp. Therefore, the note that is a major third above F-sharp is A-sharp.
Just the opposite, actually. A sharp RAISES a note by one half-step.