Yes, each major key has a relative minor key.
A minor scale begins on the sixth step of its relative major scale. For example, the A minor scale is the relative minor of C major, and it starts on the sixth degree of the C major scale. This relationship allows the minor scale to share the same key signature as its relative major scale.
There are no flats or sharps. Its relative major scale is C major, which has all of the same notes.
Actually its in E major. For the solo he uses a c# minor scale which is the relative scale to the E major scale and has the same exact notes as the E major scale. have fun!
G and A are only one step away from each other while F and A are two. While Gb to A still sounds like a minor third, written on the staff it looks like a second. Also, you can't have the same note letter twice in a scale. If you went up the (natural minor) scale from Gb, the next note would be Ab, then A, thus using the same note letter twice in a scale. Also, in A major, the relative major to F# minor, the sharps are F#, C#, and G#. F# already being in the key signature, it seems more natural to use F# than G.
The relative key is the one with the same key signature. For C major, it's A minor.
A minor scale shares the same key signature as its relative major scale.
No, the Aeolian mode is the same as the natural minor scale.
A minor scale begins on the sixth step of its relative major scale. For example, the A minor scale is the relative minor of C major, and it starts on the sixth degree of the C major scale. This relationship allows the minor scale to share the same key signature as its relative major scale.
A relative major scale begins on the same note as its relative minor scale, but starts on a different degree of the scale.
A major scale and its relative minor scale share the same key signature.
No, the aeolian mode is a type of minor scale, specifically the natural minor scale.
Eight, the same as in any major or minor scale.
The natural minor scale has a flat 3rd, 6th, and 7th note compared to the major scale, while the melodic minor scale has a raised 6th and 7th note when ascending, but the same as the natural minor scale when descending.
Harmonic Minor - The first minor scale you will learn, uses the accidentals in the key signature with a sharp 7th. Melodic Minor - First half of the scale is minor, the second half is major (ascending). Descending, only the accidentals in the scale are used. Natural Minor - Same notes as the relative major but ending on the first note of the minor scale. Hope this helps.
A melodic minor scale is a minor scale where the sixth and seventh are raised by a half step as the scale ascends; however, the melodic minor scale is played exactly the same as a natural minor scale as it descends.
To find the minor scale, start with the major scale of the same key and lower the 3rd, 6th, and 7th notes by a half step. This will give you the natural minor scale.
The difference between a melodic minor scale and a harmonic minor scale is that in a melodic minor scale, the sixth and seventh scale degrees are raised on the way up, and on the way down they are the same as they would be in natural minor. In a harmonic minor scale, only the seventh scale degree is raised and stays the same on the way down.