answersLogoWhite

0

the dead woman and the dog are having a conversation

User Avatar

Wiki User

15y ago

What else can I help you with?

Continue Learning about Music & Radio

What do voice culture mean explain its impact on radio and television?

Its your voice which holds the fort in radio .In television your looks and other footage can support you but not so in radio. Your voice plays a vital role. your every thought ,expression, words ,emotions all reflect in your voice. in order to hold your audience whom you cannot see its just your voice that lures the audience and keeps then glued to your station. mind you its the magic of your voice which gives an identity to a station and the program you are putting on air. the content of the program is secondary.


Which group of words represents ABBA rhyme?

In an ABBA rimescheme the two inside rimes BB are enclosed in a pair of outside rimes AA. Methought I saw my late espoused saint Brought to me, like Alcestis from the grave, Whom Jove's great son to her glad husband gave, Rescu'd from death by force, though pale and faint. (John Milton): the inside grave / gave are wrapped in saint / faint. ABBA is a common rimescheme in the first half of a sonnet (as here) but is also found inside many other strictform stanzas.


Choose you this day whom you will serve but as for me and my household we will serve the lord lyrics?

Choose you this day whom you will serve. Choose you this day whom you will serve. But as for me, But as for me, But as for me, But as for me, I will serve the Lord.


Who I have met before or whom I have met before?

The correct phrase is "whom I have met before." "Whom" is used as the object of a verb or preposition, while "who" serves as the subject. In this context, you're referring to the people you've encountered, making "whom" appropriate.


Did Richard Wagner write librettos for all his operas?

Yes. In fact, the only thing he wrote to anyone else's text was the Wesendonck Lieder, with words by Mathilde Wesendonck, of whom he was enamoured at the time. They are a set of five songs for voice and piano, or orchestra in a subsequent version, two of which use music from Tristan und Isolde, which he was working on at the time (in fact, he called those two "Studies for Tristan"). Wagner published the original piano/voice version in 1857/8.