Franz Schubert, an Austrian composer of the late Classical and early Romantic eras, can be described as prolific, melodic, innovative, expressive, and influential. His vast output of over 600 lieder and numerous symphonies, chamber music, and piano works showcases his gift for crafting memorable melodies and his ability to blend traditional forms with emotional depth and harmonic exploration. Schubert's music has had a lasting impact on the development of Romantic music and continues to be celebrated for its beauty and emotional resonance.
Franz Schubert, Haidenroslein (To a Wild Rose)
The first concert consisting entirely of the works of Franz Schubert (31) takes place in Vienna. Originally planned for 21 March it is changed to coincide with the first anniversary of Beethoven's death. Songs performed for the first time are Auf dem Strom D.943 to words of Rellstab, FischerweiseD.881 to words of Schlecht, Der Kreuzzug D.932 to words of Leitner and Die Sterne also to words of Leitner. Other premieres include the Schlachtlied D.912 for double male chorus to words of Klopstock and the first movement of the String Quartet D.887.Source: musicandhistory.com
Known simply as 'To Sylvia', the most famous recording is by Kathleen Ferrier, arguably the greatest contralto ever. Beautiful! "Who is Sylvia? What is she, That all our swains commend her?" etc., Words: Act 4 Scene 2, Two Gentleman of Verona, William Shakespeare. Music: Opus 106 no. 4, Franz Schubert, 1826
A lied is a 19th century song with piano accompaniment set to German poetry. The greatest exponents of this form were Schubert, Schumann, Brahms, and Wolf although there are plenty of others like Mozart, Beethoven, Loewe, and Franz, and there were lieder still being written in the 20th Century by people like Richard Strauss, Mahler and Schoenberg. The basic idea is that the piano part is not strictly just an accompaniment but an equal partner with the singer. The piano part can often very effectively imitate the words or ideas that the poetry is suggesting - as in, for instance, 'Erlkonig' by Schubert where the piano sounds like the galloping of the horse that the singer is telling us about.
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Franz Schubert, Haidenroslein (To a Wild Rose)
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