Franz Schubert

Yes, Peter Schubert was a teacher. He was known for his work in the field of music education, particularly in the context of teaching music theory and composition. His contributions to pedagogy helped shape the way music is taught in various educational settings.

Yes, Franz Peter Schubert composed "Erlkönig," a famous art song (lied) based on a poem by Johann Wolfgang von Goethe. The piece, written in 1815, depicts a dramatic dialogue between a father and his son as they encounter the mythical Erlking. Schubert's composition is renowned for its emotional intensity and innovative use of piano accompaniment to convey the urgency of the narrative.

In Schubert's "Erlkönig," the music vividly represents the urgency and tension of the narrative. The relentless, driving piano accompaniment mirrors the frantic ride of the father and son, while the contrasting vocal lines depict the different characters: the father's anxious tone, the sweet, seductive voice of the Erlking, and the child's fearful cries. This interplay of musical elements effectively conveys the poem's themes of fear, danger, and the supernatural.

Many female singers have performed Schubert's "Ave Maria," including renowned artists like Jessye Norman, Renée Fleming, and Anna Netrebko. Other notable interpretations come from soprano Kathleen Battle and mezzo-soprano Joyce DiDonato. This piece has been embraced across genres, leading to countless renditions by various vocalists.

The composer who is often credited with writing approximately 1,100 pieces of music in just 18 years is Johann Sebastian Bach. His prolific output includes a wide variety of works, such as cantatas, concertos, and keyboard music. Bach's contributions to music have had a lasting impact, influencing countless composers and musicians after him. His ability to produce such a vast body of work in a relatively short time showcases his extraordinary talent and dedication to his craft.

Schubert's "The Elf King" (Erlkönig) follows a through-composed structure, which means it does not adhere to a repeated verse-chorus form. Instead, the music evolves continuously, reflecting the dramatic narrative of the poem by Goethe. Each character, including the narrator, the child, the father, and the Elf King, is represented by distinct musical motifs and vocal styles, enhancing the emotional intensity of the story. This approach allows Schubert to convey the urgency and tension of the tale effectively.

The value of a Schubert cabinet grand piano can vary significantly based on its condition, age, and specific model. Generally, such pianos can range from a few hundred to a few thousand dollars. To determine a more accurate value, it's best to consult a professional piano appraiser or look for similar models sold in recent sales.

Franz Schubert received formal musical training at a young age, studying violin and piano with his father and later attending the Stadtkonvikt, a boarding school in Vienna. There, he was introduced to music theory and composition under the guidance of his teachers. Schubert also had exposure to choral music, which influenced his later works. Despite his formal education, much of his compositional style was developed through personal exploration and the influence of contemporary composers.

Schumann's approach to lieder often emphasizes psychological depth and emotional complexity, integrating the poet's text with intricate musical interplay that reflects the characters' inner experiences. In contrast, Schubert's lieder are characterized by their lyrical beauty and melodic flow, focusing on the clarity of the text and the immediate emotional impact. While Schubert's songs often feature straightforward forms and rich melodies, Schumann experiments with varied structures and harmonic innovations, creating a more dramatic and narrative-driven experience. Additionally, Schumann frequently incorporates elements of narrative and theatricality, reflecting his background in literature and his interest in character development.

i can remember only a small sample. i too learnt it at school...28yrs ago

As by a crystal brooklet I wandered on my way,

among the gentle ripples I spied a trout at play.

and here and there he darted , as swift as swift could be,

was never a fish so lively and frolicsome as he .

As by a crystal brooklet,

I wandered on my way

Among the gentle ripples

I spied a trout at play

As here and there he darted

As swift as swift could be

Was never fish so lively

Nor frolicsome as he.

Was never fish so lively

Nor frolicsome as he.

But skillful was the angler

With cruel delight

He sullied all the crystal water

And hid the fish from sight

Alas, by that deception

The fish, the enticing bait, sought out

And I was left lamenting

The fate of that poor trout.

And I was left lamenting

The fate of that poor trout.

Franz Schubert, an Austrian composer of the late Classical and early Romantic eras, can be described as prolific, melodic, innovative, expressive, and influential. His vast output of over 600 lieder and numerous symphonies, chamber music, and piano works showcases his gift for crafting memorable melodies and his ability to blend traditional forms with emotional depth and harmonic exploration. Schubert's music has had a lasting impact on the development of Romantic music and continues to be celebrated for its beauty and emotional resonance.

teaching

Franz Schubert played the violin and viola, and the pianoforte and organ.

Yes. His early compositions were in the classical style.

A lied is a 19th century song with piano accompaniment set to German poetry. The greatest exponents of this form were Schubert, Schumann, Brahms, and Wolf although there are plenty of others like Mozart, Beethoven, Loewe, and Franz, and there were lieder still being written in the 20th Century by people like Richard Strauss, Mahler and Schoenberg. The basic idea is that the piano part is not strictly just an accompaniment but an equal partner with the singer. The piano part can often very effectively imitate the words or ideas that the poetry is suggesting - as in, for instance, 'Erlkonig' by Schubert where the piano sounds like the galloping of the horse that the singer is telling us about.

The original operetta was Das Dreimäderlhaus, produced in 1916 in Vienna. It was adapted into English as Blossom Time(on Broadway) or Lilac Time (in London). A film version starring Richard Tauber was made in 1934 and given the title Blossom Time in the UK and April Blossoms in the US.

franz was expected to learn the rules of participles that day.

No. He was restricted by the marriage laws at the time which stipulated that the man had to have the means to properly support a family. Schubert, at that time, had not secured a good enough paying position to meet the marriage laws.

Franz Peter Schubert (1797-1828) - Austrian composer.

The Erlking is about a father and son who are riding home on a horse and the Erlking, who is like a mythical seductive elf. The song has rapid repeated octaves in triplets in the piano, which represent the horse's hooves. The Erlking is trying to convince the child to come with him and in fear, the child pleads with his father to protect him. The father, who cannot see or hear the Erlking, reassures his son that everthing is alright. The Erlking tells the child that they can play games and that his daughters can take care of the child. The child becomes more and more terrified and his dad will not take him seriously. The song ends with the father riding into the courtyard with the child dead in his arms.

Classical and Romantic.

Nella calma della sera

vien la mia canzon

Una perfida preghiera

calda di passion

Della luna nel candour

preme il bosco ner

E prepara il nostro amore

l'ombra ed il mister

L'ombra ed il mister.

Il suo canto appassionato

sciolse l'usignol

Le mie pene ha Gia provato

soffre de mio duol

Per l'incanto di quest'ora

ch'ei mi voul ridir:

"Tutto a te d'amor favela,

cess ail tuo rigor,

chi la vita di favela …. E soltanto amor …..

E soltanto amor ….. Soltanto amor"