There are two half-steps in the key of b: D to E flat and A to B flat.
11 going up; 1 going down
B-flat or A-sharp.
Half step below b
A flat key is a key that has a flat on its tonic note. A sharp key is a key that has a sharp on its tonic note.
It is made of whole and half steps. Whole-half-whole-whole-half-whole-whole. For example, c natural minor would be C-D-Eflat-F-G-Aflat-Bflat-C.
Take a look at any keyboard. Each key is one half step away from the next. So if you were on an F#, a black key, and you moved up to the next white key, a G, you have gone one half step.
A flat lowers the note by a semitone. As a key signature, a single flat indicates the key of F, meaning your B should be flat. Two flats are E and B, meaning the key is therefore B flat. B, E and A flat indicate the key of E flat ... and so on.
2 sharps is D Major or b minor. The two sharps in this key are F# and C#, so you just have to look at the second sharp (C#) and move up a half step for the key (D). To find its minor equivalent, move down three half steps (3 half steps below D is B natural).
There are two half-steps in the key of F: A to B flat and E to F
It is two half-steps lower than a B, resulting in an A.
Going from b-flat and e-flat is equal to a perfect fourth interval, which is five semitones (or "half-steps").
A flat key is a key that has a flat on its tonic note. A sharp key is a key that has a sharp on its tonic note.
The answer is A. One whole, one half
whole step. you go from B flat to B natural. from B natural you go to A. each of those steps are half steps. 1/2 + 1/2 = 1 whole step.
When counted in half steps, B lies between these two notes. It implies that the interval has two half steps. Hence the interval between B flat and C is one whole step, one tone.
The relative major is determined by two steps: counting three half steps higher and writing as an enharmonic equivalent using the name of three white notes above. In this case, three half steps higher yields A#/Bb. Counting three notes higher gives B. Therefore the key signature is equivalent to that of B flat major.
Bb. B flat has two flats, the first two flats on the staff: Bb, and Eb. Also, the relative minor to Bb, G minor, also contains two flats in the key signature; Bb, and Eb. To find the relative minor to a major key, simply count down 2 and one half steps. ie: Bb, Ab, G, making the relative minor to Bb "G minor", which also has the same key signature.
It is made of whole and half steps. Whole-half-whole-whole-half-whole-whole. For example, c natural minor would be C-D-Eflat-F-G-Aflat-Bflat-C.
Take a look at any keyboard. Each key is one half step away from the next. So if you were on an F#, a black key, and you moved up to the next white key, a G, you have gone one half step.
A flat lowers the note by a semitone. As a key signature, a single flat indicates the key of F, meaning your B should be flat. Two flats are E and B, meaning the key is therefore B flat. B, E and A flat indicate the key of E flat ... and so on.