There are many different versions of this quote. The two most famous are:
"Once is a mistake, twice is jazz."
"Once a mistake, twice an arrangement, three times is jazz."
The quotes are most often credited as anonymous, if credited at all.
Miles Davis is often quoted as saying "If you don't make mistakes, you're not trying hard enough."
He was known for living what he said, releasing albums with many mistakes instead of editing them out like other musicians did.
Yes, call and response is a fundamental element in jazz music. It involves a musical dialogue where one musician or group (the "call") plays a phrase, followed by another musician or group (the "response") that answers or complements it. This technique not only fosters interaction among musicians but also enhances improvisation, allowing for spontaneous creativity within performances. It has roots in African musical traditions and has been widely utilized in various jazz styles.
The word is used for a group of musicians, especially jazz, who join together to play for their own enjoyment
In a musical context, "tangkap" is an Indonesian term that translates to "catch" in English. It refers to the ability of musicians to intuitively grasp and respond to musical cues, rhythms, and improvisations during a performance. This concept emphasizes the importance of communication and interaction among musicians, particularly in genres like traditional Indonesian music or jazz, where spontaneity and collaboration are key. Tangkap fosters a dynamic and engaging musical experience that relies on the musicians' collective understanding and responsiveness.
Jazz is the musical style that introduced group improvisation, allowing musicians to spontaneously create melodies and harmonies together. This collaborative approach emerged in the early 20th century, particularly within New Orleans jazz, where musicians would often perform in ensembles, responding to each other's playing in real-time. The emphasis on individual expression and interaction became a hallmark of jazz, influencing numerous other genres and styles.
Jazz is unique due to its emphasis on improvisation, allowing musicians to create spontaneous melodies and rhythms. It often incorporates complex harmonies and syncopated rhythms, which give it a distinct sound. Additionally, jazz frequently blends elements from various musical genres, such as blues and classical, fostering creativity and diversity. Finally, the use of call-and-response patterns, particularly in ensemble settings, highlights its roots in African musical traditions and enhances its interactive nature.
Trading-off
Yes, call and response is a fundamental element in jazz music. It involves a musical dialogue where one musician or group (the "call") plays a phrase, followed by another musician or group (the "response") that answers or complements it. This technique not only fosters interaction among musicians but also enhances improvisation, allowing for spontaneous creativity within performances. It has roots in African musical traditions and has been widely utilized in various jazz styles.
Yes, doubtless many jazz musicians are atheists.
The Dorian mode is a musical scale that is commonly used in jazz improvisation to create a mellow and soulful sound. Jazz musicians often use the Dorian mode to add color and depth to their solos by emphasizing certain notes within the scale. By incorporating the Dorian mode into their improvisation, jazz musicians can create a unique and expressive musical experience for the listener.
Ronald Michael Radano has written: 'New musical figurations' -- subject(s): Biography, History and criticism, Jazz, Jazz musicians
The word is used for a group of musicians, especially jazz, who join together to play for their own enjoyment
Some common musical progressions used in jazz music include the ii-V-I progression, the blues progression, and the circle of fifths progression. These progressions provide a framework for jazz musicians to improvise and create unique melodies and harmonies.
Valerie Wilmer has written: 'As serious as your life' -- subject- s -: African American musicians, History and criticism, Jazz, Jazz musicians, United States 'Jazz people' -- subject- s -: Biography, History and criticism, Jazz, Jazz musicians
"Trading fours" in jazz music is a technique where musicians take turns playing four-bar musical phrases. This enhances communication and improvisation by allowing each musician to respond creatively to the ideas of others in a structured way. It fosters a dynamic musical dialogue and showcases individual skills while maintaining a cohesive group performance.
In jazz music, "trading fours" is a technique where musicians take turns playing four-bar musical phrases. This allows each musician to showcase their improvisational skills and interact with each other in a call-and-response style. It is often used in performances to create dynamic and engaging musical conversations between band members.
In a musical context, "tangkap" is an Indonesian term that translates to "catch" in English. It refers to the ability of musicians to intuitively grasp and respond to musical cues, rhythms, and improvisations during a performance. This concept emphasizes the importance of communication and interaction among musicians, particularly in genres like traditional Indonesian music or jazz, where spontaneity and collaboration are key. Tangkap fosters a dynamic and engaging musical experience that relies on the musicians' collective understanding and responsiveness.
Dizzy Gillespie has written: 'Dizzy atmosphere' -- subject(s): Interviews, Jazz musicians 'To be, or not ... to BOP' -- subject(s): Biography, Jazz musicians 'Dizzy: To be or not to bop' 'Body and Soul' 'Dizzy' -- subject(s): Biography, Jazz musicians 'Dizzy Gillespie / A Jazz Master' 'To be, or not-- to bop' -- subject(s): Biography, Jazz musicians 'The Dizzy Gillespie Collection'