1. A tonal plan that involves a) establishing a main tonality, b) building up tension by introducing one or more new tonalities, c) dissolving this tension by bringing the music back to and concluding it in its original tonality.
a) and b) constitute the first part of the sonata movement, c) the second.
2. A sonata movement often opens with a bold statement of a theme, melody, or group of distinct motives, which help to establish the original tonality. New tonalities, then, get often marked by the introduction of new, and often contrasting, themes. The process of dissolution of tonal tension, accordingly, can be "staged" by the composer as a conflict and reconciliation between themes. The underlying process, however, is about tonalities.
Development of themes.
I'm not sure what you mean... The form of the sonata is sonata form. Or if you want to get fancy, it's First Movement Sonata-Allegro Form.
Sonata-allegro form is a form with three main divisions: exposition, development and recapitulation (a coda is frequently added). It is not same as binary or ternary forms. The sonata form is a form itself.
in sonata form the contrasting key is established by statement of
Yes it can. Many quartets of the Classical period followed a sonata-form structure.
Concerto
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I'm not sure what you mean... The form of the sonata is sonata form. Or if you want to get fancy, it's First Movement Sonata-Allegro Form.
The first movement in a symphony, concerto or sonata is usually organized in sonata form. That could be called the most highly organized movement.
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Sonata form is a musical structure used in the 18th century. The three movements of sonata form are exposition, development, and recapitulation.
Sonata-allegro form is a form with three main divisions: exposition, development and recapitulation (a coda is frequently added). It is not same as binary or ternary forms. The sonata form is a form itself.
in sonata form the contrasting key is established by statement of
The essential characteristic is the concentration of the solute.
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Yes it can. Many quartets of the Classical period followed a sonata-form structure.
Frequently. The sonata form was developed through the music of Beethoven and several of his contemporaries, including Schubert, Mozart and Haydn. Theses composers all took aspects of the sonata form that were gradually evolving through the late Baroque and early Classical periods, and developed sonata form into a model and structure that it became.
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