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In the Baroque era, musical dynamics were "terraced" - on the organ, one manuals fairly loud stops against another manuals softer stops. In instrumental ensembles, larger or louder groups of instruments (continuo) against a smaller, softer group of instruments, or a soloist.

In the Classical era, full ensembles of musicians were directed by score markings to play louder or softer in certain passages, and the gradual combining of instruments from a few to all allowed for very noticeable crescendos.

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Q: What is the difference between the baroque era and the classical period in the use of musical dynamics?
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