C-sharp. The leading tone is one half-step below the tonic.
resolution
C is the leading tone in the Key of D.
The dominant note in a G major scale is D. In music theory, the dominant note is the fifth note of the scale, which in the case of G major is D. This note is important because it creates tension and leads back to the tonic note, G, creating a sense of resolution and stability in the music.
my best friend is Hannah sorry. I thought I was answering a musical question. A tone is a whole step, as in from C to D on the C Major scale, while a Semi-Tone is a half step, as in C to C# on the C Major Scale. The Major scale also contains half steps or semi-tones, in C major the are from E to F and from B to C
This interval is an example of a tone (as opposed to a semitone).
The leading tone is the seventh note in the scale. For D-flat major, this would be C.
The leading tone in any key is one half-step below the tonic. In the key of D-sharp, the leading tone is C-double-sharp (it can't be spelled as D-natural, because the letter D is already used for the tonic).
resolution
C is the leading tone in the Key of D.
The leading tone in the key of D, whether major or minor, is C#.
I'm not sure exactly what you mean by how many steps but I can explain a whole tone scale for you. A whole tone scale is comprised of all whole steps. For example: A B C# D# F G A or Bb C D E F# G# A# (which is Bb) So I guess there are 7 notes in the whole tone scale if that was what you were looking for.
It depends if it's a chord or a scale. On guitar, the D major chord is D A D F#. So three tones. Of course, just the Major 3rd chord itself is only two. If it's a scale, you'd have to be more specific, as there are the 7 tone scale, pentatonic (the five tone scale), plus a myriad of modes.
The dominant note in a G major scale is D. In music theory, the dominant note is the fifth note of the scale, which in the case of G major is D. This note is important because it creates tension and leads back to the tonic note, G, creating a sense of resolution and stability in the music.
g - a - b - c# - d# - e#
All harmonic minor scales have the pattern of tone-semitone-tone-tone-semitone-tone-tone (raised 7th)-semitone. Therefore, D harmonic minor has the notes of D, E, F, G, A, B flat, C# (raised 7th), D.
In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows: 1 - Tonic 2 - Supertonic 3 - Mediant 4 - Subdominant 5 - Dominant 6 - Submediant 7 - Leading Tone Let us take the case of C major as our key/scale: C - Tonic D - Supertonic E - Mediant F - Subdominant G - Dominant A - Submediant B - Leading Tone Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale: A - Tonic B - Supertonic C - Mediant D - Subdominant E - Dominant F - Submediant G - Leading Tone
Leading NOTE or the Root note is D#. Leading TONE is D which lies between the sub-mediant and the sub-tonic.