I'm not sure what the question is, but I will try to guess what you mean:
The Polonaise in A-flat Major Opus 53 is one of Chopin's most famous works. Notice that it's just a Polonaise, not a Polonaise-Fantasy. You may be looking for the Polonaise-Fantaisie in A-flat Major, Opus 61; in which case I cannot help you.
This polonaise though, nicknamed the "Heroic Polonaise", was written in a somewhat freer manner than most Polonaises. But nonetheless it is one of the most popular Chopin pieces to date and is still widely played by amateurs and professionals alike (an example of the former being yours truly). The piece is difficult to play at best; a notable example being the b-flat melodic minor ascension scale, which trips me up at least. I can't speak for others. Then we have the E-major section in the middle where the left hand plays on octaves; in a word: the weakling's nightmare. I don't mean offense to anyone; but if your left hand isn't strong enough, you can forget about playing this song unless you have the dedication to keep working at it until you can play the section with appropriate quality (I still can't, so please don't call me a hypocrite....I'm just warning you beforehand, it's a very difficult thing to play).
Also, one must be careful to apply just enough rubato and not too much/too little to the song; in my opinion, Rafal Blechacz plays the song with just enough rubato, and Horowitz is an example of too little (though I'm sure I'm going to get flamed for this. PLEASE don't start screaming at me. I like Horowitz's playing too; I just think he could have used oh-so-slightly more rubato in his interpretation). Then if you look at some others, they use too much (I believe it was a Japanese person who did so in the International Chopin Competition).
Enough about rubato; the last thing to mention is persistence. Since I am a piano noob, it took me two years to get this song to the point where it is actually playable; I still have not mastered the middle E-major section on octaves and cannot play the song through without mistakes. I suspect you are not such a noob as I am; and so you will have much less difficulty.
Good luck!
I would begin your research in the library. After you've obtained the general knowledge on the topic you may wish to delve deeper into scholarly papers.
Nocturnes are compositions of a dreamy or pensive mood, especially it it was written for the piano.
Rubato: Literally means "robbed" in Italian, and has a flexible tempo. The timing or tempo is relaxed and is close but not strictly on the beat. Rubato can be heard in pieces such as Debussy's "Clair de Lune" or Chopan's "Polonaise in A-flat major, Op. 53".
He wrote a group of minuets in Op. 64, one of them was the Minute Waltz (No. 1), which is quite famous. He also wrote a ton of preludes in Op. 20, especially the C Minor one, which is also a major study among piano students. polonaises, mazurkas, dances, waltzes. Chopin wrote a lot of those to.
Gabriel Fauré: Requiem op.48 · Pavane op.50 · Elégie op.24 · Après un Rêve op.7
Yes, Polonaise in A major, Op. 40, No. 1, ( The Military Polonaise), and the Polonaise in C minor, Op. 40, No. 2 were composed by Frédéric Chopin in 1838.
Chopin's Polonaise in A flat, Op. 53
Genre: Classical Style: Romantic
I would begin your research in the library. After you've obtained the general knowledge on the topic you may wish to delve deeper into scholarly papers.
Nocturnes are compositions of a dreamy or pensive mood, especially it it was written for the piano.
Rubato: Literally means "robbed" in Italian, and has a flexible tempo. The timing or tempo is relaxed and is close but not strictly on the beat. Rubato can be heard in pieces such as Debussy's "Clair de Lune" or Chopan's "Polonaise in A-flat major, Op. 53".
My guess is that the question is in reference to Chopin's so-called "Heroic" Polonaise - in A-flat, Op. 53. The melody was adapted by Buddy Kaye and Ted Mossman for the hit song "Till the End of Time," by Perry Como, Doris Day, and others. It was Como's first #1 hit - released in the summer of 1945.
Edvard Grieg. You can find it in Peer Gynt Suite No. 1, op. 46 if my memory serves me correctly.
He wrote a group of minuets in Op. 64, one of them was the Minute Waltz (No. 1), which is quite famous. He also wrote a ton of preludes in Op. 20, especially the C Minor one, which is also a major study among piano students. polonaises, mazurkas, dances, waltzes. Chopin wrote a lot of those to.
Mendelssohn"Songs Without Words" OP. 53. 1. Adante con moto in "A" flat.
The "OP" in Op Art is short for "Optical"
In OP art OP means Optical Illusion.