Bach
Yes.
Beethoven wrote two full masses. One was merely named 'Mass in C' and it wasn't favourably received at first. His second was the massive piece the 'Missa Solemnis' which is still one of the most famous mass settings nowadays.
In the "Gloria" from Palestrina's Pope Marcellus Mass, the melody is primarily sung by the choir, showcasing a rich polyphonic texture. The piece features a four-part vocal arrangement, typically performed by soprano, alto, tenor, and bass voices. While the original composition is a cappella, it can also be accompanied by instruments such as organ or strings in modern performances to enhance its harmonic depth.
Lots of composers wrote masses. Some of the most famous masses are: Missa Solemnis by Beethoven Mass in B Minor by Bach Grand Mass in C Minor by Mozart
Bach
Motet and Mass, both in polyphonic settings.
The Messe de Nostre Dame was the first complete musical setting of the Ordinary sections of the Roman Catholic Mass.
Yes.
nope. Gregorian chant is the central tradition of Western plainchant, a form of monophonic liturgical chant of Western Christianity that accompanied the celebration of Mass and other ritual services.
she wrote many boooks
I assume by "mass songs" you mean simply "masses" or "settings of the Mass Ordinary." In that case, Giovanni Pierluigi da Palestrina is a good answer. He wrote more masses than anyone.
Requiem duhhh
The main types of northern Renaissance music used for church services were the Mass and the motet. The Mass typically featured polyphonic settings of the Ordinary texts (Kyrie, Gloria, Credo, Sanctus, Agnus Dei), while the motet was a polyphonic choral composition often based on a sacred text. Both forms were intricately crafted and showcased the composers' skill in writing elaborate vocal harmonies.
There is no history of Palestrina as a composer until a book of masses were published in 1554. It is regarded that by then, he had expanded his knowledge of the motet and mass.
The First Mass was created in 1961.
Before the advent of Vatican II and the musical changes which were allowed thanks to the legislation and documents therein the music of the church was Gregorian chant, Polyphonic Chant, and Hymns. Settings of the mass (i.e. Introit, kyrie, credo, communion...) were generally speaking Gregorian chant (which while it bears the name of Pope St. Gregory the Great, was not neccisarily written by him) which was written mainly by individuals whos names we do not know in the early middle ages. Some masses in particularly well to do parishes with great choirs would sing polyphonic mass settings which were written by individuals such as Victoria, Lobo, Cardoso, Talis, Orlando, and (most famously) Palestrina. These were composed in the florid polyphonic style of the Rennaissance. After the rennaissance, and due to the decrees in the Council of Trent, the development of new music for actual use in mass stopped. There were many composers who write settings for the mass. The one thing which was allowed to continue was the writing of organ music, and as a result we have many masses written by great composers (Beethoven, Bach, and some other B names). Hymns were the only form of music allowed at mass which were in the common tongue of the people (As opposed to latin). These hymns could be composed by almost anyone, however generally speaking had to have been printed and given ecclesiastical approval. If you are interested in hymns, as opposed to mass settings, then consulting any of the older hymnbooks and looking for any hymns composed before the 1960's. This is the kind of music which would have most likely been used as the hymns at masses.