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From: The Sound of People and Places - a geography of American Music from Country to Classical and Blues to Bop. Fourth Edition, Edited by George O. Carney Chapter 15 -Urban Blues: The Sound of the Windy City. Page 242 "Early Chicago Blues". George O. Carney "Chicago was introduced to the blues as early as the 1920's when Big Bill Broonzy and Tampa Red recorded for Columbia and RCA Victor. It was a mixture of the declining classic blues borne from vaudeville and the country blues from the Mississippi Delta. Known as the "Bluebird Beat", after Victor's celebrated subsidiary blues label, it was a "sweetened" version of the Delta blues strongly tinted with jazz and frequently carried by bass and drums. As an acoustic form, it was directed toward an urban Black audience trying to become sophisticated without totally excluding their life in the South. Dr. George O. Carney is a Professor in the Department of Geography at Oklahoma State University and is only a handful of international authorities on the cultural geography of music.

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Q: Why was the Early Blues music in Chicago called the Bluebird Beat?
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