To construct a major scale with a flat 6th and 7th degree, you would use the formula: Whole, Whole, Half, Whole, Whole, Whole, Half.
The formula for constructing minor scale chords is to take the 1st, 3rd, and 5th notes of the minor scale.
A dominant 7 scale is constructed by starting with a major scale and lowering the 7th note by a half step. The formula for a dominant 7 scale is 1-2-3-4-5-6-b7.
To construct a dominant 7th scale in music theory, you start with the major scale and lower the 7th note by a half step. The formula is: 1-2-3-4-5-6-7.
The major scale chords formula is: I - ii - iii - IV - V - vi - vii.
A dominant seventh chord is built on the fifth scale degree of a major scale.
The formula for constructing minor scale chords is to take the 1st, 3rd, and 5th notes of the minor scale.
A dominant 7 scale is constructed by starting with a major scale and lowering the 7th note by a half step. The formula for a dominant 7 scale is 1-2-3-4-5-6-b7.
To construct a dominant 7th scale in music theory, you start with the major scale and lower the 7th note by a half step. The formula is: 1-2-3-4-5-6-7.
The third scale degree is called the mediant.
The major scale chords formula is: I - ii - iii - IV - V - vi - vii.
A dominant seventh chord is built on the fifth scale degree of a major scale.
The tonic in any scale is the 1st scale degree. For example, in the key of F major, the tonic is F.
The submediant, the sixth degree of the G major scale, is E.E natural
The supertonic of any scale is the second degree of the scale. Therefore, the supertonic of C major is D.
A relative major scale begins on the same note as its relative minor scale, but starts on a different degree of the scale.
Subdominant. Its triad is major.
The subdominant is the 4th scale degree. In G major, that's C.