The supertonic of any scale is the second degree of the scale. Therefore, the supertonic of C major is D.
G
G
The leading tone is the seventh note in the scale. For D-flat major, this would be C.
There are two tetrachords in a diatonic scale. The second tetrachord has the higher four notes. In D major, they are A B C# and D.
The interval from the tonic note to the third note of a major scale is a major third.
G
The supertonic in C major is the note D, which is the second degree of the C major scale (C-D-E-F-G-A-B). In terms of chords, the supertonic chord is built on this note, typically forming a minor chord (D minor, consisting of the notes D, F, and A). The supertonic plays a crucial role in harmonic progressions, often leading to the dominant chord (G major) in classical and popular music.
The supertonic triad in the key of A flat major is B flat, D flat, and F natural
F is the tonic. Therefore, from supertonic (the second note) to supertonic is G, A flat, B flat, C, D flat, E natural (a harmonic minor scale has the 7th note raised), F, G.
In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows: 1 - Tonic 2 - Supertonic 3 - Mediant 4 - Subdominant 5 - Dominant 6 - Submediant 7 - Leading Tone Let us take the case of C major as our key/scale: C - Tonic D - Supertonic E - Mediant F - Subdominant G - Dominant A - Submediant B - Leading Tone Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale: A - Tonic B - Supertonic C - Mediant D - Subdominant E - Dominant F - Submediant G - Leading Tone
In a major scale, the tonic is the first note and serves as the main key center. The supertonic is the second note, the mediant is the third note, the subdominant is the fourth note, the dominant is the fifth note, and the submediant is the sixth note. These notes create a specific pattern of intervals that give the major scale its characteristic sound.
C major is a major scale starting from C.
The supertonic is the second note of a major or minor scale. In music theory, it serves as a transitional chord that creates tension and leads to the dominant chord, which is the fifth note of the scale. This tension and resolution created by the supertonic helps to build the harmonic structure of a piece by adding depth and movement to the music.
E
G
In ascending order, the names for each scale degree are the tonic, supertonic, mediant, subdominant, dominant, submediant, leading tone, and the tonic again.
If C is the tonic, D is the supertonic.