G
G
The supertonic of any scale is the second degree of the scale. Therefore, the supertonic of C major is D.
The leading tone is the seventh scale degree of the diatonic scale which in F Major is the note "E".
E
The tonic for the key of F major is F. In the context of music, the tonic is the first note of the scale and serves as the home base or central pitch around which the other notes revolve. The F major scale consists of the notes F, G, A, Bb, C, D, and E.
The supertonic triad in the key of A flat major is B flat, D flat, and F natural
G
The supertonic of A major is B minor. In the context of the A major scale, which consists of the notes A, B, C#, D, E, F#, and G#, the supertonic is the second degree of the scale, which is B. B minor serves as the ii chord in the A major key, often used in harmonic progressions.
The supertonic in C major is the note D, which is the second degree of the C major scale (C-D-E-F-G-A-B). In terms of chords, the supertonic chord is built on this note, typically forming a minor chord (D minor, consisting of the notes D, F, and A). The supertonic plays a crucial role in harmonic progressions, often leading to the dominant chord (G major) in classical and popular music.
The supertonic of any scale is the second degree of the scale. Therefore, the supertonic of C major is D.
F is the tonic. Therefore, from supertonic (the second note) to supertonic is G, A flat, B flat, C, D flat, E natural (a harmonic minor scale has the 7th note raised), F, G.
E
B flat
The supertonic of the B major scale is C♯. In the context of music theory, the supertonic is the second degree of the scale, which in B major is the note C♯. It plays a crucial role in harmony and often leads to the dominant chord, enhancing the overall tension and resolution in musical compositions.
In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows: 1 - Tonic 2 - Supertonic 3 - Mediant 4 - Subdominant 5 - Dominant 6 - Submediant 7 - Leading Tone Let us take the case of C major as our key/scale: C - Tonic D - Supertonic E - Mediant F - Subdominant G - Dominant A - Submediant B - Leading Tone Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale: A - Tonic B - Supertonic C - Mediant D - Subdominant E - Dominant F - Submediant G - Leading Tone
The supertonic is the second note of a major or minor scale. In music theory, it serves as a transitional chord that creates tension and leads to the dominant chord, which is the fifth note of the scale. This tension and resolution created by the supertonic helps to build the harmonic structure of a piece by adding depth and movement to the music.
Tonic, supertonic, mediant, subdominant, dominant, submediant, leading note, tonic again..