F is the tonic. Therefore, from supertonic (the second note) to supertonic is G, A flat, B flat, C, D flat, E natural (a harmonic minor scale has the 7th note raised), F, G.
The supertonic triad in the key of A flat major is B flat, D flat, and F natural
F major and its relative harmonic minor, D minor, have only b flat.
The 7th scale degree in the C harmonic minor scale is B natural. In the harmonic minor scale, the seventh degree is raised by a half step compared to the natural minor scale, resulting in this alteration. The C harmonic minor scale consists of the notes C, D, E♭, F, G, A♭, and B natural.
G-sharp natural minor has five sharps (F♯, C♯, G♯, D♯, A♯) but the raised seventh degree turns the F♯ into Fx (F double sharp). So the key of G-sharp harmonic minor has four sharps and one double sharp.I hope that helps.
E, F#, G, A, B, C, D#, E
The supertonic in C major is the note D, which is the second degree of the C major scale (C-D-E-F-G-A-B). In terms of chords, the supertonic chord is built on this note, typically forming a minor chord (D minor, consisting of the notes D, F, and A). The supertonic plays a crucial role in harmonic progressions, often leading to the dominant chord (G major) in classical and popular music.
A harmonic minor is a natural minor with a raised seventh. For example, starting with a major key: C Major C D E F G A B C A natural minor A B C D E F G A A harmonic minor A B C D E F G# A
E, f#, g, a, b, c, d#, e.
D flat
The supertonic triad in the key of A flat major is B flat, D flat, and F natural
E minor: E, F#, G, A, B, C, D. E melodic minor: E, F#, G, A, B, C, D# E harmonic minor: E, F#, G, A, B, C#, D#.
F sharp in A major and in A melodic minor going up, and F natural in A natural minor, A harmonic minor, and A melodic minor going down.
The harmonic minor scale has the 7th note of the natural minor scale raised. The melodic minor scale has the 6th and 7th notes of the natural minor scale raised and then lowered. e.g. A natural minor: A, B, C, D, E, F, G, A A harmonic minor: A, B, C, D, E, F, G#, A A melodic minor: A, B, C, D, E, F#, G#, A, G, F, E, D, C, B, A
G
two. first is F# in scale E minor second is D# has sharpened from D for E harmonic scale.
G
In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows: 1 - Tonic 2 - Supertonic 3 - Mediant 4 - Subdominant 5 - Dominant 6 - Submediant 7 - Leading Tone Let us take the case of C major as our key/scale: C - Tonic D - Supertonic E - Mediant F - Subdominant G - Dominant A - Submediant B - Leading Tone Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale: A - Tonic B - Supertonic C - Mediant D - Subdominant E - Dominant F - Submediant G - Leading Tone