D flat
F sharp in A major and in A melodic minor going up, and F natural in A natural minor, A harmonic minor, and A melodic minor going down.
E minor: E, F#, G, A, B, C, D. E melodic minor: E, F#, G, A, B, C, D# E harmonic minor: E, F#, G, A, B, C#, D#.
The harmonic minor scale has the 7th note of the natural minor scale raised. The melodic minor scale has the 6th and 7th notes of the natural minor scale raised and then lowered. e.g. A natural minor: A, B, C, D, E, F, G, A A harmonic minor: A, B, C, D, E, F, G#, A A melodic minor: A, B, C, D, E, F#, G#, A, G, F, E, D, C, B, A
two. first is F# in scale E minor second is D# has sharpened from D for E harmonic scale.
E minor harmonic scale looks like this : E F# G A B C D# E The major scale for E minor is G major.
F sharp in A major and in A melodic minor going up, and F natural in A natural minor, A harmonic minor, and A melodic minor going down.
The minor scale that has B flat as its submediant is the D minor scale. In the D minor scale, the notes are D, E, F, G, A, B flat, and C, making B flat the sixth note, or submediant, of the scale.
The submediant of E major is C♯ minor. In the context of a major scale, the submediant is the sixth degree, and in the E major scale (E, F♯, G♯, A, B, C♯, D♯), the sixth note is C♯. Thus, C♯ minor serves as the submediant chord in the key of E major.
A harmonic minor is a natural minor with a raised seventh. For example, starting with a major key: C Major C D E F G A B C A natural minor A B C D E F G A A harmonic minor A B C D E F G# A
E minor: E, F#, G, A, B, C, D. E melodic minor: E, F#, G, A, B, C, D# E harmonic minor: E, F#, G, A, B, C#, D#.
The harmonic minor scale has the 7th note of the natural minor scale raised. The melodic minor scale has the 6th and 7th notes of the natural minor scale raised and then lowered. e.g. A natural minor: A, B, C, D, E, F, G, A A harmonic minor: A, B, C, D, E, F, G#, A A melodic minor: A, B, C, D, E, F#, G#, A, G, F, E, D, C, B, A
two. first is F# in scale E minor second is D# has sharpened from D for E harmonic scale.
In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows: 1 - Tonic 2 - Supertonic 3 - Mediant 4 - Subdominant 5 - Dominant 6 - Submediant 7 - Leading Tone Let us take the case of C major as our key/scale: C - Tonic D - Supertonic E - Mediant F - Subdominant G - Dominant A - Submediant B - Leading Tone Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale: A - Tonic B - Supertonic C - Mediant D - Subdominant E - Dominant F - Submediant G - Leading Tone
F is the tonic. Therefore, from supertonic (the second note) to supertonic is G, A flat, B flat, C, D flat, E natural (a harmonic minor scale has the 7th note raised), F, G.
E minor harmonic scale looks like this : E F# G A B C D# E The major scale for E minor is G major.
F major and its relative harmonic minor, D minor, have only b flat.
The 7th scale degree in the C harmonic minor scale is B natural. In the harmonic minor scale, the seventh degree is raised by a half step compared to the natural minor scale, resulting in this alteration. The C harmonic minor scale consists of the notes C, D, E♭, F, G, A♭, and B natural.