The submediant of E major is C♯ minor. In the context of a major scale, the submediant is the sixth degree, and in the E major scale (E, F♯, G♯, A, B, C♯, D♯), the sixth note is C♯. Thus, C♯ minor serves as the submediant chord in the key of E major.
The chords BVI, BVII, and I in a major key are related as the submediant, subtonic, and tonic chords respectively. They create a sense of resolution and stability in the key, with the submediant and subtonic chords leading to the tonic chord.
In a major scale, the tonic is the first note and serves as the main key center. The supertonic is the second note, the mediant is the third note, the subdominant is the fourth note, the dominant is the fifth note, and the submediant is the sixth note. These notes create a specific pattern of intervals that give the major scale its characteristic sound.
The relative major key of E minor is G major.
The relative major key to E minor is G major.
The subdominant note in a scale is the 4th, which in the key of E major is A.
E
B major's submediant note is g#
The submediant, the sixth degree of the G major scale, is E.E natural
A or VI or 6
B
G Major
The submediant - which is the note a relative minor scale begins on
C Major chord = C E G
The minor scale that has B flat as its submediant is the D minor scale. In the D minor scale, the notes are D, E, F, G, A, B flat, and C, making B flat the sixth note, or submediant, of the scale.
The submediant is lowered (E to Eb)The mediant is lowered (A to Ab)The leading note is lowered (B to Bb)
The tonic, the submediant and the dominant (1, 3 and 5).
The chords BVI, BVII, and I in a major key are related as the submediant, subtonic, and tonic chords respectively. They create a sense of resolution and stability in the key, with the submediant and subtonic chords leading to the tonic chord.