E
A or VI or 6
The 4th through sixth (or Subdominant through Submediant) are major, which means 2. The roman numerals are iv and VI.
G
A G major triad consists of three notes: G, B, and D. The root note is G, the major third is B, and the perfect fifth is D. Together, these notes create the harmonious sound characteristic of the G major chord.
G flat
The submediant, the sixth degree of the G major scale, is E.E natural
B major's submediant note is g#
G Major
B
A or VI or 6
C Major chord = C E G
The submediant - which is the note a relative minor scale begins on
The tonic, the submediant and the dominant (1, 3 and 5).
The chords BVI, BVII, and I in a major key are related as the submediant, subtonic, and tonic chords respectively. They create a sense of resolution and stability in the key, with the submediant and subtonic chords leading to the tonic chord.
In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows: 1 - Tonic 2 - Supertonic 3 - Mediant 4 - Subdominant 5 - Dominant 6 - Submediant 7 - Leading Tone Let us take the case of C major as our key/scale: C - Tonic D - Supertonic E - Mediant F - Subdominant G - Dominant A - Submediant B - Leading Tone Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale: A - Tonic B - Supertonic C - Mediant D - Subdominant E - Dominant F - Submediant G - Leading Tone
The 4th through sixth (or Subdominant through Submediant) are major, which means 2. The roman numerals are iv and VI.
Tonic, supertonic, mediant, subdominant, dominant, submediant, leading note, tonic again..