B flat
The supertonic of any scale is the second degree of the scale. Therefore, the supertonic of C major is D.
The supertonic triad in the key of A flat major is B flat, D flat, and F natural
E
G
G
The supertonic of A major is B minor. In the context of the A major scale, which consists of the notes A, B, C#, D, E, F#, and G#, the supertonic is the second degree of the scale, which is B. B minor serves as the ii chord in the A major key, often used in harmonic progressions.
The supertonic in C major is the note D, which is the second degree of the C major scale (C-D-E-F-G-A-B). In terms of chords, the supertonic chord is built on this note, typically forming a minor chord (D minor, consisting of the notes D, F, and A). The supertonic plays a crucial role in harmonic progressions, often leading to the dominant chord (G major) in classical and popular music.
3, 1, 6, 5, 3, 1, 4, 3 (First Octave beginning on Aflat)3, 1, 3, 2, 3, 1, 2, 3 (Second Octave beginning on Aflat)Notes are as follows:Aflat, Bflat, C, Dflat, Eflat, F, G, Aflat
F is the tonic. Therefore, from supertonic (the second note) to supertonic is G, A flat, B flat, C, D flat, E natural (a harmonic minor scale has the 7th note raised), F, G.
The supertonic is the second note of a major or minor scale. In music theory, it serves as a transitional chord that creates tension and leads to the dominant chord, which is the fifth note of the scale. This tension and resolution created by the supertonic helps to build the harmonic structure of a piece by adding depth and movement to the music.
Tonic, supertonic, mediant, subdominant, dominant, submediant, leading note, tonic again..
Tonic, supertonic, mediant, subdominant, dominant, submediant, leading note, tonic again..