The tonic is C sharp.
C sharp is equivalent to the note D flat.
The notes in an F sharp minor chord are F, A, and C.
The main difference between C major and C minor scales is the third note. In C major, the third note is E, which is a major third interval from the root note C. In C minor, the third note is E, which is a minor third interval from the root note C. This difference in the third note gives each scale a distinct sound and emotional quality.
The musical term "B sharp" represents the note B which is the same as the note C.
The main difference between the C major and C minor scales is the third note. In the C major scale, the third note is E, while in the C minor scale, the third note is E. This difference gives each scale a distinct sound and feeling.
Each scale has a Leading Tone (which is the 7th note of the scale) and a Tonic Note (which is the first/eighth note of the scale). For the key of C major, the leading tone would be B, and the tonic note would be C.
The first note of a major or minor scale is called the tonic note. For example: for C major, the first note (or tonic note) is C; for a minor, the first note (or tonic note) is a.
It is a major chord. Actually, tonic is simply defined as the first note in the scale or key. All chords have tonic note. The tonic of a C chord is the C. The tonic of a C minor chord is a C. The tonic of a C minor major 7 is a C.
The parallel minor key is that which has the same tonic note. So, the parallel minor to F major is F minor.
Yes.
Yes.
the tonic of the tonic of c is c because the tonic refers to the first note of the scale. Which is c. get it?
The difference is that F major's tonic is F and D minor's tonic is D. Most songs and pieces end either with the tonic of the key signature or a chord with the tonic. Both have a key signature of 1 flat and all the notes are the same except that in D minor the C is raised (incidentally) to C sharp.
It isn't. The tonic of the relative minor is a minor third below the tonic of the major scale. C major and A minor, G major and E minor, for example. Harmonically speaking, B flat minor is the relative minor of D flat major.While the tones of C sharp and D flat are indistinguishable in equal temperament, the representations of their scales on a score are not the same at all. So it means something to keep from mixing the sharps and flats when dealing with standard harmony. The relative minor of C sharp major would be A sharp minor, a very odd key to be sure, since it includes three notes that are each double-sharped. Why bother? Stay with the flat alternatives.
There is no such thing as a C sharp minor on a piano. C sharp minor refers to a key signature or tonal center, not a singular note. Remember, the individual notes in music mean nothing until they are made relative to each other by the scale or chords used. Right but also the C# minor scale (C#m) means take the C# scale and flat the third note in the scale progression. The third note here is E# (E Sharp). Start by counting the first note of the scale, it is called the root, in this case C#. So, C#, D#, then E#. The chord is the usually the first (root), 3rd and fifth notes of the scale progression. In a minor key/scale you flat the 3rd note of the scale/chord. So here the E# is flatted to be natural E. The chord C# minor (C#m) consists of the notes C#, E and G#. Have fun.
The leading tone in any key is one half-step below the tonic. In the key of D-sharp, the leading tone is C-double-sharp (it can't be spelled as D-natural, because the letter D is already used for the tonic).
As you may know, in all minor keys you must raise the 7th note. For example, the key of E Minor is F sharp, but you always play a D sharp in that key. It's the same with C Minor. You raise the 7th note making B flat, a B natural. I hope this helped