Rhyme
The general name for such writings is 'poetry'.
One difference that I can see in both of these:-' The Hindi of literature is ' साहित्य' ,, ,, ,, Poetry is 'कविता'
They both changed the rules of poetry
he rejected the rules of society
no, e e Cummings never used capital lettershttp://en.wikipedia.org/wiki/E._E._CummingsEdward Estlin Cummings (October 14, 1894 - September 3, 1962), popularly known as E. E. Cummings, with the abbreviated form of his name often written by others in all lowercase letters as e. e. Cummings, was an American poet, painter, essayist, author, and playwright. His body of work encompasses approximately 2,900 poems, an autobiographical novel, four plays and several essays, as well as numerous drawings and paintings. He is remembered as a preeminent voice of 20th century poetry, as well as one of the most popular.Cummings' publishers and others have sometimes echoed the unconventional orthography in his poetry by writing his name in lower case and without periods. Cummings himself used both the lowercase and capitalized versions, but according to his widow did not, as reported in the preface of one book,[1] have his name legally changed to "e e Cummings".[citation needed] He did, however write to his French translator that he preferred the capitalized version ("may it not be tricksy").[2] One Cummings scholar believes that on the occasions Cummings signed his name in all-lowercase, the poet may have intended it as a gesture of humility, and not as an indication that it was the preferred orthography for others to use for his name.[3]Some of Cummings's most famous poems do not involve much, if any, odd typography or punctuation, but still carry his unmistakable style. For example, the aptly titled "anyone lived in a pretty how town" begins:anyone lived in a pretty how town(with up so floating many bells down)spring summer autumn winterhe sang his didn't he danced his didWomen and men(both little and small)cared for anyone not at allthey sowed their isn't they reaped their samesun moon stars rain"why must itself up every of a park" begins as follows:why must itself up every of a parkanus stick some quote statue unquote toprove that a hero equals any jerkwho was afraid to dare to answer "no"?Cummings's unusual style can be seen in his poem "Buffalo Bill's/ defunct" from the January 1920 issue of The Dial.Readers sometimes experience a jarring, incomprehensible effect with Cummings's work, as the poems do not act in accordance with the conventional combinatorial rules that generate typical English sentences. (For example, "why must itself..." or "they sowed their isn't..."). His readings of Stein in the early part of the century probably served as a springboard to this aspect of his artistic development (in the same way that Robert Walser's work acted as a springboard for Franz Kafka). In some respects, Cummings's work is more stylistically continuous with Stein's than with any other poet or writer.
apex - they both poetry spring as a person decorating
Poetry typically includes rhyme and meter. Rhyme involves words that have similar sounds at the end of their lines, while meter refers to the pattern of stressed and unstressed syllables in a line of poetry. Together, rhyme and meter help create a rhythmic flow and enhance the musical quality of poetry.
Rhyme is repetition of both vowel and consonant sounds in words, creating a similar sound pattern at the end of lines in poetry or songs.
Assonance and alliteration are different types of sound devices used in poetry and prose to enhance rhythm and musicality. Assonance involves the repetition of vowel sounds within nearby words, creating internal rhyme and contributing to the overall mood. In contrast, alliteration is the repetition of consonant sounds at the beginning of words in close proximity, often used to create emphasis or a catchy effect. Both techniques enrich language and can evoke emotions or imagery in the reader.
Both poems "Spring" by Edna St. Vincent Millay and "in Just-" by E.E. Cummings use spring as a metaphor for renewal and growth. Millay's poem reflects on the beauty and vitality of spring as a time of rebirth and new beginnings, while Cummings' poem captures the fleeting and joyful essence of spring through playful imagery and language. Both poets convey the transformative power of the season in their own unique ways.
Rhyme or assonance is often used to create similar sounds, especially at the last syllables, in poetry or lyrics. Rhyme occurs when the ending sounds of words match exactly, while assonance is the repetition of vowel sounds within words. Both techniques can enhance the musicality and create a sense of cohesion in a piece of writing.
The tone of the language in the Quran is often described as majestic, authoritative, and evocative. It employs a rich tapestry of imagery and metaphor, conveying deep spiritual and moral lessons. The text combines elements of poetry and prose, using rhythmic patterns and repetition to enhance its message. Overall, the tone is both reverent and compelling, aimed at guiding believers in their faith and conduct.
Language is repetitive in that it often relies on the repetition of sounds, words, and structures to create meaning and enhance understanding. This can be seen in poetry, rhetoric, and everyday communication, where patterns and familiar phrases reinforce ideas. Additionally, language is recursive because it allows for the embedding of phrases and clauses within one another, enabling the creation of complex sentences that convey intricate thoughts. This dual nature of repetition and recursion gives language its flexibility and richness, allowing for both clarity and depth in expression.
apex - they both poetry spring as a person decorating
Though Ballad and Lyric poetry are generally opposites, they do have similar backgrounds. They evolved from the same backgrounds, and grew different over time.
Poetry today resembles poetry of the 14th century in many ways. For one, the creativity and ingenuity of the literary works are simply unsurpassed and second to none. Secondly, today's poetry does borrow from recitals of yesteryear in terms of templates and content. Lastly, today's poetry also reflects many of the same issues that plagued society back in the 14th century.
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