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That her behavior leaves Creon no choice is the way in which the chorus first characterizes Antigone's punishment in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus does not sympathize with Theban Princess Antigone. The members insist that she is every bit as proud, stubborn, uncompromising, uncontrolled and unlucky as her father, disgraced Theban King Oedipus. They make no mention about her courage and a lot of mention about her perceived character flaws.
That she is as foolish, uncompromising, uncontrolled and unlucky as her father is what the chorus leader says about Antigone's fate in the second scene of "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus leader makes his first observation on her foolishness and unluckiness when he sees that Theban Princess Antigone is escorted by armed guard into her uncle King Creon's presence. He makes his second observation on her lack of conciliation and self-control when Antigone openly admits her guilt. At the end of Antigone's and Creon's interaction, the chorus sings of Antigone's fateful descent from cursed parents and ancestors.
That it is trouble is what the chorus believes about love in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus makes observations about love in regard to the interaction between Creon and Haemon. The members note that Haemon is all caught up in his love for his first cousin and bride-to-be, Princess Antigone. They observe that love does not lead to the best decision making.
It is as the victor that the chorus sees Creon at the beginning of the first scene in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus gathers because they have a royal summons. They know that information will be shared. They look forward to hearing what Creon has to say since he is on the winning side of the first civil war over the Theban royal succession.
To entertain and to emphasize that the gods rule is the purpose of the exchange between the chorus and the chorus leader in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus and the chorus leader alternate in a way that focuses on key concepts, heightens dramatic impact and increases audience interest. The chorus gives the details of the violent first civil war over the Theban royal succession. The chorus leader mentions how the gods feel and how fate just keeps unfurling according to divine plan.
That her behavior leaves Creon no choice is the way in which the chorus first characterizes Antigone's punishment in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus does not sympathize with Theban Princess Antigone. The members insist that she is every bit as proud, stubborn, uncompromising, uncontrolled and unlucky as her father, disgraced Theban King Oedipus. They make no mention about her courage and a lot of mention about her perceived character flaws.
That she is as foolish, uncompromising, uncontrolled and unlucky as her father is what the chorus leader says about Antigone's fate in the second scene of "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus leader makes his first observation on her foolishness and unluckiness when he sees that Theban Princess Antigone is escorted by armed guard into her uncle King Creon's presence. He makes his second observation on her lack of conciliation and self-control when Antigone openly admits her guilt. At the end of Antigone's and Creon's interaction, the chorus sings of Antigone's fateful descent from cursed parents and ancestors.
That it is trouble is what the chorus believes about love in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus makes observations about love in regard to the interaction between Creon and Haemon. The members note that Haemon is all caught up in his love for his first cousin and bride-to-be, Princess Antigone. They observe that love does not lead to the best decision making.
It is as the victor that the chorus sees Creon at the beginning of the first scene in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus gathers because they have a royal summons. They know that information will be shared. They look forward to hearing what Creon has to say since he is on the winning side of the first civil war over the Theban royal succession.
The 'parados' is the entry of the chorus into the orchestra. The orchestra is the place where the chorus dances and sings. In fact, the chorus originally was a group of dancers. But in the play 'Antigone', the chorus' entry into the orchestra is followed by their first statements. The first words of the parados are 'Beam of the sun, fairest light that ever dawned on Thebe of the seven gates, thou hast shone forth at last, eye of golden day, arisen above Dirce's streams!' In the rest of that first paragraph, and the following seven, the chorus tells the events preceding the action of the play. And so readers and viewers understand that Thebes was the site of a victorious repulsion by those loyal to their city against invaders from Argos and their Theban collaborators. The chorus ends on the ominous note of the special counsel that's called by new installed Theban King Creon.
To entertain and to emphasize that the gods rule is the purpose of the exchange between the chorus and the chorus leader in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus and the chorus leader alternate in a way that focuses on key concepts, heightens dramatic impact and increases audience interest. The chorus gives the details of the violent first civil war over the Theban royal succession. The chorus leader mentions how the gods feel and how fate just keeps unfurling according to divine plan.
It is in the choral odes and Antigone's procession to her death that examples of imagery are found in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the term parados describes the first onstage appearance of the chorus of Theban elders. The chorus enters with a song of striking imagery. The song likens Polyneices' attack on Thebes to the flight of predatory eagles and the struggle of smoldering dragons.
Curses, fate, flaws and punishment are four themes revealed by the chorus in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus of Theban elders devote the parados and the first ode to the human flaw of pride and recklessness. They discuss the divine curses on Theban Princess Antigone's father Oedipus and great-grandfather King Labdacus in the second ode. They mention fate in the third ode. They refer to punishment throughout all of the odes.
The parados is the opening song in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the term parados describes the chorus' first entrance onto the stage. The entrance is accompanied by dancing and singing. So the original meaning is expanded to include the chorus' first song since it is so important for setting themes to be elaborated in the course of the play.
The first choral entrance and ode is the meaning of the word parados in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the term parados comes from the ancient Greek word πάροδος. It literally describes the first entrance of the chorus members onstage. But it also is used to refer to the first ode that the chorus sings while dancing onstage.
Antigone and Ismene are the first two characters to appear on the stage in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princesses Antigone and Ismene are sisters. They gather outside the main entrance to the Theban royal palace. Their conversation sets the pace for the rest of the play's action.
Yes, Antigone is careless when she buries her brother in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone is careful when she buries her brother Polyneices the first time, before King Creon publicly announces his non-burial edict to the chorus of Theban elders. Because she has no help, she gives her brother a partial burial, whereby the body is left above ground but covered with a layer of dust. What is careless is the second, re-burial attempt when Antigone makes no effort to check for guards or to cloak what she is doing.