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Did they used trap doors and different levels on the stage in shakespearen times?
Wiki User
∙ 13y ago
Yes. A trap door in the stage was used to make Ophelia's grave in Hamlet, the pit where Bassanius's body is dumped in Titus Andronicus, and to facilitate the disappearance of the witches in Macbeth. The upper level was used not only for the balcony scene in Romeo and Juliet but also for city walls in Henry V and King John. In Titus Andronicus a large number of senators are seen on the upper level in the first scene, requiring a very large upper area. (This is believed to have been available in the Rose Theatre)
Wiki User
∙ 13y ago
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Why are levels important in drama?
Levels give a stage more visual interest, and the various levels can be useful, as they allow different characters the opportunity to communicate different status, for example. The various levels might represent different locations, or may just allow the audience to see particular bits of the action more clearly. I hope this helps!
How many trap doors did the globe theatre have?
Two: one in the stage floor, and one in the Heavens (the ceiling above the stage).
How is the globe theatre laid out?
It is a twenty-sided polygon with three tiers of roofed galleries overlooking an open area. The stage comes out halfway into the yard, open to the sunlight. There is a roof over the rear half of the stage, with entrance doors on either side, and a drapery called an arras between them. As with the auditorium, there are second and third levels of the stage that are permanent fixtures of the playhouse. The area offstage, behind the exit doors is called the 'Tiring House (attiring house). There are trap doors in the floor of he stage, and in the loft above the stage, covered by the roof. On the second level, above the entrances are windows, and there is an upper level terrace between them to allow scenes to take place up there as well. It is a kind of permanent unit set built into the architecture of the theater itself.
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Trap doors were built into the stage allowing dramatic entrances during the performances of plays. The height of the stage was five feet - so the area beneath the stage was easily big enough to hold actors. This area underneath the stage was given the title "Hell". This was taken from the term 'hell mouth' which was used to refer to any trap-door in the bottom of a stage (called the cellerage). The Globe theatre stage was believed to have had two trap doors on the outer stage and one trap door on the inner stage called the "grave trap" Actors would hide in "Hell" waiting to make their entrance or to create other special effects. Unusual special effects could be made from 'Hell' including different sounds using different musical instruments such as the trumpet, or drums. Actors skilled in imitating the baying of hounds and crowing of roosters or the wailing of ghostly sounds would also be waiting in 'Hell'.
In Shakespeares play's they used trap doors and different levels on the stage true or false?
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Two: one in the stage floor, and one in the Heavens (the ceiling above the stage).
How is the globe theatre laid out?
It is a twenty-sided polygon with three tiers of roofed galleries overlooking an open area. The stage comes out halfway into the yard, open to the sunlight. There is a roof over the rear half of the stage, with entrance doors on either side, and a drapery called an arras between them. As with the auditorium, there are second and third levels of the stage that are permanent fixtures of the playhouse. The area offstage, behind the exit doors is called the 'Tiring House (attiring house). There are trap doors in the floor of he stage, and in the loft above the stage, covered by the roof. On the second level, above the entrances are windows, and there is an upper level terrace between them to allow scenes to take place up there as well. It is a kind of permanent unit set built into the architecture of the theater itself.
Why did they have upper stage and trapped doors?
So they can bring them down under when they need to
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