I have no idear.
I have no idear.
The conflict between Creon and Teiresias in "Antigone" begins with Creon's inability to believe Teiresias' prophecies. Creon believes that he is a traitor.
Whom to obey is the conflict between Antigone and Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone believes that the gods rule in life and death. She chooses to obey the gods when divine and royal laws conflict. In contrast, her uncle King Creon expects his own laws to be obeyed.
The ultimate authority in life is the source of conflict between Antigone and Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban King Creon believes that he can decide what is best for himself, his city and his people. He does not feel influenced or inhibited by what goes before, around or after him. He in fact is in transition from Antigone's old ways of cherished traditions, divine will and family ties.
It is in the burying of Polyneices that the main conflict is revealed in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the main conflict deals with which authority to identify as the ultimate over human lives. The choice is between the divine authority of the gods and the royal authority of Theban kings. Antigone selects the gods, which puts her into conflict with King Creon.
I have no idear.
The conflict between Creon and Teiresias in "Antigone" begins with Creon's inability to believe Teiresias' prophecies. Creon believes that he is a traitor.
Whom to obey is the conflict between Antigone and Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone believes that the gods rule in life and death. She chooses to obey the gods when divine and royal laws conflict. In contrast, her uncle King Creon expects his own laws to be obeyed.
The ultimate authority in life is the source of conflict between Antigone and Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban King Creon believes that he can decide what is best for himself, his city and his people. He does not feel influenced or inhibited by what goes before, around or after him. He in fact is in transition from Antigone's old ways of cherished traditions, divine will and family ties.
It is in the burying of Polyneices that the main conflict is revealed in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the main conflict deals with which authority to identify as the ultimate over human lives. The choice is between the divine authority of the gods and the royal authority of Theban kings. Antigone selects the gods, which puts her into conflict with King Creon.
Whether or not to obey the royal edict is the minor conflict in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the phrase minor conflict describes a disagreement that does not involve both main characters but that relates to their main conflict. The description fits the opening disagreement between the Theban sister Princesses Antigone and Ismene. Antigone insists that their brother Polyneices must be buried and that the royal edict of non-burial therefore must be disobeyed. In contrast, Ismene maintains that the laws of the city must not be broken. The disagreement relates to the major conflict between the main characters, Antigone and Creon, over the ultimate authority figures in life and death.
Whom to obey is the conflict between Antigone and Ismene in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone considers divine will the ultimate in law and the gods the ultimate in authority figures. In contrast, her sister Princess Ismene looks to the more immediate authority of their uncle King Creon and his laws. She understandably shudders at the thought of confronting her daunting uncle and his equally daunting death sentences to violators of his laws.
Because they are too much alike! Both head strong and confident in their actions and speech. Along with pride sometimes comes stubbornness (Antigone) and the belief that one is superior (Creon). They both have this in common creating this strained relationship between them; conflict. Creon describes Antigone as 'Daughter of Oedipus pride'
The conflict between Antigone and Creon is ultimately resolved through tragic events, culminating in the deaths of both Antigone and Creon's son, Haemon. Antigone is sentenced to death for her defiance in burying her brother Polynices, leading her to take her own life in despair. Haemon, who is engaged to Antigone, finds her dead and, in his grief, takes his own life as well. This series of tragedies forces Creon to confront the consequences of his rigid laws and decisions, leaving him devastated and alone.
In Scene 2 of "Antigone," the conflict between loyalty to family and civil obedience is highlighted when Antigone defies King Creon’s decree by burying her brother Polynices. Antigone argues that her loyalty to her family and the divine laws governing the dead outweighs her obligation to obey Creon's edict. This clash illustrates the tension between personal duty to loved ones and adherence to state laws, setting the stage for the tragic consequences of her actions.
The three elements of a conflict are: incompatibility between goals or values, interaction between the parties involved, and perception of the disagreement by those involved.
The conflict in "Antigone" revolves around the clash between individual moral duty and state law. Antigone defies King Creon’s edict prohibiting the burial of her brother Polynices, believing it is her sacred duty to honor him according to divine law. This act of defiance sets off a tragic chain of events, highlighting the tension between personal beliefs and societal authority, ultimately leading to dire consequences for both Antigone and Creon. The play explores themes of loyalty, justice, and the consequences of pride.