romeo&juliet fits into the genre of tragedy because when romeo&juliet both die at the end, that is considered tragedy. tragedy is caused by 3 things: tragic flaw. [when one of the main characters has a flawed personality that leads to the tragedy.] hamartia. [when one of the main characters makes decisions which they cant see what is going to happen next.] fate. [self-explanitory.]
Romeo's banishment for killing Tybalt is a pivotal moment in Shakespeare's "Romeo and Juliet." After slaying Tybalt in a fit of rage, Romeo exclaims, "O, I am fortune's fool!" reflecting his despair over the consequences of his actions. The Prince declares Romeo's punishment: "And for that offense, immediately we do exile him hence." This banishment intensifies the tragedy of the play, separating Romeo from Juliet and setting the stage for the ensuing chaos.
Well, assuming that Romeo is the Hero, I suppose Benvolio might be his sidekick. But Romeo doesn't fit the part of a Hero very well.
The Crucible' fits the definition of a classic tragedy because it stars a tragic hero. That hero is John Proctor, who appears as an upright fellow but lusts for another man's wife.
She is a square piece in a round puzzle. She does not quite fit in, etc.
The term "rising action" is a term which only has application to a critical device called Freytag's Pyramid, in which it refers to the action in Act 2 of a typical five-act play, and by "typical" I here mean a Shakespearean Tragedy, since the Freytag Pyramid doesn't always fit the histories and comedies. Since the Prologue of Romeo and Juliet is not a five-act play (it is in fact a sonnet), the Freytag Pyramid and therefore the term "rising action" cannot apply to it. You could probably see that coming when you heard it was a prologue, since there is never any action of any kind in a Prologue (if there were, it would be an "Induction", as in The Taming of the Shrew).
Tragedy is a genre that often portrays protagonists suffering as a result of their own actions. In this genre, the protagonist's flaws or mistakes lead to their downfall, creating a sense of catharsis for the audience. The Greek playwrights, like Sophocles and Euripides, often explored this theme in their works.
Romeo's banishment for killing Tybalt is a pivotal moment in Shakespeare's "Romeo and Juliet." After slaying Tybalt in a fit of rage, Romeo exclaims, "O, I am fortune's fool!" reflecting his despair over the consequences of his actions. The Prince declares Romeo's punishment: "And for that offense, immediately we do exile him hence." This banishment intensifies the tragedy of the play, separating Romeo from Juliet and setting the stage for the ensuing chaos.
fairy tale
Christmas
They are listened to and then it is decided what genre they fit into based on their instrumentation and vocalisation (if any).
electro-pop
yes
The hero of a tragedy must be a real person. Real people do not easily fit into one of the two categories. A tragedy often exposes the forces that have formed a person's motives, and they can't fit into a box.
Italian Early Renaissance.
Romeo kills Juliet's cousin, Tybalt, in a fit of rage after Tybalt kills Romeo's friend, Mercutio. The act of revenge leads to a tragic turn of events in the play "Romeo and Juliet."
The Haka fits into tribal and cultural dances.
Well, assuming that Romeo is the Hero, I suppose Benvolio might be his sidekick. But Romeo doesn't fit the part of a Hero very well.