Character and fate both are involved in Oedipus' tragedy in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).
Specifically, a tragedy deals with an unfortunate turn or end to life. Oedipus hears a horrible prophecy that causes him to run scared for the rest of his life. His understandable panic over a fate of killing his father and marrying his mother leads him to make less than the best choices. In fact, he makes all the choices that the gods need in order for his fate to be fulfilled.
Oedipus Rex is a tragedy because The main character (Oedipus) suffers a major loss of some sort that tears his/her life apart. The play can be called a Greek tragedy because hubris (pride or arrogance) is a main theme. The fact that the belief in gods and fate are very prevalent also make Oedipus Rex a Greek tragedy.
The shepherd in Oedipus Rex is the person who rescues Oedipus Rex as a child. The shepherd also confirms the main character's fate.
Yes, "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.) is a tragedy.Specifically, a tragedy describes the unfortunate turn or end to the life of the main character. The description fits the story of the life and times of Theban King Oedipus. He starts the play at the top of his game in personal happiness and professional success. But fate and mistakes ultimate trip him up and deprive him of wife, sight, reputation, job and home.
Sophocles
Fate and free will are the two opposing worldviews in Oedipus Rex.
Oedipus Rex is a tragedy because The main character (Oedipus) suffers a major loss of some sort that tears his/her life apart. The play can be called a Greek tragedy because hubris (pride or arrogance) is a main theme. The fact that the belief in gods and fate are very prevalent also make Oedipus Rex a Greek tragedy.
The shepherd in Oedipus Rex is the person who rescues Oedipus Rex as a child. The shepherd also confirms the main character's fate.
Yes, "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.) is a tragedy.Specifically, a tragedy describes the unfortunate turn or end to the life of the main character. The description fits the story of the life and times of Theban King Oedipus. He starts the play at the top of his game in personal happiness and professional success. But fate and mistakes ultimate trip him up and deprive him of wife, sight, reputation, job and home.
Sophocles
Fate and free will are the two opposing worldviews in Oedipus Rex.
Killing his father and marrying his mother is Oedipus' fate in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban King Oedipus hears his fate from the Delphic oracle. The oracle is respected throughout ancient Greece for her insights into divine will and fate. She says that Oedipus is fated to kill his father and marry his mother.
Dramatic irony refers to a character presenting the existing situation as being quite different from what it actually is. It tends to imply that the character doesn't know the entire truth about a particular situation. This is the element of tragedy that the choir shows in 'Oedipus Rex'. The mention of the possibility that Theban King Oedipus might be doomed to banishment by his own decree represents an element of tragedy that also is an example of dramatic irony.
Yes, life is unfair to Oedipus in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Oedipus gets a fate that he does not deserve. His fate is determined before he is born. Once he learns of his fate as an adult, he makes efforts to outrun it and outwit the gods.
Yes.
No, Oedipus is not an innocent victim of an unjust fate in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.). Specifically, Theban King Oedipus hears that he is fated to be his father's killer and his mother's husband. The fate is unjust. But Oedipus makes panic stricken choices that make possible the very fate that he so seeks to avoid.
Fate is a possible option for the antagonist.
That it is the perfect tragedy is what critics say about "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the play excels as a tragedy in which no detail is left unconnected. It offers an excellent opportunity for in-depth character study of the protagonist. It provides ample room for the interaction of the two main world views of outcome pre-determined by fate or made up as it goes along by individual free will choices.