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An Introduction, a poem included in Kamala Das's first volume of poetry, Summer in Calcutta(1965), begins with a statement that shows her frank distaste for politics, especially in politically free India ruled by a chosen elite. The poet asserts her right to speak three languages, and defends her choice to write in two--her mother-tongue, Malayalam, and English. She doesn't like to be advised in this matter by any guardian or relations. Her choice is her own: authentic and born of passion. The poet looks upon her decision to write in English as natural and humane.

From the issue of the politics of language the poem then passes on to the subject of sexual politics in a patriarchy-dominated society where a girl attaining puberty is told about her biological changes by some domineering parental figure. As the girl seeks fulfilment of her adolescent passion, a young lover is forced upon her to traumatize and coerce the female-body since the same is the site for patriarchy to display its power and authority. When thereafter, she opts for male clothing to hide her femininity, the guardians enforce typical female attire, with warnings to fit into the socially determined attributes of a woman, to become a wife and a mother and get cofined to the domestic routine. She is threatened to remain within the four walls of her female space lest she should make herself a psychic or a maniac.

But the poet is an individual woman trying to voice a universal womanhood and trying to share her experiences, good or bad, with all other women. Love and sexuality are a strong component in her search for female identity and the identity consists of polarities. The poem ends with repetitions of the 1st person sigular I to suggest vindication of the body and the self.

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