* Flexible
Performer/Audience Relationship (or the Actor/Audience Relationship,)
Observing the audience helps you understand the relationship between the audience and performers because, the way the people react to the actors shows their respect for them.
The theatrical experience is unique in that actors and audience get together at the same time and place for a specific purpose. Actors act for an audience; there is an implied contract under which the person in the audience willingly suspends his disbelief in the pretending on stage. He knows that the actor playing Julius Caesar does not really die when he is stabbed, and that is not real blood. He knows these things but agrees to pretend that he does NOT know them so that he can empathize with the actors on stage. The audience for a theatrical production is not a voyeur. It is a participant, part of an active relationship. Each side brings something to the event, and they pretend together. This is why the events are called "plays".
To begin with, it was the reason the play was written. The audience can also become an equal character in the production of a play. The audience may not have any lines, but they can provide feedback that lets the actors on stage know how they are being received, and more importantly if the play is 'working'.kapm
a bond between two or more people ....
Performer/Audience Relationship (or the Actor/Audience Relationship,)
bias apex ;D
Observing the audience helps you understand the relationship between the audience and performers because, the way the people react to the actors shows their respect for them.
The actors with the audience.
The speaker speaks, the audience listens (latin audio, "I listen").
when you have a connection with the audience or the person that you are dancing with
The theatrical experience is unique in that actors and audience get together at the same time and place for a specific purpose. Actors act for an audience; there is an implied contract under which the person in the audience willingly suspends his disbelief in the pretending on stage. He knows that the actor playing Julius Caesar does not really die when he is stabbed, and that is not real blood. He knows these things but agrees to pretend that he does NOT know them so that he can empathize with the actors on stage. The audience for a theatrical production is not a voyeur. It is a participant, part of an active relationship. Each side brings something to the event, and they pretend together. This is why the events are called "plays".
the relationship among the speaker, the subject and the audience.
elaborate on the relationship using specific details
Bonds between two or more people
To begin with, it was the reason the play was written. The audience can also become an equal character in the production of a play. The audience may not have any lines, but they can provide feedback that lets the actors on stage know how they are being received, and more importantly if the play is 'working'.kapm
In a verbal communication,both the speakers and audience have equal importance.There is a need of both the speakers and audience in the rhetoric. If there is absence of anyone, i.e., either speaker or audience, then the rhetoric will not take place.