In the highly artificial schema from which the term 'rising action' is drawn, Act II of the play is always the rising action.
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The term "rising action" is a term which only has application to a critical device called Freytag's Pyramid, in which it refers to the action in Act 2 of a typical five-act play, and by "typical" I here mean a Shakespearean Tragedy, since the Freytag Pyramid doesn't always fit the histories and comedies. Since the Prologue of Romeo and Juliet is not a five-act play (it is in fact a sonnet), the Freytag Pyramid and therefore the term "rising action" cannot apply to it. You could probably see that coming when you heard it was a prologue, since there is never any action of any kind in a Prologue (if there were, it would be an "Induction", as in The Taming of the Shrew).
She is 100% responsible for it. At the beginning of Act I Scene 7 Macbeth decides that it would do no good to kill the king. However, Lady Macbeth totally turns his decision around by playing on his masculinity and pride.
At the beginning of the play in act 1 the Thane of Cawdor (the earlier one, not Macbeth) is a traitor, and also a guy called Macdonweald whom Macbeth defeats.
In Act 1, Lady Macbeth is the planner, the one who is dragging her reluctant husband into committing one murder. But by Act 4, Macbeth commits murder after murder and Lady Macbeth is the reluctant one, nauseated and consumed with guilt by the bloodshed. The roles actually reverse much earlier in the play, when Macbeth kills the grooms. That was not in Lady Macbeth's plan, and she is horrified by it.
Keith Powell Directs a Play - 2008 Act II Rising Action 1-2 was released on: USA: 1 November 2008
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Macbeth was killed by Macduff in Act 5, Scene 8 of the play "Macbeth." Macduff reveals that he was not "of woman born" in a traditional sense, fulfilling the witches' prophecy that he is the only one who can defeat Macbeth.
It depends what part of the play you are talking about. Macbeth is a wonderful play because the main characters do not have a fixed character profile. What they do in Act 2 changes them forever. Killing someone while they sleep was out of character for Macbeth in Act 2 but would not be in Act 4.
The term "rising action" is a term which only has application to a critical device called Freytag's Pyramid, in which it refers to the action in Act 2 of a typical five-act play, and by "typical" I here mean a Shakespearean Tragedy, since the Freytag Pyramid doesn't always fit the histories and comedies. Since the Prologue of Romeo and Juliet is not a five-act play (it is in fact a sonnet), the Freytag Pyramid and therefore the term "rising action" cannot apply to it. You could probably see that coming when you heard it was a prologue, since there is never any action of any kind in a Prologue (if there were, it would be an "Induction", as in The Taming of the Shrew).
In Act 1 of Macbeth, the witches bury a pilot's thumb. This gruesome act foreshadows the chaos and deception that will unfold throughout the play.
She is 100% responsible for it. At the beginning of Act I Scene 7 Macbeth decides that it would do no good to kill the king. However, Lady Macbeth totally turns his decision around by playing on his masculinity and pride.
The soldiers are on night watch at the castle in the opening of the play "Macbeth." They are accompanied by Banquo and Macbeth.
At the beginning of the play in act 1 the Thane of Cawdor (the earlier one, not Macbeth) is a traitor, and also a guy called Macdonweald whom Macbeth defeats.
In Act 1, Lady Macbeth is the planner, the one who is dragging her reluctant husband into committing one murder. But by Act 4, Macbeth commits murder after murder and Lady Macbeth is the reluctant one, nauseated and consumed with guilt by the bloodshed. The roles actually reverse much earlier in the play, when Macbeth kills the grooms. That was not in Lady Macbeth's plan, and she is horrified by it.
In Act 1, Lady Macbeth is the planner, the one who is dragging her reluctant husband into committing one murder. But by Act 4, Macbeth commits murder after murder and Lady Macbeth is the reluctant one, nauseated and consumed with guilt by the bloodshed. The roles actually reverse much earlier in the play, when Macbeth kills the grooms. That was not in Lady Macbeth's plan, and she is horrified by it.
In Act 1, Scene 5 of Shakespeare's play "Macbeth," Macbeth does not creep into Lady Macbeth's bedroom. Instead, Lady Macbeth receives Macbeth's letter informing her of the witches' prophecies. Their encounter in the play takes place in other locations within their castle.