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If you mean the basic form of verbal irony in which someone says something that he doesn't intend to be taken literally--that form of irony that includes sarcasm--then there are a couple right in the first scene, let alone the whole first act.

As the play opens, Iago and Roderigo are exchanging a rather heated conversation about why Desdemona has just married Othello, in spite of Roderigo's assumption that Iago was pushing his suit with the little lady. Iago quickly turns the topic of the discussion to how little reason he has to like Othello, who has just shocked him by appointing Cassio rather than Iago to the position of his lieutenant. Iago describes Cassio as an accountant, a theoretical military man who can talk the talk but has never had to walk the walk. That's not verbal irony yet, but it does arrive when Iago concludes with what great appointment he himself received from the gracious good will of the Moor. "God bless the mark," he says with heavy sarcasm, expressing a sincere appreciation that he doesn't at all feel as he declares that he has been promoted to "his Moorship's ancient." This is not at all what he wanted or what he felt he deserved, based on his years of experience and service.

Later in the scene, Iago is again heavily ironic when he explains that he is definitely not the sort of person who sincerely acts as he feels. In fact, he makes a point of hiding his motives and not letting anyone, particularly those in command over him, suspect what he truly thinks and feels. The passage is worth quoting in its entirety:

For when my outward action doth demonstrate

The native act and figure of my heart

In compliment extern, 'tis not long after

But I will wear my heart upon my sleeve

For daws to peck at. I am not what I am.

Clearly that's a pretty good example of verbal irony, especially when it concludes with one of the most famous instances of paradox in Shakespeare.

I hope that was useful.

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