SF
Ensemble Theatre was created in 1958.
The 10 songs in School House Rock Live Jr. are (and sung by):A Noun is a Person, Place or Thing (Dori & Ensemble)3 Is a Magic Number (George and Ensemble)Unpack Your Adjectives (Dina, Shulie, and Ensemble)I'm Just a Bill (George)The Preamble (Dori, Girls, and Ensemble)Do The Circulation (Soloist and Ensemble)Conjunction Junction (Joe and Girls)The Great American Melting Pot (Dori, Joe, and Dina)Elbow Room (Dori and Ensemble)Interplanet Janet (Shulie, Soloist, and Ensemble)Interjections (Dina and Ensemble)One of the other parts is Tom Mizer, a teacher, but has no songs to sing besides ensemble parts. In some shows with a bigger cast, the songs may be distributed differently, but according to the script, these are the parts.
An ensemble in dance is just like it means in music. It's a group of people dancing with one another.
you mum
Yes
kulintang
CARNATION
putang ina
Babandil or Babandir, in the Philippines, is a kind of musical instrument. It is part of the so-called Kulintang Ensemble. The other instruments included in this ensemble are the Kulintang, Agong, Gandingan, and Dabakan. The Babandil is a small metal gong that is struck by a wooden stick on its side producing a high-frequency sound. It serves as the pace-keeper in the ensemble. It is usually played first when starting kulintang music.
The vocal form of Mindanao in the Philippines is known as "Kulintang." It is a type of music that features gongs and other percussion instruments played in ensemble. Kulintang music is an important aspect of traditional Filipino culture in Mindanao.
Kulintang is a modern term for an ancient instrumental form of music composed on a row of small, horizontally-laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture ofSoutheast Asia, kulintang music ensembles have been playing for many centuries in regions of the Eastern Malay Archipelago-the Southern Philippines, Eastern Indonesia, Eastern Malaysia, Brunei and Timor,[6]although this article has a focus on the Philippine Kulintang traditions of the Maranao and Maguindanao peoples in particular. Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sunda.[5]Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making Kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles.Technically, kulintang is the Maguindanao, Ternate and Timor term for the idiophone of metal gong kettles which are laid horizontally upon a rack to create an entire kulintang set.[7]It is played by striking the bosses of the gongs with two wooden beaters. Due to its use across a wide variety groups and languages, the kulintang is also called kolintang by the Maranao and those in Sulawesi, kulintangan, gulintanganby those in Sabah and the Sulu Archipelago and totobuang by those in central Maluku.[8]By the twentieth century, the term kulintang had also come to denote an entire Maguindanao ensemble of five to six instruments.[9]Traditionally the Maguindanao term for the entire ensemble is basalen or palabunibunyan, the latter term meaning "an ensemble of loud instruments" or "music-making" or in this case "music-making using a kulintang."[10] #12#22#07
The kulintang instrument originates from the Philippines, particularly among the indigenous Muslim communities in the southern region, such as the Maranao and Maguindanao people. It is a traditional gong chime ensemble that plays a significant role in cultural and ceremonial events. The instrument has roots in the broader Southeast Asian musical traditions, reflecting a rich history of influence and adaptation.
Gamelan and kulintang are both traditional musical ensembles from Southeast Asia. Gamelan is from Indonesia and typically consists of bronze percussion instruments such as gongs, metallophones, and drums. Kulintang, on the other hand, is from the Philippines and features a set of small, horizontally-laid gongs played with mallets. While both ensembles share similarities in terms of their use of gongs and percussion instruments, they have distinct musical styles, cultural significance, and performance practices that set them apart.
When selecting the best choir for a performance, consider criteria such as vocal quality, musicality, ensemble cohesion, stage presence, repertoire suitability, and past performance experience.
The cast of The Outrageously Fabulous Weekly Parody Talk Show - 2012 includes: Brooke Allison as Ensemble Tamara Baranov Ham as Ensemble Ilana Cohn as Ensemble Michael Cornacchia as Ensemble Kristina Hayes as Ensemble Stacy Jorgensen as Ensemble Nancy Karr as Ensemble Beckie King as Ensemble Jenna Leigh Green as Ensemble Maggie Miguel as Ensemble Megahn Perry as Ensemble James Snyder as Ensemble Shelby Stockton as Ensemble
ensemble
The cast of Criss-Cross - 2005 includes: Diana DePasquale as Ensemble Myles Evans as Ensemble Kristy Kershaw as Ensemble Maclain Nelson as Ensemble Stefan Schick as Ensemble Shelly Stover as Ensemble Sal Vulcano as Ensemble