SF
Ensemble Theatre was created in 1958.
The 10 songs in School House Rock Live Jr. are (and sung by):A Noun is a Person, Place or Thing (Dori & Ensemble)3 Is a Magic Number (George and Ensemble)Unpack Your Adjectives (Dina, Shulie, and Ensemble)I'm Just a Bill (George)The Preamble (Dori, Girls, and Ensemble)Do The Circulation (Soloist and Ensemble)Conjunction Junction (Joe and Girls)The Great American Melting Pot (Dori, Joe, and Dina)Elbow Room (Dori and Ensemble)Interplanet Janet (Shulie, Soloist, and Ensemble)Interjections (Dina and Ensemble)One of the other parts is Tom Mizer, a teacher, but has no songs to sing besides ensemble parts. In some shows with a bigger cast, the songs may be distributed differently, but according to the script, these are the parts.
An ensemble in dance is just like it means in music. It's a group of people dancing with one another.
you mum
Yes
kulintang
CARNATION
Babandil or Babandir, in the Philippines, is a kind of musical instrument. It is part of the so-called Kulintang Ensemble. The other instruments included in this ensemble are the Kulintang, Agong, Gandingan, and Dabakan. The Babandil is a small metal gong that is struck by a wooden stick on its side producing a high-frequency sound. It serves as the pace-keeper in the ensemble. It is usually played first when starting kulintang music.
putang ina
The kulintang ensemble primarily uses a variety of metal and wooden instruments. The main instruments include the kulintang itself, which consists of a series of graduated gongs made from bronze or brass, and the agung, a larger gong also typically made of metal. Other instruments in the ensemble may include the gandingan (hanging gongs), dabakan (drum), and various types of bamboo or wooden instruments that complement the melodic and rhythmic structure. These materials contribute to the unique sound and cultural significance of the ensemble in Southeast Asian music traditions.
The vocal form of Mindanao in the Philippines is known as "Kulintang." It is a type of music that features gongs and other percussion instruments played in ensemble. Kulintang music is an important aspect of traditional Filipino culture in Mindanao.
Kulintang ensemble is a traditional musical group from the Philippines, primarily featuring a series of gongs played in a specific arrangement. Typically, it includes instruments such as the kulintang (a set of graduated gongs), agung (large gongs), and other percussion instruments, often accompanied by bamboo flutes and drums. The ensemble plays intricate melodies and rhythms, often used in ceremonial, social, and cultural events. It reflects the rich cultural heritage of various Filipino ethnic groups, particularly in the Mindanao region.
"Sipatokaan" is traditionally played using the kulintang, a set of gongs that are part of the ensemble in various Southeast Asian cultures, particularly among the Maguindanao and Maranao people in the Philippines. The kulintang is often accompanied by other instruments such as the agung (large gongs) and the dabakan (drum). This ensemble creates a rich tapestry of sound, characteristic of the region's musical heritage.
Karaga is associated with a group of musical instruments known as the "kulintang" ensemble. This ensemble typically includes gongs, such as the kulintang (a series of graduated gongs), agung (large gongs), and gabang (a bamboo xylophone), among others. The music played is often integral to cultural rituals and celebrations in Mindanao, reflecting the rich heritage of the region's various ethnic groups.
Kulintang is a traditional musical ensemble originating from the Philippines, characterized by its use of a series of gongs laid out in a horizontal fashion. Typically, the ensemble consists of a set of graduated gongs, often accompanied by other instruments like drums and bamboo tubes. Kulintang music is an integral part of cultural celebrations and rituals, reflecting the rich heritage of various Filipino ethnic groups, particularly in Mindanao. The intricate melodies and rhythms create a unique sound that is both captivating and representative of Filipino artistry.
Kulintang is a modern term for an ancient instrumental form of music composed on a row of small, horizontally-laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture ofSoutheast Asia, kulintang music ensembles have been playing for many centuries in regions of the Eastern Malay Archipelago-the Southern Philippines, Eastern Indonesia, Eastern Malaysia, Brunei and Timor,[6]although this article has a focus on the Philippine Kulintang traditions of the Maranao and Maguindanao peoples in particular. Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sunda.[5]Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making Kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles.Technically, kulintang is the Maguindanao, Ternate and Timor term for the idiophone of metal gong kettles which are laid horizontally upon a rack to create an entire kulintang set.[7]It is played by striking the bosses of the gongs with two wooden beaters. Due to its use across a wide variety groups and languages, the kulintang is also called kolintang by the Maranao and those in Sulawesi, kulintangan, gulintanganby those in Sabah and the Sulu Archipelago and totobuang by those in central Maluku.[8]By the twentieth century, the term kulintang had also come to denote an entire Maguindanao ensemble of five to six instruments.[9]Traditionally the Maguindanao term for the entire ensemble is basalen or palabunibunyan, the latter term meaning "an ensemble of loud instruments" or "music-making" or in this case "music-making using a kulintang."[10] #12#22#07
The kulintang instrument originates from the Philippines, particularly among the indigenous Muslim communities in the southern region, such as the Maranao and Maguindanao people. It is a traditional gong chime ensemble that plays a significant role in cultural and ceremonial events. The instrument has roots in the broader Southeast Asian musical traditions, reflecting a rich history of influence and adaptation.