Kulintang ensemble is a traditional musical group from the Philippines, primarily featuring a series of gongs played in a specific arrangement. Typically, it includes instruments such as the kulintang (a set of graduated gongs), agung (large gongs), and other percussion instruments, often accompanied by bamboo flutes and drums. The ensemble plays intricate melodies and rhythms, often used in ceremonial, social, and cultural events. It reflects the rich cultural heritage of various Filipino ethnic groups, particularly in the Mindanao region.
agong is kulintang
CARNATION
Babandil or Babandir, in the Philippines, is a kind of musical instrument. It is part of the so-called Kulintang Ensemble. The other instruments included in this ensemble are the Kulintang, Agong, Gandingan, and Dabakan. The Babandil is a small metal gong that is struck by a wooden stick on its side producing a high-frequency sound. It serves as the pace-keeper in the ensemble. It is usually played first when starting kulintang music.
The Filipino kulintang is similar to the Indonesian gamelan.
It's a Gong instrument in Manoboos, Philippines. It is the modern term for an instrumental form of music composed on a row of small, horizontally-laid gongs that function melodically, accompanied by larger, suspended gongs and drums
kulintang
nothing is made of kulintang. Kulintang is a Philippine musical instrument that looks like the gong/drums mixed.
agong is kulintang
indonesia
kulintang
Bunkaka Kulintang Marakas
putang ina mo
CARNATION
SF
If you are refering to Palawan indiginous music, that is music from this region not influenced by colonization & Western culture, then there is kulintang. Kulintang uses a row of gongs. This musical form originated in China.
putang ina
Babandil or Babandir, in the Philippines, is a kind of musical instrument. It is part of the so-called Kulintang Ensemble. The other instruments included in this ensemble are the Kulintang, Agong, Gandingan, and Dabakan. The Babandil is a small metal gong that is struck by a wooden stick on its side producing a high-frequency sound. It serves as the pace-keeper in the ensemble. It is usually played first when starting kulintang music.