Imagist poems usually focus on imagery and language. Imagism was popular in the early 20th century, called for a return to classical values.
William Carlos Williams
The romantic poems are not 'romantic' (lovey-dovey mushy stuff) like most people think. They are actually a collection of poems that were written during the romantic era (the 1800s). The most famous of the poems are by Lord Byron, William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelly and John Keats. The poems mainly focus on nature and/or revolution as inspired by the French Revolution, Industrial Revolution and the American War of Independence
Who am I poems are poems where you have to guess who something is.
. Describe the subject directly.
They can be considered narrative poems.
An imagist poem is when you imagine something that is out of the ordinary of something that you thinking about.
The imagist poets focused on the direct treatment of the subject, emphasizing clarity and precision in their poems. They also embraced free verse and rejected traditional poetic forms with regular rhyme and meter in favor of more organic structures that reflected the natural rhythms of speech.
Poems were usually recited or chanted, usually on ceremonious occasions such as a celebration of a military victory.
Some examples of imagist poems include "In a Station of the Metro" by Ezra Pound, "The Red Wheelbarrow" by William Carlos Williams, and "A Pact" by Amy Lowell. These poems focus on the clear and concise presentation of vivid images to evoke strong emotions and sensations in the reader.
Not usually.
no not usually
A flower petal
Sometimes At times At times They usually do.
imagist
Not all septone poems rhyme. Septone poems consist of seven lines, with each line having ten syllables. The focus is more on the structure and meter of the poem rather than the rhyme scheme.
No rules, and usually no rhythm or rhyme.
Imagist poets value precise and vivid imagery over abstract concepts, believing that abstraction can dilute the power and immediacy of a poem. Abstractions can be seen as vague and lacking in concrete detail, which goes against the Imagist principle of capturing the essence of a moment or object through specific, sensory language.