Theban King Creon considers obedience the most important act of a son to his father. He says that his friends must be his son Haemon's, his enemies Haemon's, and his choice or rejection of a future daughter-in-law Haemon's. According to the King, sons and subjects both must follow exactly the orders of their fathers and sovereigns. To do so is the greatest good. To do otherwise is the greatest sin.
Yes, Antigone and Creon are the most important characters in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone and King Creon determine the course of events in the play by their individual acts and their combined interaction. All other action is affected by and reactive to the struggle between the niece and her uncle. That makes them the most important characters and their struggle the most important theme in the play.
Creon fears these things the most in the play Antigone: 1. His authority being challenged by a woman and 2. His pride being hurt by Antigone If, however, you are reffering to what does Creon fear most in the actual character Antigone, then the answer would be pretty much the same as the above stated #1.
15 year old at most
The chorus comments on the actions of the main characters in the play 'Antigone'. Most of their comments deal with the actions of Theban King Creon. But the chorus also comments on the single-focused passionate fury of Antigone.
Creon is not the character who suffers most in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone has the worst happen to her because she loses her life for her brother, her gods and her people. Creon still lives at the end of the play. He in fact loses everyone and everything that gives meaning to his life, which he gets to keep but which he disdains.
Yes, Antigone and Creon are the most important characters in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone and King Creon determine the course of events in the play by their individual acts and their combined interaction. All other action is affected by and reactive to the struggle between the niece and her uncle. That makes them the most important characters and their struggle the most important theme in the play.
Creon fears these things the most in the play Antigone: 1. His authority being challenged by a woman and 2. His pride being hurt by Antigone If, however, you are reffering to what does Creon fear most in the actual character Antigone, then the answer would be pretty much the same as the above stated #1.
15 year old at most
The chorus comments on the actions of the main characters in the play 'Antigone'. Most of their comments deal with the actions of Theban King Creon. But the chorus also comments on the single-focused passionate fury of Antigone.
Creon is not the character who suffers most in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone has the worst happen to her because she loses her life for her brother, her gods and her people. Creon still lives at the end of the play. He in fact loses everyone and everything that gives meaning to his life, which he gets to keep but which he disdains.
Wisdom is the most important word in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, wisdom is absent when Theban Princess Antigone verbally bullies her sister Princess Ismene and verbally disrespects her uncle King Creon. It is lacking when King Creon comes up with his edict of non-burial of the disloyal Theban dead. It is present when Prince Haemon and Teiresias the blind prophet respectively offer their insights and their predictions.
It is Creon that the chorus supports in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus draws its members from the most accomplished, respected and senior of Theban citizens. It therefore has a tendency to support the reigning king. The chorus indeed refrains from criticizing Theban King Creon despite his violation of divine will and Theban traditions. At the same time, it tends to be highly critical of Princess Antigone's personality.
The conflict between Antigone and Creon was over which laws to respect. Antigone believed that some laws came from the gods. Such laws, such as the rites and rituals for proper burial, must be respected. In contrast, Theban King Creon believed that all lawmaking fell generally within the human domain, and most specifically within his powers as ruler of Thebes.
It is Antigone who is more powerful than Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone becomes a rebel in her own royal household. She gets away with defying her uncle King Creon, who is the city's most powerful political figure, and his laws in that all Thebes is on her side. It is only the chorus who will not support her because they are so attuned to being on the side of the city's reigning power figure and because they are so lacking in understanding of her personal pain.
Arrogance is Creon's most obvious tragic flaw in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specirfically, arrogance describes an exaggerated sense of self, pride. Theban King Creon therefore exhibits arrogance when he issues an edict that contradicts divine will and Theban traditions. He expresses arrogance when he mistreats everyone with whom he interacts: Princess Antigone, Prince Haemon and Teiresias the blind prophet.
That they are his supporters is the way the Creon feels about the elders in Thebes in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus draws its membership from the most accomplished, respected and senior of Theban citizens. It therefore is there to be supportive to Thebes' ruler, the current king. Theban King Creon notices and appreciates the chorus' support.
It is disobedience that Creon says is the greatest evil that society faces in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban King Creon expects to be obeyed. He lets Princess Antigone, the chorus leader, Prince Haemon and Teiresias the blind prophet all know his expectations. He spells out his feelings on disobedience and obedience most clearly and fully in the third scene when he interacts with his son Haemon.