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There is a school of literary criticism which holds that writers only write about their own lives, and that you can only understand a literary work by knowing all about the life of the author. This school of thought was eclipsed during most of the twentieth century when the dominant school of thought was New Criticism which holds that literary works should be analysed only by reviewing their content, but it's back with a vengeance.

Of course, if you hold it as axiomatic that writers only write about their lives, then of course Shakespeare's life affected his writing. The real problem is that we know so little about Shakespeare's life that it is hard to get hold of details we could attach to the plays and sonnets. The answer of many of them is to deny that the author was Shakespeare and say instead that it was someone whose life was better documented--the Earl of Oxford, for example.

Those who are not prepared to go so far say things like Shakespeare's play Hamlet was inspired by his son, Hamnet. The problem is that Shakespeare didn't write Hamlet until about five years after his son died, during which five years he wrote a bunch of happy cheerful comedies. Nor does Hamlet have anything in it about a parent grieving for a dead child. You do find a lot of that in the play King John which was written about the time of Hamnet's death, but not in Hamlet. Finally, people find the coincidence of names irresistable but it is nothing more than coincidence: Hamlet in the play was called that for centuries long before Shakespeare was born, whereas Hamnet Shakespeare was named after the Shakespeares' neighbour and friend Hamnet Sadler. It's like concluding that Shakespeare must have written the character of Anne Bullen in Henry VIII because his own wife's name was Anne.

Generally, it is safer to conclude that if Shakespeare's personal life helped shaped his plays, we have no idea how it might have done.

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