Walid Amin Ruwayha has written:
'Terrorism and hostage-taking in the Middle-East' -- subject(s): Government policy, History, Hostages, Imprisonment, Palestinian Arabs, Political kidnapping, Politics and Government, Sources, Terrorism, Terrorism in mass media, Terrorists
Amin Jan Naim has written: 'A perspective of knowledge'
Buntu Amin Sahat Lumbantobing has written: 'Jalan panjang & berliku dalam dekapan kasih-Nya'
The poem is about an individual on a train with strangers going to an unknown destination but despite the fact that they are surrounded by people, there is still an element of isolation because everybody is a stranger in the sense that we will never truly know everything about a person no matter how well they might think they know them -- this approaches the idea that there will always be something that remains unrevealed to others forever even to themselves creating a feeling of somewhat loneliness. This can be seen as metaphor for life's journey (the train) as we never know where life will lead us and the multiple people (people in the train) that come in and out of our lives -who start and end as strangers no matter the relationship that could have held in the duration they spent in our lives/train. My own interpretation as a 17 yr old who is writing an exam in three hours and happened to stumble upon this question from ten yrs ago. forgive me if it is wrong.. just wanted to see if I'm able to articulate my thoughts well when approached with unseen poetry. Hope this could be helpful to some in the future haha
The strings are named after the notes they represent. In order, the notes are E, A, D, G, B, e. This is from thickest to thinnest. If you were referring to the strings in numbers, it would be 1-6. 1st string being the low E, 6th string being the high e. Correction : The correct string numbers are: The thinnest string (E) is number 1 and the thickest string (E) is number 6 with B-2 G-3 D-4 A-5 in between. As you hold a guitar in the playing position the 6th string is nearest the ceiling and the 1st is nearest to the floor.
In retrospect, Urbana at Felisa should be perceived as a text not only mean to regulate conduct and behavior, but as a discourse to contain the moral excesses of the period and affirm basic Christian tenets.
Amin Jadavji has written: 'Harsha'
Amin Minhad has written: 'Segala kasih'
Seema Nusrat Amin has written: 'Ramblings'
M. Amin Br. has written: 'Pembangunan djiwa'
Amin Cruz has written: 'Eugenio Maria De Hostos'
Amin Tohari has written: 'Pengembangan ekonomi masyarakat pesantren'
Badrul Amin Bahron has written: 'Al-imama'
Navinchandra Amin has written: 'Paglan pachhan pruthvi par'
Amin Jan Naim has written: 'A perspective of knowledge'
Mehdi Amin Razavi has written: 'Suhrawardi and the school of illumination'
Mohammed Amin Qadir has written: 'The linguistic situation in Kirkuk'
Norsarahaida Amin has written: 'Oscillation-induced mean flows and heat transfer'