To develop Antigone's emotional arc is Creon's objective in actor's terms in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).
Specifically, the term emotional arc describes a path of emotional growth and often spiritual awareness of a character. People and situations may activate this growth. Through the arc the character receives significant insights.
Whether or not to bury in terms of Antigone and whether or not to arrest her in terms of the guards are the conflicts in the scene in which Antigone finds her brother not buried in "Antigone" by Sophocles (495 B.C.D. - 405 B.C.E.).Specifically, Theban Princess Antigone must decide whether or not to rebury the body of her brother Polyneices. The guards must decide whether or not to let Antigone get away with burying the body. Then they must decide whether or not to capture her or let her go and brave King Creon's wrath.
Anger, love, sadness and sorrow are emotions portrayed by Antigone and Ismene in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone exhibits anger in her interaction with her uncle King Creon. She expresses love in referring to her brother Polyneices and other dead family members whereas Ismene only expresses it once in terms of Antigone and once in terms of Antigone and Prince Haemon. Antigone manifests brief sadness over her fate. She shows sorrow over her family's fate whereas Ismene only manifests it over her and her sister's fates.
Antigone, Teiresias the blind prophet, and Theban King Creon don't talk all together about profit and loss in monetary terms. They aren't all on the stage at the same time in 'Antigone'. In fact, playwright Sophocles [496 B.C.E.* - 406 B.C.E.] doesn't give Antigone and Teiresias any opportunity in which to interact. Creon is the only character of the three who gets to interact with everyone else.
Antigone is the person whom the chorus blames for her trouble in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus blames Theban Princess Antigone's stubbornly passionate contrariness in showing no respect to King Creon in terms of his laws and in terms of his person as her uncle, sovereign and intended father-in-law. But at the same time, the chorus charges Antigone's parents with serving as improper role models. The chorus also concedes that Antigone's personality is hardened by her family's uphill struggle against multiplying, relentless divine curses against the Theban royal house.
That he bends to no one, not even the gods, is the way in which Creon's pride pits him against Antigone in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the term pride describes a sense of one's own worth that may be justified in terms of achievements but inflated in terms of one's role. The description fits Theban King Creon who considers himself the ultimate authority in Thebes. This puts on a collision course with his niece, Princess Antigone, who believes that divine will, family ties and Theban traditions always take precedence.
Whether or not to bury in terms of Antigone and whether or not to arrest her in terms of the guards are the conflicts in the scene in which Antigone finds her brother not buried in "Antigone" by Sophocles (495 B.C.D. - 405 B.C.E.).Specifically, Theban Princess Antigone must decide whether or not to rebury the body of her brother Polyneices. The guards must decide whether or not to let Antigone get away with burying the body. Then they must decide whether or not to capture her or let her go and brave King Creon's wrath.
Anger, love, sadness and sorrow are emotions portrayed by Antigone and Ismene in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone exhibits anger in her interaction with her uncle King Creon. She expresses love in referring to her brother Polyneices and other dead family members whereas Ismene only expresses it once in terms of Antigone and once in terms of Antigone and Prince Haemon. Antigone manifests brief sadness over her fate. She shows sorrow over her family's fate whereas Ismene only manifests it over her and her sister's fates.
Antigone, Teiresias the blind prophet, and Theban King Creon don't talk all together about profit and loss in monetary terms. They aren't all on the stage at the same time in 'Antigone'. In fact, playwright Sophocles [496 B.C.E.* - 406 B.C.E.] doesn't give Antigone and Teiresias any opportunity in which to interact. Creon is the only character of the three who gets to interact with everyone else.
Antigone is the person whom the chorus blames for her trouble in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus blames Theban Princess Antigone's stubbornly passionate contrariness in showing no respect to King Creon in terms of his laws and in terms of his person as her uncle, sovereign and intended father-in-law. But at the same time, the chorus charges Antigone's parents with serving as improper role models. The chorus also concedes that Antigone's personality is hardened by her family's uphill struggle against multiplying, relentless divine curses against the Theban royal house.
carrier objective --------------------- What is ur capability in terms of knowledge technical, communicational, artistic etc. in terms of your groth and good salary package. What you wan to be in future or after 2-3 years. It Defines the objective.
That he bends to no one, not even the gods, is the way in which Creon's pride pits him against Antigone in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the term pride describes a sense of one's own worth that may be justified in terms of achievements but inflated in terms of one's role. The description fits Theban King Creon who considers himself the ultimate authority in Thebes. This puts on a collision course with his niece, Princess Antigone, who believes that divine will, family ties and Theban traditions always take precedence.
To do and say as they will is what Antigone says is the power of kings in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone finds her uncle King Creon delusional. Creon gives her the death sentence for breaking his edict of non-burial of the disloyal Theban dead. He insists that all Thebes is on his side in terms of issuing and enforcing his edict. Antigone knows that Thebans believe as she does and that fear keeps them from following her defiant lead.
Hostile is the way that Creon feels about Antigone marrying his son in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, it is doubtful that Theban King Creon's feelings are any different from the way they always are in terms of Princess Antigone. Creon makes it clear that he disdains and disparages his niece. He even states that she is too evil to be Prince Haemon's wife and that she is completely replaceable.
To be out of his presence is what Creon really wants with Antigone in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban King Creon and Princess Antigone are not on friendly terms of mutual respect. In fact, Creon dismisses his niece as having a lifelong track record for foolishness. He never gives her a chance. He is all too happy to get her away from his son, Prince Haemon, and out of his presence.
That she has an incomplete idea of adulthood and that she still prioritizes the nuclear family are ways in which Antigone's youth affects her decision making in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone still is in the input stage of life. She looks to what her family expects of her for its survival as a unit. She thinks in terms of family unity instead of her own individual mission and worth.
One of the years between 1250 B.C.E. and 1225 B.C.E. is a possibility in terms of the year in which Antigone is born in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, no information on dates or ages is given in the play. But Homer describes Thersander as contemporary with if not a participant in the Trojan War. That war tends to be dated to 1194 B.C.E. - 1184 B.C.E. Thersander is Polyneices' son and therefore Antigone's nephew.
Because the crime is a violation of an illegal royal edict but not of any divine law Antigone says that her crime is holy in "Antigone" by Sophocles (495 B.C.E. - 405 B.E.C.).Specifically, Theban Princess Antigone is considered a criminal in terms of an illegal royal edict. That edict sanctions god-given burial rights for her brother Eteocles but denies them to her brother Polyneices. Antigone's act of burying Polyneices is in line with what the gods want for all Thebans and therefore may be considered holy.