# The measured arrangement of words in poetry, as by accentual rhythm, syllabic quantity, or the number of syllables in a line. # A particular arrangement of words in poetry, such as iambic pentameter, determined by the kind and number of metrical units in a line. # The rhythmic pattern of a stanza, determined by the kind and number of lines.
Some 17th century British poets who wrote lyric poetry about such matters as love and religion were referred to as "metaphysical poets." They include Abraham Cowley, Richard Crashaw, John Donne, George Herbert, Andrew Marvell and Henry Vaughan.
To make poems easier to say and remember
They find complexity beyond the image's common meaning.
Metaphysical poetry is not defined by rhyme scheme. The rhyme scheme could, theoretically, be anything. If you want some examples to look at, the generally agreed upon masters of the genre are John Donne, George Herbert, and Andrew Marvell, amongst others. They were poets in the 17th century that, generally speaking, used exaggerated extended metaphors, called conceits. Some would consider Anne Bradstreet a metaphysical poet, but that is like considering Britney Spears a songwriter.
deepen a poets meaning
The Metaphysical poets focused on the musicality of language in their poems, using complex rhythms, inventive rhyme schemes, and unusual meter to create a unique and distinctive auditory experience for the reader. They often employed techniques like hyperbole, paradox, and conceit to explore philosophical and abstract ideas through their use of sound.
They tried to avoid clichés
john dryden
The leader of the metaphysical poets is typically considered to be John Donne. Donne's innovative use of metaphysical conceits and his exploration of deep and complex themes have made him a key figure in this literary movement.
T. S. Eliot
Samuel Johnson coined the term "metaphysical poets" to highlight their use of complex metaphors, intellectual themes, and unconventional poetic techniques that set them apart from traditional poets of their time.
Some 17th century British poets who wrote lyric poetry about such matters as love and religion were referred to as "metaphysical poets." They include Abraham Cowley, Richard Crashaw, John Donne, George Herbert, Andrew Marvell and Henry Vaughan.
Metaphysical poets like John Donne grappled with religious conflicts by exploring themes of faith, doubt, and personal spirituality in their poetry, often using wit and complex imagery to convey their ideas. In contrast, cavalier poets like Robert Herrick embraced a more lighthearted and secular approach to life, focusing on themes of love, nature, and pleasure as a response to the religious turmoil of their time.
One example of a cliché in Elizabethan poetry that the metaphysical poets might have wanted to avoid is comparing love to a red rose. Metaphysical poets sought to use wit, elaborate conceits, and unconventional comparisons in their work, moving away from the conventional and overused imagery found in earlier poetry.
New rhyme schemes and meters
James I Gave Donne a job T. S. Eliot Rediscovered Metaphysical poets Metaphysical poetry Was intense Cavalier poetry Was lighthearted
A metaphysical poet is typified by the subject matter in which they wrote of being devotional and often mystical. These poets were highly intellectual, slightly irreverent, and their poetry was marked by unconventional imagery; they used intellect, logic, and even argument to explore abstract concepts such as love and death.The word "metaphysical" itself is defined as "of or relating to the transcendent or to a reality beyond what is perceptible" and "abstract and theoretical reasoning."Metaphysical poets employed the usage of the following:Simple vocabulary with complex sentence patternsMetaphysical conceitsParadoxesDisruptions of poetic meterWitty and imaginative play on words