Traditional culture dominated by personal ties and the gods versus the impersonality of the modern state is what is represented about society in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).
Specifically, Theban Princess Antigone represents pre-modern society in which family ties and divine will determine the lives and deaths of all. In contrast, King Creon represents the modern state. He symbolizes the impersonal, smooth functioning of a government in which the family and the gods have no role.
Yes, it is ironic that Antigone is represented as a mother in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, irony refers to the contradictory way in which a situation is presented in comparison to the way that it is in reality. The description fits the representation of Theban Princess Antigone as a mother. Antigone in fact does not have any children and never will since she is being sentenced to death by live burial and starvation.
He was king.
It is by burying her brother that Antigone breaks a moral law in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the phrase moral law describes the enforcement of right and wrong in society. The description fits the non-burial edict that is issued by Theban Princess Antigone's uncle King Creon. It is right for Antigone to respect Creon as her guardian, relative and ruler. It therefore is wrong for her to break his law.
If the laws are broken, the city is broken.
Independence versus obedience is the difference between Antigone's and Ismene's respective views on the role of women in society in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone believes strongly about the importance of family ties, the gods and Theban traditions. She does not allow anyone or anything to dissuade or intimidate her. She feels confident of her ability to analyze situations and act upon what she sees. In contrast, all notion of independence is lost on Antigone's sister, Princess Ismene. Ismene thinks that men are born and destined to dominate and lead and that women are born and destined to follow and obey.
Yes, it is ironic that Antigone is represented as a mother in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, irony refers to the contradictory way in which a situation is presented in comparison to the way that it is in reality. The description fits the representation of Theban Princess Antigone as a mother. Antigone in fact does not have any children and never will since she is being sentenced to death by live burial and starvation.
He was king.
A powerless conservative in a male-dominated society and then an armchair revolutionary are the political styles represented by Ismene in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Ismene's political style first is evidenced at the play's beginning, when she supports the view of the dominant powerholders in the male-dominated society of Thebes. The second is at her sister Antigone's trial for breaking a royal law that contradicts divine law and Theban traditions. In this second instance, she makes a false claim to breaking the law, but is cautious, logical and respectful in the defense.
It is by burying her brother that Antigone breaks a moral law in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the phrase moral law describes the enforcement of right and wrong in society. The description fits the non-burial edict that is issued by Theban Princess Antigone's uncle King Creon. It is right for Antigone to respect Creon as her guardian, relative and ruler. It therefore is wrong for her to break his law.
priests
If the laws are broken, the city is broken.
Independence versus obedience is the difference between Antigone's and Ismene's respective views on the role of women in society in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone believes strongly about the importance of family ties, the gods and Theban traditions. She does not allow anyone or anything to dissuade or intimidate her. She feels confident of her ability to analyze situations and act upon what she sees. In contrast, all notion of independence is lost on Antigone's sister, Princess Ismene. Ismene thinks that men are born and destined to dominate and lead and that women are born and destined to follow and obey.
a happy ending
Priests
a happy ending
In "Antigone," gender expectations are highlighted in the character of Antigone herself, who defies societal norms by prioritizing familial duty over male authority. The conflict between Antigone and Creon can be seen as a clash of gendered power dynamics, as Creon represents traditional patriarchal authority while Antigone challenges it. Additionally, the Chorus comments on the role of women in ancient Greek society, emphasizing the limited agency and power they had.
Those of royals in Thebes of the thirteenth century B.C.E. are the social standards in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.0.Specifically, the phrase social standards describes models based on consent and custom. The customs may be represented by Theban Princess Antigone's commitment to the old ways of divine will, family ties, fateful prophecies, and Theban traditions. Consent ironically may be seen in King Creon, who rules with the consent of the gods. He also represents transition to a more modern society of the impersonal state and novel laws.