Ben Jonson's most popular work is often considered to be the comedy "Volpone," written in 1605. The play explores themes of greed and deception through the story of a wealthy conman who feigns illness to trick various suitors into vying for his fortune. Jonson's sharp wit and keen social commentary have made "Volpone" a staple of English literature and a significant influence on later playwrights. Its enduring popularity is evident in its frequent performances and adaptations.
discuss the question I'll tell you. .......... We know that Ben Jonson was a close friend of Shakespeare, because Ben Jonson discussed talked at length about Shakespeare (both as a man and as a writer) in 'Discoveries' (a sort of blog that Jonson published late in life) and in his 'Conversations with William Drummond of Hawthornden' (a record of several conversations he had with a Scottish friend). Jonson's most famous comment about Shakespeare is that he 'loved the man (this side idolatry)'. After Shakespeare's death, when his colleagues John Heminge and Henry Condell assembled a complete plays (The First Folio - Shakespeare never published a collected edition during his lifetime) they asked Ben Jonson to write the dedicatory poem. (Ben Jonson: 'To the Reader' - First Folio). There are many other testimonies to Jonson's close friendship with Shakespeare. But Jonson's own words are the best evidence.
Yes
Ben Jonson
Ben Jonson
Robert HerrickRobert Herrick
Ben Jonson's birth name is Benjamin Jonson.
Ben Jonson Journal was created in 1993.
The work of Ben Jonson is published in Folio format
Ben Jonson's unfinished work is titled "The Sad Shepherd." It is a pastoral play that reflects Jonson's exploration of rural themes and characters, combining elements of comedy and tragedy. Although incomplete, it showcases Jonson's poetic style and thematic concerns with nature and society. The play was left unfinished at the time of his death, and only fragments of it survive.
BEN JONSON has written: 'The New Inn: Or, The Light Heart' -- subject(s): Accessible book 'Ben Jonson - Five Plays' 'Conversations of Ben Jonson with William Drummond of Hawthornden' -- subject(s): Accessible book 'The Alchemist' -- subject(s): Accessible book
"On My First Son" by Ben Jonson is classified as an elegy, which is a type of poem that laments the death of a person. In this case, Jonson is mourning the death of his young son.
Ben Jonson was a prominent English playwright, poet, and actor during the Renaissance era. Known for his satirical wit and poetic skill, Jonson's works, such as "Volpone" and "The Alchemist," had a significant impact on English literature and drama. While Shakespeare is often considered the most influential writer of the era, Jonson's contributions are highly regarded as well.
discuss the question I'll tell you. .......... We know that Ben Jonson was a close friend of Shakespeare, because Ben Jonson discussed talked at length about Shakespeare (both as a man and as a writer) in 'Discoveries' (a sort of blog that Jonson published late in life) and in his 'Conversations with William Drummond of Hawthornden' (a record of several conversations he had with a Scottish friend). Jonson's most famous comment about Shakespeare is that he 'loved the man (this side idolatry)'. After Shakespeare's death, when his colleagues John Heminge and Henry Condell assembled a complete plays (The First Folio - Shakespeare never published a collected edition during his lifetime) they asked Ben Jonson to write the dedicatory poem. (Ben Jonson: 'To the Reader' - First Folio). There are many other testimonies to Jonson's close friendship with Shakespeare. But Jonson's own words are the best evidence.
Yes
Ben Jonson
To Ben Jonson, humor meant a type of character trait or temperament that influenced a person's behavior and actions. He applied the concept of humor to his characters in his plays to create a sense of realism and depth in their portrayals.
Some examples of masques include "The Masque of Blackness" by Ben Jonson, "Comus" by John Milton, and "The Masque of Queens" by Ben Jonson. Masques were popular in the 16th and 17th centuries as elaborate court entertainments combining music, dance, poetry, and spectacle.