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Pandango sa ilaw steping?
Pandanggo sa Ilaw - The word pandanggo comes from the Spanish dance "fandango"characterized with lively steps and clapping while following a varying ¾ beat. Pandanggo requires excellent balancing skill to maintain the stability of three tinggoy, or oil lamps, placed on head and at the back of each hand. This famous dance of grace and balance originated from Lubang Island, Mindoro. Pandango Sa Ilaw
What are the basic dance steps used in pandango sa ilaw?
ewan ku ! search mo sa google !:)))This popular dance of grace and balance comes from Lubang Island, Mindoro in the Visayas region. The term pandanggo comes from the Spanish word fandango, which is a dance characterized by lively steps and clapping that varies in rhythm in 3/4 time. This particular pandanggo involves the presence of three tinggoy, or oil lamps, balanced on the head and the back of each hand.After a good catch, fishermen of Lingayen would celebrate by drinking wine and by dancing, swinging and circling a lighted lamp. Hence, the name "Oasiwas" which in the Pangasinan dialect means "swinging." This unique and colorful dance calls for skill in balancing an oil lamp on the head while circling in each hand a lighted lamp wrapped in a porous cloth or fishnet. The waltz-style music is similar to that of Pandanggo sa Ilaw
Fundamental skills in folk dance?
Binasuan - Originated in Pangasinan Province "meaning with the use of drinking glasses", this vibrant dance basically shows off balancing skill of the performers. Glasses filled with rice wine are placed on the head and on each hand carefully maneuvered with graceful movements. This dance is common in weddings, fiestas and special occasions. Rigodon - Originated from Spain, this dance is commonly performed at formal affairs like inaugural balls where prominent members of the government participate and enjoy.Pandanggo sa Ilaw - The word pandanggo comes from the Spanish dance "fandango"characterized with lively steps and clapping while following a varying ¾ beat. Pandanggo requires excellent balancing skill to maintain the stability of three tinggoy, or oil lamps, placed on head and at the back of each hand. This famous dance of grace and balance originated from Lubang Island, Mindoro.Sublian - The term "subli" is from two tagalog words "subsub" meaning falling on head and "bali", which means broken. Hence, the dancers appear to be lame and crooked throughout the dance. This version is originally a ritual dance of the natives of Bauan, Batangas, which is shown during fiestas as a ceremonial worship dance to the town's icon, the holy cross.Kuratsa - Commonly performed during festivals in Bohol and other Visayan towns, this dance portrays a young playful couple's attempt to get each other's attention. It is performed in a moderate waltz style.Itik-itik - According to history of this dance, a young woman named Kanang (short for Cayetana) happened to be the best performer in the province of Surigao del Norte. At one baptismal reception, she was asked to dance the Sibay, and began improvising her steps in the middle of her performance imitating the movements of an "itik", a duck, as it walks with choppy steps and splashes water on its back while attracting its mate. Because of its unusual steps and fascinating interpretation, the audience began imitating her.Tinikling - Tinnikling is considered the national folkdance with a pair of dancers hopping between two bamboo poles held just above the ground and struck together in time to music. Originated from Leyte Province, this dance is in fact a mimic movement of "tikling birds" hopping over trees, grass stems or over bamboo traps set by farmers. Dancers perform this dance with remarkable grace and speed jumping between bamboo poles.Maglalatik - Originally performed in Binan, Laguna as a mock-war dance that demonstrates a fight between the Moros and the Christians over the prized latik or coconut meat during the Spanish rule, this dance is also shown to pay tribute to the town's patron saint, San Isidro Labrador. It has a four-part performance such as the palipasan and the baligtaran showing the intense battle, the paseo and the escaramusa- the reconciliation. Moro dancers wear read trousers while the Christian dancers show up in blue. All dancers are male; with harnesses of coconut shells attached on their chests, backs, thighs and hips.Maria Clara - Maria Clara is the main female character in Jose Rizal's Noli Me Tangere -a literary piece that features the colonial situation of the Filipinos during the Spanish regime. She was characterized as a Filipina woman of virtue and nobility. This dance is a mix of Spanish gracefulness and customized native props, such as bamboo castanets and Asian fan. Female dancers wear Maria Clara dress that typifies the European style, while men are in barong tagalog, a traditional Filipino embroidered long-sleeve shirt made of pineapple fiber.Cariñosa - Cariñosa is a word that describes an affectionate, friendly and lovable woman. This dance is performed in flirtatious manner with fans and handkerchiefs to assist the dancers' hide-and-seek movements.La Jota Manileña - It is a dance named after the capital city of the Philippines, Manila, where an adaptation of Castilian Jota afloats with the clacking of bamboo castanets played by the dancers themselves. The costume and the graceful movements of the performers noticeably inspired by Spanish Culture.Sakuting - Originated in Abra, this dance interprets a mock fight between Ilokano Christians and non- Christians with training sticks as props. It is traditionally performed during Christmas at the town plaza or from house-to-house as a caroling show. As a return, the dancers receive presents or money locally known as "aguinaldo".Pantomina - Meaning "Dance of the Doves", this dance is the highlight of Sorsogon's Kasanggayahan Festival every third week of October. Groups of participants, mainly elderly in colourful costumes, dance to the tune of Pantomina song. It is a courtship dance originated from immitating the courtship and lovemaking of doves that then showed during the dance where men attempt to please the women.
What are the folk dances originated in Luzon?
PHILIPPINE FOLK DANCES Mountain Province 1. Flight of the Idaw. This dance is an artistic combination of mountain courtship wedding comes from the northernmost section of the Mountain provinces. Here, the couple raises and wave their arms and hands like the wings of a bird in flight, and the ceremonial blanket worn by the woman is lightly wrapped around her. The man's movements resemble those of a fighting cock in the preening , strutting and flying -off-the-ground gestures. 2. Ragragsakan. Literally means happy, is a work-dance of the Kalinga women as they carry baskets on their heads skillfully balancing them while traversing the narrow trail to the river. 3. Idudu. The Itneg men raise up their babies with singing and dancing while their women till the fields. Luzon 4. La Jota Moncadena. The jota encompasses a variety of Spanish-influenced dances accompanied by the use of bamboo castanets, held loosely and unstrung. There are many forms of jota in the Philippines whose names are derived from their regions of origin. A common progression in the jota is a quick and lively verse, followed by a slow bridge, and ending with a verse in the same lively tempo as in the beginning. A combination of Spanish and Ilocano dance steps and music. 5. Aray. A dance whose words are sung in "Chabacano-ermitense," a hybrid of Spanish that was only spoken in the Ermita district before the turn of the century and today is extinct. The dance itself is a flirtatious one that involves graceful use of the panuelo, or shawl, and tambourines. Aray means "ouch" in Tagalog. 6. Sayaw sa Bangko. This dance is native to the barrio of Pangapisan, Lingayen, Pangasinan, and demands skid from its performers who must dance on top of a bench roughly six inches wide. 7. Sakuting. A dance of the Ilocano Christians and non-Christians from the province of Abra, Sakuting was originally performed by boys only. It portrays a mock fight using sticks to train for combat. The staccato-inflected music suggests a strong Chinese influence. The dance is customarily performed during Christmas at the town plaza, or from the house-to-house. The spectators give the dancers aguinaldos or gifts of money or refreshments especially prepared for Christmas. 8. Subli. From the province of Batangas comes the ancient dance, originally performed in veneration of the holy cross of Alitagtag, referred to in the vernacular as "Mahal na Poong Santa Cruz". The word subli is derived from two Tagalog words, subsub (stooped) and Bali (broken). Hence the men are stooped throughout the dance and appear to be lame and crooked, while the women dance with hats. Central Luzon 9. Pagtatanim, Paggapas, Pagbabayo, Paggigiik. Pagtatanim (rice planting) displays the tedious work of bending the body and stooping forward for almost the entire day while planting rice, Paggapas (harvesting) is danced when the palay (rice) is ready for harvest, Pagigiik (threshing) is also a dance done by threading the harvested palay to separate the grain from the stalks, Pagbabayo (pounding rice) where all barrio folds gather to celebrate and taste the fresh grain. 10. Maglalatik. This mock-war dance, originating from the Spanish Regime, depicts a fight between the Moros and the Christians over the prized latik, or coconut meat residue. This dance, originally performed in Binan, Laguna, is also performed as a tribute to the patron saint of farmers, San Isidro de Labrador. Maglalatik is a four-part performance: the palipasan and the baligtaran showing the intense combat, and the paseo and the escaramusa, the reconciliation. The Moros of this dance usually wear red trousers, while the Christians don blue trousers. All of the men use harnesses of coconut shells positioned on their backs, chests, hips. thighs. Visayas 11. Sinulog. Sinulog is a ceremonial dance performed by the people of San Joaquin, Ilo-ilo during the feast of San Martin. It originated in a barrio of San Joaquin called Sinugbahan. It was believed that the image of San Martin was found at the edge of a beach, and that it could not be removed until the people dance the Sinulog. From that day on every November 1Oth on the feast of San Martin the Sinulog would be danced before the procession comes out or else, it was believed, the church would be burned. The dance itself was patterned after the Suluan war dance of the Sulu people, the native name of Sulu being Sulug which means strong ocean currents. 12. Paseo de Iloilo. Also known as Andaluz, for its province of origin, this is one of the most sophisticated courtship and flirtation dances of the Spanish era. The gentlemen compete among each other to win the heart of the dalaga (young lady), by exemplifying chivalry, grace, and confidence. 13. Tinikling. Honored as the Philippine national dance, Tinikling is a favorite in the Visayan islands, especially on the islands of Leyte. The dance imitates the movement of the tikling birds as they walk between grass stems, run over tree branches, or dodge bamboo traps set by rice farmers. Dancers imitate the tikling bird's legendary grace and speed by skillfully maneuvering between large bamboo poles. 14. Quadrado. This is a popular square dance found in many regions in the Philippines, it must have been brought here by the Americans for some of its movements, figures and music resemble the American square dance. 15. Cebu. An ethnic jazz depicting the cebuanos way of life. 16. Pandanggo sa Ilaw/Oasiwas. After a good catch, fishermen of Lingayen would celebrate by drinking wine and by dancing, swinging and circling a lighted lamp. Hence, the name "Oasiwas" which in the Pangasinan dialects means "swinging. This unique and colorful dance calls for skill in balancing an oil lamp on the head while circling in each hand a lighted lamp wrapped in a porous cloth or fishnet. The waltz-style music is similar to that of Pandanggo sa Ilaw. 17. Pandanggo sa Ilaw - This popular dance of grace and balance comes from Lubang Island, Mindoro in the Visayas region. The term pandanggo comes from the Spanish word fandango, which is a dance characterized by lively steps and clapping that varies in rhythm in 3/4 time. This particular pandanggo involves the presence of three tinggoy or oil lamps, balanced on the head and the back of each hand. 18. Pasigin. A dance interpreting toil in the life of the fishermen in the river called Pasig. Manifesting the native means of catching the fish. Mindanao 19. Dugso. The Bukidnon from northeastern Mindanao perform this dance as an entertainment for the deities to make them feel more comfortable during the fiesta that has been organized for them and consequently more open to the requests of the celebrants women would mean colorful feathered headdresses, plaid costumes and anklets. 20. Kapamalong-malong. Also called Sambi sa Malong this Maranao dance shows the many ways of donning the malong, a tubular circle of cloth used as a skirt, shawl, or mantle. 21. Kahimunan "Merrymaking" is a dance of celebration during harvest time, weddings and other special occasions. 22. Pangalay ha Pattong. Also called Vinta, this dance is named for the picturesque boat with colorful sails which glide across the Sulu Sea. Central to this dance are the Royal Couple who each balance atop a pair of swaying bamboo poles, simulating their ride aboard a vinta. 23. Singkil. This dance takes its name from the bells worn on the ankles of the Muslim princess. Perhaps one of the oldest of timely Filipino dances, the Singkil recounts the epic legend of the "Darangan" of the Maranao people of Mindanao. This epic, written sometime in the l4th century, tells the fateful story of Princess Gandingan, who was caught in the middle of a forest during an earthquake caused by the Diwatas, or fairies of the forest. The crisscrossed bamboo poles represent the trees that were falling which she gracefully avoids. Her slave loyally accompanies her throughout her ordeal. Finally, she is saved by the prince. Dancers skillfully manipulate a pair of fans which represent the winds that prove to be auspicious. Royal princesses to this day in the Sulu Archipelago are required to learn this most difficult and noble dance. There are other versions of Singkil. Perhaps the version more widely performed by dance companies is the "Garden Singkil". The story goes that the princess goes into her garden, accompanied by her slave, and plays with the butterflies, which are represented by the fan dancers. The movements of the fans supposedly represent those of the butterflies, as opposed to the diwatas. In another popular version, the prince uses a scarf instead of a sword.
What are 10 examples of folk dances in the Philippines?
Some examples of Philippine folk dance include:Binasuan - Originated in Pangasinan Province "meaning with the use of drinking glasses", this vibrant dance basically shows off balancing skill of the performers. Glasses filled with rice wine are placed on the head and on each hand carefully maneuvered with graceful movements. This dance is common in weddings, fiestas and special occasions.Rigodon - Originated from Spain, this dance is commonly performed at formal affairs like inaugural balls where prominent members of the government participate and enjoy.Pandanggo sa Ilaw - The word pandanggo comes from the Spanish dance "fandango"characterized with lively steps and clapping while following a varying ¾ beat. Pandanggo requires excellent balancing skill to maintain the stability of three tinggoy, or oil lamps, placed on head and at the back of each hand. This famous dance of grace and balance originated from Lubang Island, Mindoro.Sublian - The term "subli" is from two tagalog words "subsub" meaning falling on head and "bali", which means broken. Hence, the dancers appear to be lame and crooked throughout the dance. This version is originally a ritual dance of the natives of Bauan, Batangas, which is shown during fiestas as a ceremonial worship dance to the town's icon, the holy cross.Kuratsa - Commonly performed during festivals in Bohol and other Visayan towns, this dance portrays a young playful couple's attempt to get each other's attention. It is performed in a moderate waltz style.Itik-itik - According to history of this dance, a young woman named Kanang (short for Cayetana) happened to be the best performer in the province of Surigao del Norte. At one baptismal reception, she was asked to dance the Sibay, and began improvising her steps in the middle of her performance imitating the movements of an "itik", a duck, as it walks with choppy steps and splashes water on its back while attracting its mate. Because of its unusual steps and fascinating interpretation, the audience began imitating her.Tinikling - Tinnikling is considered the national folkdance with a pair of dancers hopping between two bamboo poles held just above the ground and struck together in time to music. Originated from Leyte Province, this dance is in fact a mimic movement of "tikling birds" hopping over trees, grass stems or over bamboo traps set by farmers. Dancers perform this dance with remarkable grace and speed jumping between bamboo poles.Maglalatik - Originally performed in Binan, Laguna as a mock-war dance that demonstrates a fight between the Moros and the Christians over the prized latik or coconut meat during the Spanish rule, this dance is also shown to pay tribute to the town's patron saint, San Isidro Labrador. It has a four-part performance such as the palipasan and the baligtaran showing the intense battle, the paseo and the escaramusa- the reconciliation. Moro dancers wear read trousers while the Christian dancers show up in blue. All dancers are male ; with harnesses of coconut shells attached on their chests, backs, thighs and hips.Maria Clara - Maria Clara is the main female character in Jose Rizal's Noli Me Tangere -a literary piece that features the colonial situation of the Filipinos during the Spanish regime. She was characterized as a Filipina woman of virtue and nobility. This dance is a mix of Spanish gracefulness and customized native props, such as bamboo castanets and Asian fan. Female dancers wear Maria Clara dress that typifies the European style, while men are in barong tagalog, a traditional Filipino embroidered long-sleeve shirt made of pineapple fiber.Cariñosa - Cariñosa is a word that describes an affectionate, friendly and lovable woman. This dance is performed in flirtatious manner with fans and handkerchiefs to assist the dancers' hide-and-seek movements.La Jota Manileña - It is a dance named after the capital city of the Philippines, Manila, where an adaptation of Castilian Jota afloats with the clacking of bamboo castanets played by the dancers themselves. The costume and the graceful movements of the performers noticeably inspired by Spanish Culture.Sakuting - Originated in Abra, this dance interprets a mock fight between Ilokano Christians and non- Christians with training sticks as props. It is traditionally performed during Christmas at the town plaza or from house-to-house as a caroling show. As a return, the dancers receive presents or money locally known as "aguinaldo".Pantomina - Meaning "Dance of the Doves", this dance is the highlight of Sorsogon's Kasanggayahan Festival every third week of October. Groups of participants, mainly elderly in colourful costumes, dance to the tune of Pantomina song. It is a courtship dance originated from immitating the courtship and lovemaking of doves that then showed during the dance where men attempt to please the women.Banog - Cordillera In this dance, performers portray hunters shielding their chickens from the famishing hawk. The hawk ends up entrapped and dies in the hands of hunters.Salisid - Kalinga, Cordillera This is a courtship dance that symbolizes a rooster trying to attract the attention of a hen. This is performed and portrayed by both male and female dancers as the rooster and hen respectively. The dance starts when each of them are given a piece of cloth known as "ayob" or "allap".Palok - Kalinga, Cordillera - A tribal dance. The natives of Kalinga perform this dance in most of their social events. Male dancers hold gangsa or gong- a percussion instrument made of copper, and beat it with wooden stick.Lumagen - Kalinga, Cordillera A tribal dance. This is a traditional thanksgiving dance by the Kalinga tribe performed to celebrate good harvest and events such as birth of first-born child, victory in battles and weddings.Idudu- Abra, Cordillera A tribal dance. This dance stages a common family life in the Itneg or Tinguian society. It illustrates the family as the main foundation of the tribe's community. Several traits of an ordinary family are shown. It depicts a father plowing the field while the mother caring for the children. But as soon as the father finishes work, the mother takes over on planting, sowing and all the remaining chores to do in the field. At this time the father is left to take care of the kids. During the dance a Local singer breaks into an Idudu or lullaby to put the baby to sleep. Idudu, a dance taken from Idudu lullaby, obviously portrays the different roles in a Tinguian familyDinuyya - Cordillera Ifugao dance Famous in the Ifugao region, this dance is regularly staged during festivals in Lagawe. Three kinds of gong instruments such as, ordinary gongs, tobtob- a brass gong played by beating with open palms and, hibat, a kind of gong played by beating the inner surface with a softwood are used in this dance.Bendayan - Benguet This dance, which is more known as Bendian, is performed to commemorate the arrival of headhunters in their district. Performers dance in a circle and show off their lively traditional steps.Binaylan - Agusan This is a ritual dance, which originated from the Bagobo tribe living in the central uplands of Mindanao, imitating the movements of a hen, her banog or baby chicks, and a hawk. The hawk is sacred and is believed that it has the power over the well being of the tribe. The hawk tries to capture one of the baby chicks and is killed by the hunters.Malakas at maganda - Leyte A Tribal dance. This dance depicts the birth of the first man and woman who came out of a bamboo tree. It has been said that the woman named "maganda" (beautiful) and the first man "malakas" (strong) are the parents of the whole community in the island. The dance demonstrates how a bird discovered the noise coming from the inside of the bamboo and perched until it opened. A man and a woman came out of the big bamboo tree and, the birth of this legendary couple is amusingly interpreted in this dance.Burung-Talo - Sulu The dance is a unique fighting dance in a form of martial arts by the Tausug tribe. Performers demonstrate a battle between hawk and a cat. With their acrobatic movements and tough facial expressions, this dance is highlighted with the accompanying energetic beat of drums and gongs.Kadal-Blelah- South Cotabato A tribal dance where in the dancers perform simulation of movements of birds.Kadal Tahaw - Tiboli dance- south cotabato A tribal dance performed by Tiboli tribe, this dance that mimics the hopping and flying behavior of Tahaw bird is performed to celebrate good harvest.Sayaw sa Cuyo - Palawan Cuyo is a small island and capital of Palawan. There, the feast day of St. Augustin is traditionally celebrated with parades, processions and small performances by groups coming from all over Cuyo Island and the nearby islets. Island dances, blended with strong Old Cuyo ethnicity and Spanish-influenced steps, are all brought out when Cuyo celebrates its festivals. Today, pretty young girls daintily swirl hats to the waltz and other European steps designed to bring out the freshness and glow of the performers.Karatong - Palawan A Muslim dance. During the festival of San Agustine in the island of Cuyo, the celebration also includes the blossoming of mango trees. The parade starts from the church patio and ends at the town plaza with ladies waving their colorful props "Bunga mangga" that symbolize the flowers of mango tree, while men lively strike their karatong instruments ; creating a scene of joy among reveling towns folk.Dugso - Bukidnon A thanksgiving dance from the talaindig tribe.Gayong-gayong - Capiz -A Muslim dance. In rural gatherings, this dance offers much fun. Gayong is a pet name for Leodegario. According to the legend and to the words of the song, Gayong and Masiong (pet name for Dalmacio) once attended a feast commemorating the death of a townsman. While eating, Masiong choked on a piece of Adobo so he called, "Gayong ! Gayong !" to ask for help to dislodge a bone from the Adobo meal from his throat. In this dance, Masiong's liking for feasts and the consequence of his gluttony are held up to playful ridicule.Kapa Malong-Malong - Cotabato A Muslim dance. This Maranao dance is performed with women wearing malong and shawl, mantle or head piece, whereas men wear sash or waist band, shorts or bahag and head gear or turban traditionally worn in the fields.Pagapir - Lanao del Sur This dance is usually performed to commence an important affair. Dancers of this dance are usually from the royal court or high society group of Lanao Province. They use apir or fan to coordinate with their small steps called kini-kini, which symbolizes their good manners and prominent family background.Pangalay- Zamboanga Del Sur A muslim dance. Originally performed by wealthy families during a wedding celebration, this fingernail dance is now a popular festival dance in Sulu.
What is the history of pandango oasiwas?
Pandanggo Sa Ilaw - Oasiwas *This popular dance of grace and balance comes from Lubang Island, Mindoro. The term pandanggocomes from the Spanish word fandango, which is a dance characterized by lively steps and clapping that varies in rhythm in 3/4 time. This particular pandanggo is one of the most difficult pandanggos, which involves the presence of three tinggoy, or oil lamps, balanced on the head and the back of each hand.After a good catch, fishermen of Lingayen would celebrate by drinking wine and by dancing, swinging and circling a lighted lamp. Hence, the name "Oasiwas" which in the Pangasinan dialect means "swinging." This unique and colorful dance calls for skill in balancing an oil lamp on the head while circling in each hand a lighted lamp wrapped in a porous cloth or fishnet. The waltz-style music is similar to that of Pandanggo sa Ilaw.Ang sayaw na Pandanggo sa Ilaw ay katutubo sa Lubang at Mindoro. May tatlong tinggoy ang nagsasayaw na babae. Maninimbang siya ng isang tinggoy sa ibabaw ng ulo at dalawang tinggoy sa mga kamay, pero Hindi humahawak ang daliri ng mananayaw. Para sayawin ang pandanggo sa ilaw ng mananayaw, kailangan niya ng magandang bikas at mahusay na pinambang.(Mindoro & Lingayen, Pangasinan) Pandanggo Sa Ilaw, meaning dance with lights, comes from Mindoro. This is the most difficult of all pandanggos. It is colorful and unusual; the female dancer gracefully and skillfully dances with three "tinghoy" or oil lamps - one on the head and two on the back of each hand. Oasioas, meaning, "swinging" in Pangasinan, comes from Ligayen. After a good catch, the fisherman would celebrate by swinging and circling lighted lamps wrapped in fishnet.
Pandango sa ilaw steping?
Pandanggo sa Ilaw - The word pandanggo comes from the Spanish dance "fandango"characterized with lively steps and clapping while following a varying ¾ beat. Pandanggo requires excellent balancing skill to maintain the stability of three tinggoy, or oil lamps, placed on head and at the back of each hand. This famous dance of grace and balance originated from Lubang Island, Mindoro. Pandango Sa Ilaw
What are the basic dance steps used in pandango sa ilaw?
ewan ku ! search mo sa google !:)))This popular dance of grace and balance comes from Lubang Island, Mindoro in the Visayas region. The term pandanggo comes from the Spanish word fandango, which is a dance characterized by lively steps and clapping that varies in rhythm in 3/4 time. This particular pandanggo involves the presence of three tinggoy, or oil lamps, balanced on the head and the back of each hand.After a good catch, fishermen of Lingayen would celebrate by drinking wine and by dancing, swinging and circling a lighted lamp. Hence, the name "Oasiwas" which in the Pangasinan dialect means "swinging." This unique and colorful dance calls for skill in balancing an oil lamp on the head while circling in each hand a lighted lamp wrapped in a porous cloth or fishnet. The waltz-style music is similar to that of Pandanggo sa Ilaw
What is the history of pandanggo sa ilaw?
Pandanggo sa Ilaw is a Philippine folk dance that originated from the Lubang Island in Mindoro, depicting the courtship between a man and a woman through graceful movements with lighted oil lamps or candles balancing on their heads and hands. It is believed to have been influenced by Spanish colonization, blending native Filipino movements with Spanish-influenced music and costumes to create a unique dance form. The dance is commonly performed during festive occasions and celebrations in the Philippines.
What actors and actresses appeared in Shoot That Ball - 1987?
The cast of Shoot That Ball - 1987 includes: Mar Agoncillo as Pusa Player Misty Agoncillo as Pusa Player Minnie Aguilar as Miss Garbanzos Boy Alano as Referee 2 Bing Angeles as Gunding Bodgie Bautista as Pusa Player Ogie Buan as Timer Fred Capulong as Security Guard Ron Carpo as Pusa Player Florence Carvajal as Mrs. Kasusuan Rez Cortez as Mickey Wea Dancers as Aso Players Metring David Wencel de Guzman as Dumagat 3 Ariel De Guzman as Dumagat 4 Perry de Guzman as Policeman Ariel de Leon as Aso Player Joey de Leon as Tinggoy Maribel Ducena as Girl 2 Jaime Fabregas as Don Ferna Pops Fernandez as Cathy Edwin Fredel as Pusa Player Eddie Fredelyces as Officer Nestor Frial as Aso Player Celia Guevarra as Nanay Prudencia Vangie Halili as Girl 3 Rene Hawkins as Import 3 Joe Jardy as Dumagat 1 Maeng Lladones as Aso Player Tessa Malaya as Classmate Nestor Marcelo as Aso Player Rudy Meyer as Referee 1 Ron Michael as Pusa Player Martin Nievera as Reagan Elsie Oliva as Jackie Mel Pasartonga as Aso Player Earl Perez as Pusa Player Lucy Quinto as Imang Teresa Ramirez as Nurse Dennis Salvador as Dumagat 2 Beverly Salviejo as Cristina Zorayda Sanchez as Sheryl Jimmy Santos as Import 2 Vic Sotto as Manoy Tito Sotto as Pidiong Val Sotto as Robbie Vicky Suba as Sarah Jean Teresa Tan as Girl 1 Evelyn Vargas as Manilyn Lou Veloso as Dr. Tikmoy Cris Vertido as Mr. Chua Freddie Villareal as Aso Player Dedes Whitaker as Beverly Neele Yulo as Pusa Player
What is the difference between traditional music and folk music?
False (apex)
Fundamental skills in folk dance?
Binasuan - Originated in Pangasinan Province "meaning with the use of drinking glasses", this vibrant dance basically shows off balancing skill of the performers. Glasses filled with rice wine are placed on the head and on each hand carefully maneuvered with graceful movements. This dance is common in weddings, fiestas and special occasions. Rigodon - Originated from Spain, this dance is commonly performed at formal affairs like inaugural balls where prominent members of the government participate and enjoy.Pandanggo sa Ilaw - The word pandanggo comes from the Spanish dance "fandango"characterized with lively steps and clapping while following a varying ¾ beat. Pandanggo requires excellent balancing skill to maintain the stability of three tinggoy, or oil lamps, placed on head and at the back of each hand. This famous dance of grace and balance originated from Lubang Island, Mindoro.Sublian - The term "subli" is from two tagalog words "subsub" meaning falling on head and "bali", which means broken. Hence, the dancers appear to be lame and crooked throughout the dance. This version is originally a ritual dance of the natives of Bauan, Batangas, which is shown during fiestas as a ceremonial worship dance to the town's icon, the holy cross.Kuratsa - Commonly performed during festivals in Bohol and other Visayan towns, this dance portrays a young playful couple's attempt to get each other's attention. It is performed in a moderate waltz style.Itik-itik - According to history of this dance, a young woman named Kanang (short for Cayetana) happened to be the best performer in the province of Surigao del Norte. At one baptismal reception, she was asked to dance the Sibay, and began improvising her steps in the middle of her performance imitating the movements of an "itik", a duck, as it walks with choppy steps and splashes water on its back while attracting its mate. Because of its unusual steps and fascinating interpretation, the audience began imitating her.Tinikling - Tinnikling is considered the national folkdance with a pair of dancers hopping between two bamboo poles held just above the ground and struck together in time to music. Originated from Leyte Province, this dance is in fact a mimic movement of "tikling birds" hopping over trees, grass stems or over bamboo traps set by farmers. Dancers perform this dance with remarkable grace and speed jumping between bamboo poles.Maglalatik - Originally performed in Binan, Laguna as a mock-war dance that demonstrates a fight between the Moros and the Christians over the prized latik or coconut meat during the Spanish rule, this dance is also shown to pay tribute to the town's patron saint, San Isidro Labrador. It has a four-part performance such as the palipasan and the baligtaran showing the intense battle, the paseo and the escaramusa- the reconciliation. Moro dancers wear read trousers while the Christian dancers show up in blue. All dancers are male; with harnesses of coconut shells attached on their chests, backs, thighs and hips.Maria Clara - Maria Clara is the main female character in Jose Rizal's Noli Me Tangere -a literary piece that features the colonial situation of the Filipinos during the Spanish regime. She was characterized as a Filipina woman of virtue and nobility. This dance is a mix of Spanish gracefulness and customized native props, such as bamboo castanets and Asian fan. Female dancers wear Maria Clara dress that typifies the European style, while men are in barong tagalog, a traditional Filipino embroidered long-sleeve shirt made of pineapple fiber.Cariñosa - Cariñosa is a word that describes an affectionate, friendly and lovable woman. This dance is performed in flirtatious manner with fans and handkerchiefs to assist the dancers' hide-and-seek movements.La Jota Manileña - It is a dance named after the capital city of the Philippines, Manila, where an adaptation of Castilian Jota afloats with the clacking of bamboo castanets played by the dancers themselves. The costume and the graceful movements of the performers noticeably inspired by Spanish Culture.Sakuting - Originated in Abra, this dance interprets a mock fight between Ilokano Christians and non- Christians with training sticks as props. It is traditionally performed during Christmas at the town plaza or from house-to-house as a caroling show. As a return, the dancers receive presents or money locally known as "aguinaldo".Pantomina - Meaning "Dance of the Doves", this dance is the highlight of Sorsogon's Kasanggayahan Festival every third week of October. Groups of participants, mainly elderly in colourful costumes, dance to the tune of Pantomina song. It is a courtship dance originated from immitating the courtship and lovemaking of doves that then showed during the dance where men attempt to please the women.
What movie and television projects has Joey de Leon been in?
Joey de Leon has: Played Himself - Host in "Discorama" in 1975. Played Joey Escalera (1977) in "Iskul bukol" in 1977. Played himself in "T.O.D.A.S." in 1977. Played Himself - Host in "Eat Bulaga" in 1979. Performed in "Eat Bulaga" in 1979. Played himself in "Rock Baby, Rock" in 1979. Played himself in "Eat Bulaga" in 1979. Played Tres Dwendes in "Mang Kepweng" in 1979. Played Ricky in "Mr. One-Two-Three" in 1980. Played Joey Escalera in "Iskul bukol" in 1980. Performed in "Iskul bukol" in 1981. Played Danny in "Tartan" in 1981. Played Daria Pampagana Labatiba Alahoy y Ramirez in "Bilibid Gays" in 1981. Played Rene Soriano in "Mag-toning muna tayo" in 1981. Played Katch in "Palpak Connection" in 1981. Played Ricky in "Mr. One-Two-Three Part 2" in 1981. Played Bronzon in "Tatlo silang tatay ko" in 1982. Played Owen in "Goodah" in 1984. Played Ernie in "Working Boys" in 1985. Played David in "Doctor, Doctor, We Are Sick" in 1985. Played Boy in "Mama Said, Papa Said I Love You" in 1985. Played John in "Ride on Baby" in 1985. Played Baltazar in "Super wan-tu-tri" in 1985. Played Roy in "Send in the Clowns" in 1986. Played Gringo in "Horsey-horsey: Tigidig-tigidig" in 1986. Played Himself - Host in "The Sharon Cuneta Show" in 1986. Played Tinggoy in "Shoot That Ball" in 1987. Played Joey Escalera in "The Best of Iskul Bukol: The Movie" in 1987. Played Dodong in "Forward March" in 1987. Played Jacko in "Fly Me to the Moon" in 1988. Played Long Ranger in "Long Ranger and Tonton: Shooting Stars of the West" in 1989. Played Mickey in "Super Mouse and the Roborats" in 1989. Played Starzan in "Starzan: Shouting Star of the Jungle" in 1989. Played Starzan in "Starzan II" in 1989. Played Police Officer in "Si Malakas at si Maganda" in 1989. Played Pedro in "Hotdog" in 1990. Played Prince in "Small Medium Large (Fits All Sizes)" in 1990. Played Ray Tangga in "Tangga and Chos: Beauty Secret Agents" in 1990. Played Pando in "Kabayo Kids" in 1990. Played Arnold in "I Have 3 Eggs" in 1990. Played Joseph in "Ganda babae, ganda lalake" in 1990. Played Elvis Presto in "Elvis and James 2" in 1990. Played Starzan in "Starzan III" in 1990. Played Patrick Sisi in "Goosebuster" in 1991. Played Ali in "Ali in Wonderland" in 1992. Played Pandoy in "Pandoy: Alalay ng panday" in 1993. Performed in "Mixed Nuts" in 1994. Played Himself - Host in "Startalk" in 1995. Played Barbi del Rosario in "Run Barbi Run" in 1995. Performed in "Bubble Gang" in 1995. Played Hep Hibang in "Bangers" in 1995. Played Boy in "Ang tipo kong lalake (Maginoo pero medyo...)" in 1996. Played Andy in "Ang misis kong hoodlum" in 1996. Played Jack in "Pipti-pipti: 1 por u, 2 por me" in 1997. Performed in "1 for 3" in 1997. Played Crisanto in "Takot ako sa darling ko" in 1997. Performed in "Ibang klase" in 1998. Performed in "Kiss muna" in 2000. Played Pandoy in "Super Idol" in 2001. Performed in "Daddy di do du" in 2001. Played himself in "K, the P1,000,000 Videoke Contest" in 2002. Played Himself - Hired Killed in "K, the P1,000,000 Videoke Contest" in 2002. Played Dr. Ricardo Peron (2002) in "Sana ay ikaw na nga" in 2002. Played Pickpocket in "Pakners" in 2003. Played Elmer in "Lastikman" in 2003. Played Doc in "Fantastic Man" in 2003. Played Himself-Judge in "Starstruck" in 2003. Played Himself-Doughnut in "Nuts Entertainment" in 2003. Played Mulawit in "Enteng Kabisote: Okay ka fairy, the legend" in 2004. Performed in "The GMA All-Star Special" in 2005. Played Peping in "Tahanan: Eat Bulaga Special" in 2005. Played Pangay Pokpok in "Enteng Kabisote 2: Okay ka fairy ko... The legend continues" in 2005. Played Shintaro in "Enteng Kabisote 3: Okay ka fairy ko... The legend goes on and on and on" in 2006. Played Karimarimarima in "Enteng Kabisote 4: Okay ka fairy ko... The beginning of the legend" in 2007. Played Joey Escalera in "Iskul Bukol: 20 Years After (The Ungasis and Escaleras Adventure)" in 2008. Played Mang Pekweng in "Ang darling kong aswang" in 2009. Played Himself - Bandmaster in "BandaOke" in 2009. Played Himself - Guest in "Wasak" in 2011. Played Himself - Guest in "The Ryzza Mae Show" in 2013. Played himself in "The Ryzza Mae Show" in 2013. Played Himself - judge in "Sunday All Stars" in 2013.
What are the steps of inside hand in Philippine folk dances?
The fundamentals of Filipino folk dancing are still the fundamentals of ballet dancing; it was just modified that every element of the body used in dancing was a lot way less stiffer than ballet dancing every figure was made merrily, gracefully, full of fun and festivity.Some Filipino Folk Dances:Binasuan - Originated in Pangasinan Province "meaning with the use of drinking glasses", this vibrant dance basically shows off balancing skill of the performers. Glasses filled with rice wine are placed on the head and on each hand carefully maneuvered with graceful movements. This dance is common in weddings, fiestas and special occasions.Rigodon - Originated from Spain, this dance is commonly performed at formal affairs like inaugural balls where prominent members of the government participate and enjoy.Pandanggo sa Ilaw - The word pandanggo comes from the Spanish dance "fandango"characterized with lively steps and clapping while following a varying ¾ beat. Pandanggo requires excellent balancing skill to maintain the stability of three tinggoy, or oil lamps, placed on head and at the back of each hand. This famous dance of grace and balance originated from Lubang Island, Mindoro.Sublian - The term "subli" is from two tagalog words "subsub" meaning falling on head and "bali", which means broken. Hence, the dancers appear to be lame and crooked throughout the dance. This version is originally a ritual dance of the natives of Bauan, Batangas, which is shown during fiestas as a ceremonial worship dance to the town's icon, the holy cross.Kuratsa - Commonly performed during festivals in Bohol and other Visayan towns, this dance portrays a young playful couple's attempt to get each other's attention. It is performed in a moderate waltz style.Itik-itik - According to history of this dance, a young woman named Kanang (short for Cayetana) happened to be the best performer in the province of Surigao del Norte. At one baptismal reception, she was asked to dance the Sibay, and began improvising her steps in the middle of her performance imitating the movements of an "itik", a duck, as it walks with choppy steps and splashes water on its back while attracting its mate. Because of its unusual steps and fascinating interpretation, the audience began imitating her.Tinikling - Tinnikling is considered the national folkdance with a pair of dancers hopping between two bamboo poles held just above the ground and struck together in time to music. Originated from Leyte Province, this dance is in fact a mimic movement of "tikling birds" hopping over trees, grass stems or over bamboo traps set by farmers. Dancers perform this dance with remarkable grace and speed jumping between bamboo poles.Maglalatik - Originally performed in Binan, Laguna as a mock-war dance that demonstrates a fight between the Moros and the Christians over the prized latik or coconut meat during the Spanish rule, this dance is also shown to pay tribute to the town's patron saint, San Isidro Labrador. It has a four-part performance such as the palipasan and the baligtaran showing the intense battle, the paseo and the escaramusa- the reconciliation. Moro dancers wear read trousers while the Christian dancers show up in blue. All dancers are male; with harnesses of coconut shells attached on their chests, backs, thighs and hips.Maria Clara - Maria Clara is the main female character in Jose Rizal's Noli Me Tangere -a literary piece that features the colonial situation of the Filipinos during the Spanish regime. She was characterized as a Filipina woman of virtue and nobility. This dance is a mix of Spanish gracefulness and customized native props, such as bamboo castanets and Asian fan. Female dancers wear Maria Clara dress that typifies the European style, while men are in barong tagalog, a traditional Filipino embroidered long-sleeve shirt made of pineapple fiber.Cariñosa - Cariñosa is a word that describes an affectionate, friendly and lovable woman. This dance is performed in flirtatious manner with fans and handkerchiefs to assist the dancers' hide-and-seek movements.La Jota Manileña - It is a dance named after the capital city of the Philippines, Manila, where an adaptation of Castilian Jota afloats with the clacking of bamboo castanets played by the dancers themselves. The costume and the graceful movements of the performers noticeably inspired by Spanish Culture.Sakuting - Originated in Abra, this dance interprets a mock fight between Ilokano Christians and non- Christians with training sticks as props. It is traditionally performed during Christmas at the town plaza or from house-to-house as a caroling show. As a return, the dancers receive presents or money locally known as "aguinaldo".Pantomina - Meaning "Dance of the Doves", this dance is the highlight of Sorsogon's Kasanggayahan Festival every third week of October. Groups of participants, mainly elderly in colourful costumes, dance to the tune of Pantomina song. It is a courtship dance originated from immitating the courtship and lovemaking of doves that then showed during the dance where men attempt to please the women.
What are the folk dances originated in Luzon?
PHILIPPINE FOLK DANCES Mountain Province 1. Flight of the Idaw. This dance is an artistic combination of mountain courtship wedding comes from the northernmost section of the Mountain provinces. Here, the couple raises and wave their arms and hands like the wings of a bird in flight, and the ceremonial blanket worn by the woman is lightly wrapped around her. The man's movements resemble those of a fighting cock in the preening , strutting and flying -off-the-ground gestures. 2. Ragragsakan. Literally means happy, is a work-dance of the Kalinga women as they carry baskets on their heads skillfully balancing them while traversing the narrow trail to the river. 3. Idudu. The Itneg men raise up their babies with singing and dancing while their women till the fields. Luzon 4. La Jota Moncadena. The jota encompasses a variety of Spanish-influenced dances accompanied by the use of bamboo castanets, held loosely and unstrung. There are many forms of jota in the Philippines whose names are derived from their regions of origin. A common progression in the jota is a quick and lively verse, followed by a slow bridge, and ending with a verse in the same lively tempo as in the beginning. A combination of Spanish and Ilocano dance steps and music. 5. Aray. A dance whose words are sung in "Chabacano-ermitense," a hybrid of Spanish that was only spoken in the Ermita district before the turn of the century and today is extinct. The dance itself is a flirtatious one that involves graceful use of the panuelo, or shawl, and tambourines. Aray means "ouch" in Tagalog. 6. Sayaw sa Bangko. This dance is native to the barrio of Pangapisan, Lingayen, Pangasinan, and demands skid from its performers who must dance on top of a bench roughly six inches wide. 7. Sakuting. A dance of the Ilocano Christians and non-Christians from the province of Abra, Sakuting was originally performed by boys only. It portrays a mock fight using sticks to train for combat. The staccato-inflected music suggests a strong Chinese influence. The dance is customarily performed during Christmas at the town plaza, or from the house-to-house. The spectators give the dancers aguinaldos or gifts of money or refreshments especially prepared for Christmas. 8. Subli. From the province of Batangas comes the ancient dance, originally performed in veneration of the holy cross of Alitagtag, referred to in the vernacular as "Mahal na Poong Santa Cruz". The word subli is derived from two Tagalog words, subsub (stooped) and Bali (broken). Hence the men are stooped throughout the dance and appear to be lame and crooked, while the women dance with hats. Central Luzon 9. Pagtatanim, Paggapas, Pagbabayo, Paggigiik. Pagtatanim (rice planting) displays the tedious work of bending the body and stooping forward for almost the entire day while planting rice, Paggapas (harvesting) is danced when the palay (rice) is ready for harvest, Pagigiik (threshing) is also a dance done by threading the harvested palay to separate the grain from the stalks, Pagbabayo (pounding rice) where all barrio folds gather to celebrate and taste the fresh grain. 10. Maglalatik. This mock-war dance, originating from the Spanish Regime, depicts a fight between the Moros and the Christians over the prized latik, or coconut meat residue. This dance, originally performed in Binan, Laguna, is also performed as a tribute to the patron saint of farmers, San Isidro de Labrador. Maglalatik is a four-part performance: the palipasan and the baligtaran showing the intense combat, and the paseo and the escaramusa, the reconciliation. The Moros of this dance usually wear red trousers, while the Christians don blue trousers. All of the men use harnesses of coconut shells positioned on their backs, chests, hips. thighs. Visayas 11. Sinulog. Sinulog is a ceremonial dance performed by the people of San Joaquin, Ilo-ilo during the feast of San Martin. It originated in a barrio of San Joaquin called Sinugbahan. It was believed that the image of San Martin was found at the edge of a beach, and that it could not be removed until the people dance the Sinulog. From that day on every November 1Oth on the feast of San Martin the Sinulog would be danced before the procession comes out or else, it was believed, the church would be burned. The dance itself was patterned after the Suluan war dance of the Sulu people, the native name of Sulu being Sulug which means strong ocean currents. 12. Paseo de Iloilo. Also known as Andaluz, for its province of origin, this is one of the most sophisticated courtship and flirtation dances of the Spanish era. The gentlemen compete among each other to win the heart of the dalaga (young lady), by exemplifying chivalry, grace, and confidence. 13. Tinikling. Honored as the Philippine national dance, Tinikling is a favorite in the Visayan islands, especially on the islands of Leyte. The dance imitates the movement of the tikling birds as they walk between grass stems, run over tree branches, or dodge bamboo traps set by rice farmers. Dancers imitate the tikling bird's legendary grace and speed by skillfully maneuvering between large bamboo poles. 14. Quadrado. This is a popular square dance found in many regions in the Philippines, it must have been brought here by the Americans for some of its movements, figures and music resemble the American square dance. 15. Cebu. An ethnic jazz depicting the cebuanos way of life. 16. Pandanggo sa Ilaw/Oasiwas. After a good catch, fishermen of Lingayen would celebrate by drinking wine and by dancing, swinging and circling a lighted lamp. Hence, the name "Oasiwas" which in the Pangasinan dialects means "swinging. This unique and colorful dance calls for skill in balancing an oil lamp on the head while circling in each hand a lighted lamp wrapped in a porous cloth or fishnet. The waltz-style music is similar to that of Pandanggo sa Ilaw. 17. Pandanggo sa Ilaw - This popular dance of grace and balance comes from Lubang Island, Mindoro in the Visayas region. The term pandanggo comes from the Spanish word fandango, which is a dance characterized by lively steps and clapping that varies in rhythm in 3/4 time. This particular pandanggo involves the presence of three tinggoy or oil lamps, balanced on the head and the back of each hand. 18. Pasigin. A dance interpreting toil in the life of the fishermen in the river called Pasig. Manifesting the native means of catching the fish. Mindanao 19. Dugso. The Bukidnon from northeastern Mindanao perform this dance as an entertainment for the deities to make them feel more comfortable during the fiesta that has been organized for them and consequently more open to the requests of the celebrants women would mean colorful feathered headdresses, plaid costumes and anklets. 20. Kapamalong-malong. Also called Sambi sa Malong this Maranao dance shows the many ways of donning the malong, a tubular circle of cloth used as a skirt, shawl, or mantle. 21. Kahimunan "Merrymaking" is a dance of celebration during harvest time, weddings and other special occasions. 22. Pangalay ha Pattong. Also called Vinta, this dance is named for the picturesque boat with colorful sails which glide across the Sulu Sea. Central to this dance are the Royal Couple who each balance atop a pair of swaying bamboo poles, simulating their ride aboard a vinta. 23. Singkil. This dance takes its name from the bells worn on the ankles of the Muslim princess. Perhaps one of the oldest of timely Filipino dances, the Singkil recounts the epic legend of the "Darangan" of the Maranao people of Mindanao. This epic, written sometime in the l4th century, tells the fateful story of Princess Gandingan, who was caught in the middle of a forest during an earthquake caused by the Diwatas, or fairies of the forest. The crisscrossed bamboo poles represent the trees that were falling which she gracefully avoids. Her slave loyally accompanies her throughout her ordeal. Finally, she is saved by the prince. Dancers skillfully manipulate a pair of fans which represent the winds that prove to be auspicious. Royal princesses to this day in the Sulu Archipelago are required to learn this most difficult and noble dance. There are other versions of Singkil. Perhaps the version more widely performed by dance companies is the "Garden Singkil". The story goes that the princess goes into her garden, accompanied by her slave, and plays with the butterflies, which are represented by the fan dancers. The movements of the fans supposedly represent those of the butterflies, as opposed to the diwatas. In another popular version, the prince uses a scarf instead of a sword.
What are the folk dances in luzon?
PHILIPPINE FOLK DANCES Mountain Province 1. Flight of the Idaw. This dance is an artistic combination of mountain courtship wedding comes from the northernmost section of the Mountain provinces. Here, the couple raises and wave their arms and hands like the wings of a bird in flight, and the ceremonial blanket worn by the woman is lightly wrapped around her. The man's movements resemble those of a fighting cock in the preening , strutting and flying -off-the-ground gestures. 2. Ragragsakan. Literally means happy, is a work-dance of the Kalinga women as they carry baskets on their heads skillfully balancing them while traversing the narrow trail to the river. 3. Idudu. The Itneg men raise up their babies with singing and dancing while their women till the fields. Luzon 4. La Jota Moncadena. The jota encompasses a variety of Spanish-influenced dances accompanied by the use of bamboo castanets, held loosely and unstrung. There are many forms of jota in the Philippines whose names are derived from their regions of origin. A common progression in the jota is a quick and lively verse, followed by a slow bridge, and ending with a verse in the same lively tempo as in the beginning. A combination of Spanish and Ilocano dance steps and music. 5. Aray. A dance whose words are sung in "Chabacano-ermitense," a hybrid of Spanish that was only spoken in the Ermita district before the turn of the century and today is extinct. The dance itself is a flirtatious one that involves graceful use of the panuelo, or shawl, and tambourines. Aray means "ouch" in Tagalog. 6. Sayaw sa Bangko. This dance is native to the barrio of Pangapisan, Lingayen, Pangasinan, and demands skid from its performers who must dance on top of a bench roughly six inches wide. 7. Sakuting. A dance of the Ilocano Christians and non-Christians from the province of Abra, Sakuting was originally performed by boys only. It portrays a mock fight using sticks to train for combat. The staccato-inflected music suggests a strong Chinese influence. The dance is customarily performed during Christmas at the town plaza, or from the house-to-house. The spectators give the dancers aguinaldos or gifts of money or refreshments especially prepared for Christmas. 8. Subli. From the province of Batangas comes the ancient dance, originally performed in veneration of the holy cross of Alitagtag, referred to in the vernacular as "Mahal na Poong Santa Cruz". The word subli is derived from two Tagalog words, subsub (stooped) and Bali (broken). Hence the men are stooped throughout the dance and appear to be lame and crooked, while the women dance with hats. Central Luzon 9. Pagtatanim, Paggapas, Pagbabayo, Paggigiik. Pagtatanim (rice planting) displays the tedious work of bending the body and stooping forward for almost the entire day while planting rice, Paggapas (harvesting) is danced when the palay (rice) is ready for harvest, Pagigiik (threshing) is also a dance done by threading the harvested palay to separate the grain from the stalks, Pagbabayo (pounding rice) where all barrio folds gather to celebrate and taste the fresh grain. 10. Maglalatik. This mock-war dance, originating from the Spanish Regime, depicts a fight between the Moros and the Christians over the prized latik, or coconut meat residue. This dance, originally performed in Binan, Laguna, is also performed as a tribute to the patron saint of farmers, San Isidro de Labrador. Maglalatik is a four-part performance: the palipasan and the baligtaran showing the intense combat, and the paseo and the escaramusa, the reconciliation. The Moros of this dance usually wear red trousers, while the Christians don blue trousers. All of the men use harnesses of coconut shells positioned on their backs, chests, hips. thighs. Visayas 11. Sinulog. Sinulog is a ceremonial dance performed by the people of San Joaquin, Ilo-ilo during the feast of San Martin. It originated in a barrio of San Joaquin called Sinugbahan. It was believed that the image of San Martin was found at the edge of a beach, and that it could not be removed until the people dance the Sinulog. From that day on every November 1Oth on the feast of San Martin the Sinulog would be danced before the procession comes out or else, it was believed, the church would be burned. The dance itself was patterned after the Suluan war dance of the Sulu people, the native name of Sulu being Sulug which means strong ocean currents. 12. Paseo de Iloilo. Also known as Andaluz, for its province of origin, this is one of the most sophisticated courtship and flirtation dances of the Spanish era. The gentlemen compete among each other to win the heart of the dalaga (young lady), by exemplifying chivalry, grace, and confidence. 13. Tinikling. Honored as the Philippine national dance, Tinikling is a favorite in the Visayan islands, especially on the islands of Leyte. The dance imitates the movement of the tikling birds as they walk between grass stems, run over tree branches, or Dodge bamboo traps set by rice farmers. Dancers imitate the tikling bird's legendary grace and speed by skillfully maneuvering between large bamboo poles. 14. Quadrado. This is a popular square dance found in many regions in the Philippines, it must have been brought here by the Americans for some of its movements, figures and music resemble the American square dance. 15. Cebu. An ethnic jazz depicting the cebuanos way of life. 16. Pandanggo sa Ilaw/Oasiwas. After a good catch, fishermen of Lingayen would celebrate by drinking wine and by dancing, swinging and circling a lighted lamp. Hence, the name "Oasiwas" which in the Pangasinan dialects means "swinging. This unique and colorful dance calls for skill in balancing an oil lamp on the head while circling in each hand a lighted lamp wrapped in a porous cloth or fishnet. The waltz-style music is similar to that of Pandanggo sa Ilaw. 17. Pandanggo sa Ilaw - This popular dance of grace and balance comes from Lubang Island, Mindoro in the Visayas region. The term pandanggo comes from the Spanish word fandango, which is a dance characterized by lively steps and clapping that varies in rhythm in 3/4 time. This particular pandanggo involves the presence of three tinggoy or oil lamps, balanced on the head and the back of each hand. 18. Pasigin. A dance interpreting toil in the life of the fishermen in the river called Pasig. Manifesting the native means of catching the fish. Mindanao 19. Dugso. The Bukidnon from northeastern Mindanao perform this dance as an entertainment for the deities to make them feel more comfortable during the fiesta that has been organized for them and consequently more open to the requests of the celebrants women would mean colorful feathered headdresses, plaid costumes and anklets. 20. Kapamalong-malong. Also called Sambi sa Malong this Maranao dance shows the many ways of donning the malong, a tubular circle of cloth used as a skirt, shawl, or mantle. 21. Kahimunan "Merrymaking" is a dance of celebration during harvest time, weddings and other special occasions. 22. Pangalay ha Pattong. Also called Vinta, this dance is named for the picturesque boat with colorful sails which glide across the Sulu Sea. Central to this dance are the Royal Couple who each balance atop a pair of swaying bamboo poles, simulating their ride aboard a vinta. 23. Singkil. This dance takes its name from the bells worn on the ankles of the Muslim princess. Perhaps one of the oldest of timely Filipino dances, the Singkil recounts the epic legend of the "Darangan" of the Maranao people of Mindanao. This epic, written sometime in the l4th century, tells the fateful story of Princess Gandingan, who was caught in the middle of a forest during an earthquake caused by the Diwatas, or fairies of the forest. The crisscrossed bamboo poles represent the trees that were falling which she gracefully avoids. Her slave loyally accompanies her throughout her ordeal. Finally, she is saved by the prince. Dancers skillfully manipulate a pair of fans which represent the winds that prove to be auspicious. Royal princesses to this day in the Sulu Archipelago are required to learn this most difficult and noble dance. There are other versions of Singkil. Perhaps the version more widely performed by dance companies is the "Garden Singkil". The story goes that the princess goes into her garden, accompanied by her slave, and plays with the butterflies, which are represented by the fan dancers. The movements of the fans supposedly represent those of the butterflies, as opposed to the diwatas. In another popular version, the prince uses a scarf instead of a sword.
What are the folks and ethnic dances?
A. The following are some popular Philippine folk dances with ethnic origin:Binasuan - Binasuan literally means "with the use of drinking glasses". This dance originated in Pangasinan Province. It is a vibrant dance requiring balancing skills. Glasses filled with rice wine are placed on the head and on each hand and carefully maneuvered with graceful movements. This dance is commonly performed in weddings, fiestas and special occasions.Sublian - The term "sublian" comes from the term "subli", which is in turn coined from two Tagalog words: "subsub" (falling on head) and "Bali" (broken). Sublian dancers therefore appear to be lame and crooked throughout the dance. Sublian is a ritual dance of the natives of Bauan, Batangas. It is usually performed during fiestas as a ceremonial worship dance to the town's religious icon, the holy cross.Kuratsa - Kuratsa is usually performed during festivals in Bohol, Leyte, Samar, Iloilo and other Visayan towns. Kuratsa is a courtship dance that portrays a young couple's playful attempt to get each other's attention.Itik-itik - This dance started when a young woman named Kanang (short for Cayetana), who happened to be the best performer in the province of Surigao del Norte, began to imitate the movements of an "itik" or a duck.Tinikling - Tinikling is considered the Philippine national folkdance. It is performed by a pair of dancers hopping between two bamboo poles held just above the ground while the bamboo poles are being struck together in time to music. Originating from Leyte Province, this dance is in fact a mimic movement of "tikling birds" hopping over trees, grass stems or over bamboo traps set by farmers. Dancers perform this dance with remarkable grace and speed jumping between bamboo poles.Maglalatik - This dance was originally performed in Binan, Laguna as a mock-war dance to demonstrate a fight between the Moros and the Christians over the prized latik or coconut meat during the Spanish rule. The dance has four parts--the palipasan and the baligtaran showing the intense battle, the paseo and the escaramusa or reconciliation. Moro dancers wear read trousers while Christian dancers wear blue trousers. All dancers are males harnessed with coconut shells on their chests, back, thighs and hips.B. The following are Philippine folk dances with Spanish influence:Rigodon - This dance came from Spain and is commonly performed in formal affairs like inaugural balls.Pandanggo sa Ilaw - The word pandanggo comes from the Spanish dance "fandango" characterized with lively steps and clapping while following a varying ¾ beat. Pandanggo requires excellent balancing skill to maintain the stability of three tinggoy, or oil lamps, placed on head and at the back of each hand. This famous dance of grace and balance originated from Lubang Island, Mindoro.Maria Clara - Maria Clara is the main female character in Jose Rizal's Noli Me Tangere -a literary piece that features the colonial situation of the Filipinos during the Spanish regime. She was characterized as a Filipina woman of virtue and nobility. This dance is a mix of Spanish gracefulness and customized native props, such as bamboo castanets and Asian fan. Female dancers wear Maria Clara dress that typifies the European style, while men are in barong tagalog, a traditional Filipino embroidered long-sleeve shirt made of pineapple fiber.Cariñosa - Cariñosa is a word that describes an affectionate, friendly and lovable woman. This dance is performed in flirtatious manner with fans and handkerchiefs to assist the dancers' hide-and-seek movements.La Jota Manileña - It is a dance named after the capital city of the Philippines, Manila, where an adaptation of Castilian Jota afloats with the clacking of bamboo castanets played by the dancers themselves. The costume and the graceful movements of the performers noticeably inspired by Spanish Culture.Sakuting - Originated in Abra, this dance interprets a mock fight between Ilokano Christians and non- Christians with training sticks as props. It is traditionally performed during Christmas at the town plaza or from house-to-house as a caroling show. As a return, the dancers receive presents or money locally known as "aguinaldo".Pantomina - Meaning "Dance of the Doves", this dance is the highlight of Sorsogon's Kasanggayahan Festival every third week of October. Groups of participants, mainly elderly in colourful costumes, dance to the tune of Pantomina song. It is a courtship dance originated from immitating the courtship and lovemaking of doves that then showed during the dance where men attempt to please the women.C. Other Philippine Ethnic Dances:Banog - Cordillera In this dance, performers portray hunters shielding their chickens from the famishing hawk. The hawk ends up entrapped and dies in the hands of hunters.Salisid - Kalinga, Cordillera This is a courtship dance that symbolizes a rooster trying to attract the attention of a hen. This is performed and portrayed by both male and female dancers as the rooster and hen respectively. The dance starts when each of them are given a piece of cloth known as "ayob" or "allap".Palok - Kalinga, Cordillera - A tribal dance. The natives of Kalinga perform this dance in most of their social events. Male dancers hold gangsa or gong- a percussion instrument made of copper, and beat it with wooden stick.Lumagen - Kalinga, Cordillera A tribal dance. This is a traditional Thanksgiving dance by the Kalinga tribe performed to celebrate good harvest and events such as birth of first-born child, victory in battles and weddings.Idudu- Abra, Cordillera A tribal dance. This dance stages a common family life in the Itneg or Tinguian society. It illustrates the family as the main foundation of the tribe's community. Several traits of an ordinary family are shown. It depicts a father plowing the field while the mother caring for the children. But as soon as the father finishes work, the mother takes over on planting, sowing and all the remaining chores to do in the field. At this time the father is left to take care of the kids. During the dance a Local singer breaks into an Idudu or lullaby to put the baby to sleep. Idudu, a dance taken from Idudu lullaby, obviously portrays the different roles in a Tinguian familyDinuyya - Cordillera Ifugao dance Famous in the Ifugao region, this dance is regularly staged during festivals in Lagawe. Three kinds of gong instruments such as, ordinary gongs, tobtob- a brass gong played by beating with open palms and, hibat, a kind of gong played by beating the inner surface with a softwood are used in this dance.Bendayan - Benguet This dance, which is more known as Bendian, is performed to commemorate the arrival of headhunters in their district. Performers dance in a circle and show off their lively traditional steps.Binaylan - Agusan This is a ritual dance, which originated from the Bagobo tribe living in the central uplands of Mindanao, imitating the movements of a hen, her banog or baby chicks, and a hawk. The hawk is sacred and is believed that it has the power over the well being of the tribe. The hawk tries to capture one of the baby chicks and is killed by the hunters.Malakas at maganda - Leyte A Tribal dance. This dance depicts the birth of the first man and woman who came out of a bamboo tree. It has been said that the woman named "maganda" (beautiful) and the first man "malakas" (strong) are the parents of the whole community in the island. The dance demonstrates how a bird discovered the noise coming from the inside of the bamboo and perched until it opened. A man and a woman came out of the big bamboo tree and, the birth of this legendary couple is amusingly interpreted in this dance.Burung-Talo - Sulu The dance is a unique fighting dance in a form of Martial Arts by the Tausug tribe. Performers demonstrate a battle between hawk and a cat. With their acrobatic movements and tough facial expressions, this dance is highlighted with the accompanying energetic beat of drums and gongs.Kadal-Blelah- South Cotabato A tribal dance where in the dancers perform simulation of movements of birds.Kadal Tahaw - Tiboli dance- south cotabato A tribal dance performed by Tiboli tribe, this dance that mimics the hopping and flying behavior of Tahaw bird is performed to celebrate good harvest.Sayaw sa Cuyo - Palawan Cuyo is a small island and capital of Palawan. There, the feast day of St. Augustin is traditionally celebrated with parades, processions and small performances by groups coming from all over Cuyo Island and the nearby islets. Island dances, blended with strong Old Cuyo ethnicity and Spanish-influenced steps, are all brought out when Cuyo celebrates its festivals. Today, pretty young girls daintily swirl hats to the waltz and other European steps designed to bring out the freshness and glow of the performers.Karatong - Palawan A Muslim dance. During the festival of San Agustine in the island of Cuyo, the celebration also includes the blossoming of mango trees. The parade starts from the church patio and ends at the town plaza with ladies waving their colorful props "Bunga mangga" that symbolize the flowers of mango tree, while men lively strike their karatong instruments; creating a scene of joy among reveling towns folk.Dugso - Bukidnon A thanksgiving dance from the talaindig tribe.Gayong-gayong - Capiz -A Muslim dance. In rural gatherings, this dance offers much fun. Gayong is a pet name for Leodegario. According to the legend and to the words of the song, Gayong and Masiong (pet name for Dalmacio) once attended a feast commemorating the death of a townsman. While eating, Masiong choked on a piece of Adobo so he called, "Gayong! Gayong!" to ask for help to dislodge a bone from the Adobo meal from his throat. In this dance, Masiong's liking for feasts and the consequence of his gluttony are held up to playful ridicule.Kapa Malong-Malong - Cotabato A Muslim dance. This Maranao dance is performed with women wearing malong and shawl, mantle or head piece, whereas men wear sash or waist band, shorts or bahag and head gear or turban traditionally worn in the fields.Pagapir - Lanao del Sur This dance is usually performed to commence an important affair. Dancers of this dance are usually from the royal court or high society group of Lanao Province. They use apir or fan to coordinate with their small steps called kini-kini, which symbolizes their good manners and prominent family background.Pangalay- Zamboanga Del Sur A Muslim dance. Originally performed by wealthy families during a wedding celebration, this fingernail dance is now a popular festival dance in Sulu.
