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Tybalt's uncontrollable vengeance

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Q: What skill does Tybalt have that concerns Benvolio and Mercutio?
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Provide at least 3 reasons that both Mercutio and Tybalt cannot avoid fighting?

Mercutio's hot-headedness and quick temper make him prone to conflict, while Tybalt's pride and sense of honor make him unwilling to back down from a challenge. Their longstanding feud and deep-seated animosity towards each other fuel their desire for confrontation. Peer pressure and societal expectations of masculinity and honor also drive both Mercutio and Tybalt to engage in the fight, as they feel obligated to defend their reputations.


How does mercutio respond to benvolios suggestion that mercutio would let himself get into a argument?

Mercutio responds that he actually enjoys getting into arguments and will not back down from a fight. He sees arguing as a skill and a form of entertainment, and not something that would bother him.


Why Mercutio was in awe of the new fashion of dueling with rapier rather than with sword?

Mercutio was in awe of the new fashion of dueling with a rapier because it allowed for more skill and finesse in combat compared to the traditional broadswords. Rapiers were lighter and more flexible, enabling duellists to showcase their precise movements and technique. Mercutio admired the artistry and style that came with this new form of dueling.


What is a quote from Romeo and Juliet that reflects the time period this story was written in?

Mercutio: He fights as you sing pricksong--keeps time, distance and proportion; he rests his minim rests one, two and the third in your bosom. The very butcher of a silk button, a duellist! a duellist! a gentleman of the very first house, of the first and second cause. The passado! The punto reverso! the hay! Benvolio: The what?? Mercutio: The pox of such antic, lisping affecting fantasticoes--these new tuners of accent: "By Jesu, a very good blade! a very tall man! a very good whore!" Like Benvolio, the modern reader or viewer is likely to scratch his head and say "The what??" Mercutio in several ways is a man of his age in this passage. First, he is talking about Tybalt as a "duellist"--someone who is practiced in the art of fighting duels with a sword--a custom which arose only a few centuries before Shakespeare and lasted only about 250 years afterward. (a little longer in Germany). He uses special swordfighting terms ("the punto reverso") and special terms related to the delivery of a challenge ("the first or second cause"). He also creates a comparison between swordfighting as practised by a bully duelist like Tybalt and singing from sheet music ("pricksong"). This was a common entertainment in Tudor times, there being no recorded music and a great number of people being skilled in reading music. Unfortunately in our day this skill is less widespread. Finally, Mercutio makes fun of the slang language of the day as used by those trend-setting fops we still have setting our slang language nowadays. The only problem is that in the last 400 years, this particular piece of slang has become standard. The word "very", related as it is to words such as "verity", "veracious", verisimiltude", "verily" and the like, meant "truly". Mercutio complains that the fops use it so often even in cases where you wouldn't expect to find much truth ("a very good whore"--you wouldn't expect a whore to be "true") so it becomes an all-purpose word of emphasis, which is exactly how it is used nowadays.


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