She says they are lying and have been lying since the first night
In The Crucible, Mary Warren changes her testimony because of the mockery from some of the girls. She knew that if she didn't change her testimony, she would be the next victim to be accused of witchcraft.
In Act III, John Proctor brings Mary Warren to the court to testify against the girls. He knows that her testimony should convince the court that the girls (especially Abigail) are lying and his wife is innocent.While it seems like a good plan, it doesn't work well for Proctor. The courts are not willing to listen to his evidence. When the court brings Abigail and the other girls in to refute Mary Warren's testimony, Mary Warren turns on Proctor.Screaming at him: No, I love God! I go your way no more! I love God, I bless God. sobbing as she rushes to Abigail. Abby, Abby, I'll never hurt you.When it seems the girls will turn on her, Mary Warren flips on Proctor by saying that he has forced her to lie in court and that it is actually he, and not Abigail, who is doing the Devil's work.
In Arthur Miller's play "The Crucible," Mary Warren tells the court that the girls, including herself, were pretending to be afflicted by witchcraft and that the accusations are false. She tries to reveal the truth about the hysteria and the manipulation behind the witch trials, emphasizing that she and the other girls were acting out of fear and self-preservation. However, her testimony is met with skepticism, and she ultimately succumbs to pressure from her peers, leading to further chaos in the court.
Mary Warren is a weak character, always eager to find her place in a crowd and remain safely behind a stronger person like Abigail Williams. She was reluctant to testify to begin with, and when the other girls' behavior started to cast doubt on her testimony, she gave in. She didn't want to be singled out or discredited.
Mary Warren has been in court, where she served as an official of the court in Salem. She reports that the court is now actively pursuing those accused of witchcraft, and that several individuals have been arrested based on the testimony of the girls who claim to have seen spirits. Her experiences have made her more assertive, and she even brings back a poppet (a doll) she made in court, which later becomes significant in the witch trials.
In The Crucible, Mary Warren changes her testimony because of the mockery from some of the girls. She knew that if she didn't change her testimony, she would be the next victim to be accused of witchcraft.
In Arthur Miller's "The Crucible," the court reacts to Mary Warren's testimony with skepticism and hostility. When she tries to assert that the accusations of witchcraft are false and that the girls, including herself, were pretending, the court, particularly Judge Danforth, pressures her to conform to the prevailing narrative. The intense atmosphere and the influence of the other girls ultimately lead to her breakdown, demonstrating the court's unwillingness to accept dissenting voices amidst the hysteria. This reaction highlights the court's complicity in the mass paranoia and its prioritization of authority over truth.
In Act III, John Proctor brings Mary Warren to the court to testify against the girls. He knows that her testimony should convince the court that the girls (especially Abigail) are lying and his wife is innocent.While it seems like a good plan, it doesn't work well for Proctor. The courts are not willing to listen to his evidence. When the court brings Abigail and the other girls in to refute Mary Warren's testimony, Mary Warren turns on Proctor.Screaming at him: No, I love God! I go your way no more! I love God, I bless God. sobbing as she rushes to Abigail. Abby, Abby, I'll never hurt you.When it seems the girls will turn on her, Mary Warren flips on Proctor by saying that he has forced her to lie in court and that it is actually he, and not Abigail, who is doing the Devil's work.
In Arthur Miller's play "The Crucible," Mary Warren tells the court that the girls, including herself, were pretending to be afflicted by witchcraft and that the accusations are false. She tries to reveal the truth about the hysteria and the manipulation behind the witch trials, emphasizing that she and the other girls were acting out of fear and self-preservation. However, her testimony is met with skepticism, and she ultimately succumbs to pressure from her peers, leading to further chaos in the court.
Mary Warren is a weak character, always eager to find her place in a crowd and remain safely behind a stronger person like Abigail Williams. She was reluctant to testify to begin with, and when the other girls' behavior started to cast doubt on her testimony, she gave in. She didn't want to be singled out or discredited.
Mary Warren has been in court, where she served as an official of the court in Salem. She reports that the court is now actively pursuing those accused of witchcraft, and that several individuals have been arrested based on the testimony of the girls who claim to have seen spirits. Her experiences have made her more assertive, and she even brings back a poppet (a doll) she made in court, which later becomes significant in the witch trials.
Proctor wants Mary Warren to tell the court that the accusations of witchcraft are false and that the girls, including Abigail Williams, are lying. He believes that exposing the truth will help to clear his wife's name and put an end to the hysteria surrounding the trials. Proctor hopes that Mary’s testimony will reveal the motivations behind the girls' deceitful actions. Ultimately, he seeks justice and an end to the wrongful persecution of innocent people.
Mary Warren turns against John Proctor in court primarily out of fear and self-preservation. When Proctor challenges the legitimacy of the court and the girls' accusations, Mary feels threatened and realizes that siding with the court is her only means of survival. Additionally, the pressure from the other girls and the intense atmosphere of the courtroom lead her to retract her prior testimony. Ultimately, her decision reflects the broader themes of hysteria and the danger of standing against the prevailing tide of fear and accusation in Salem.
John Proctor wants Mary Warren to go to court with him to testify against the fraudulent accusations of witchcraft that are threatening his wife, Elizabeth. He believes that Mary, as a former member of the court and a witness to the truth, can help expose the deceit behind the trials and the manipulations of Abigail Williams and the other girls. Proctor hopes that her testimony will help clear Elizabeth's name and put an end to the hysteria gripping Salem. By bringing Mary to court, he seeks to confront the injustice and protect his family.
In Act 3 of "The Crucible," Mary Warren goes before Judge Hathorne to testify about the truth regarding the witch trials and the girls' deception. She aims to expose that the accusations of witchcraft are based on lies and to defend Elizabeth Proctor. However, her testimony is undermined by the pressure from the other girls and the intense atmosphere of the court, ultimately leading to her recantation and complicating the pursuit of justice.
The men of the court want Mary Warren to testify about her experiences and the events surrounding the witch trials, specifically to confirm that the accusations are based on falsehoods and that the girls, including Abigail Williams, are lying. They aim to use her testimony to undermine the credibility of the accusers and expose the truth behind the hysteria. This is crucial in their efforts to bring justice and end the wrongful executions of innocent people accused of witchcraft.
In Arthur Miller's "The Crucible," Mary Warren's behavior in the Proctor household shifts from submissive and timid to more assertive and confident. Initially, she is easily influenced by Abigail and the other girls, but as she gains a sense of independence from her role in the court, she becomes more outspoken and defiant. However, this newfound confidence is tested when faced with the pressure of the other girls and the authority figures in the town, showcasing her internal conflict and vulnerability. Ultimately, her behavior reflects the broader themes of fear and power dynamics in the play.