Aristotle believed that a tragedy must evoke feelings of pity and fear in the audience through the depiction of the downfall of a noble character due to a tragic flaw or error in judgement. He defined tragedy as a form of drama that shows the consequences of human actions and emphasizes the role of fate and morality in shaping those actions.
Aristotle believed that a tragedy must have a protagonist who experiences a reversal of fortune due to their own tragic flaw, leading to their downfall. This reversal of fortune must evoke pity and fear in the audience, resulting in a catharsis or purging of emotions.
"Tragedy is the imitation of an action which is complete; having a beginning, middle, and end; with language embellished; serious, and of a certain magnitude; whose purpose is the catharsis of pity and fear."
Yes, Aristotle believed that a tragic hero could be either a nobleman or a common man in a tragedy. The important characteristic that defined a tragic hero for Aristotle was not their social status, but the fatal flaw or error in judgment that leads to their downfall.
Aristotle did not explicitly say the phrase "you are what you repeatedly do." However, the concept aligns with his idea that excellence is not an act but a habit, emphasizing the importance of consistent practice and behavior in achieving virtuous and excellent character.
For Aristotle, to say that something has a soul means that it possesses the ability to exhibit self-directed behavior and maintain its own existence. The soul, as Aristotle describes it, is the principle of life and activity in living things, providing them with their essential capacities and functions.
The audience knows more than the characters.
Aristotle believed that a tragedy must have a protagonist who experiences a reversal of fortune due to their own tragic flaw, leading to their downfall. This reversal of fortune must evoke pity and fear in the audience, resulting in a catharsis or purging of emotions.
"Tragedy is the imitation of an action which is complete; having a beginning, middle, and end; with language embellished; serious, and of a certain magnitude; whose purpose is the catharsis of pity and fear."
Yes, Aristotle believed that a tragic hero could be either a nobleman or a common man in a tragedy. The important characteristic that defined a tragic hero for Aristotle was not their social status, but the fatal flaw or error in judgment that leads to their downfall.
In this play Sophocles is staging all conflicts in an extremely "black or white" manner - that's why it is a tragedy... The only time we see a different side in both Antigone and Creon it is too late. so you can say that they were both strict to their character/beliefs/inner truth which is again a set up for a tragedy, you might like to read Aristotle on the elements of tragedy.
Oedipus Rex is one play on which Aristotle based his Poetics. It's probably better to say that Aristotle formulated his theory in adherence to many of the practices used in the composition of Oedipus.
Say Hello to Tragedy was created on 2009-08-24.
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Women in Athens had no political role. They stayed at home running it in virtual purdah. Aristotle considered men to be stronger than women - he was talking about in rational reasoning.
Higeki
Democracy
He wrote comedies and tragedies; history plays and fantasy plays; cynical plays and idealistic plays; superb plays and others which were . . . not so good, shall we say?