No it's an unstressed syllable followed by a stressed syllable.
A Iambic Pentameter is made up of two words. A Iambic pentameter is a metrical foot in poetry in which an unstressed syllable is followed by a stressed syllable. It means iambic pentameter is a beat or foot that uses 10 syllables in each line.
A 10-syllable line made up of unstressed foot - stressed foot pairs is called iambic pentameter and is the most common metric pattern in English poetry. "When I have fears that I may cease to be"
Iambic Pentameter.
The meter of a poem is made up of the pattern of stressed and unstressed syllables in each line. It creates a rhythmic quality that helps to establish the poem's overall structure and flow. The most common metrical patterns in English poetry are iambic pentameter and trochaic tetrameter.
The definition given does not specify the order of these syllables. If the pattern is one stressed syllable followed by two unstressed syllables, it is a dactyl. If the pattern is two unstressed syllables followed by one stressed syllable, it is an anapest (also spelled "anapaest"). Words that are dactyls include metrical, syllable, merrily, and cinnamon. "What can the matter be?" is a sentence made up of two dactyls. Phrases that are anapests include "go away", "take a bath", "come along", and "fall apart".
Two. An unstressed followed by a stressed one. In other words, the following line (perhaps the most famous line in all of English poetry) is made up of five iambs, which means it's written in iambic pentameter (giving a total of 10 syllables): The curfew tolls the knell of parting day
nig
The Road Not Taken" consists of four stanzas of five lines. The rhyme scheme is ABAAB. There are four stressed syllables per line, varying on an iambic tetrameter base.
Iambic pentameter is quite old. Shakespeare himself wrote in rhythmic pattern. dum Dum dum Dum dum, the syllables go. Like a lit'ry heart beat, it is even. Ten syllables in a line, stress, unstress. It's quite difficult to discern, I know. Not always even, but always ten beats.
Rhythm, meter, and feet are terms used to describe the organization of sounds in poetry. In poetry, the meter is the pattern of stressed and unstressed syllables in a line, while feet are the basic units of meter. Feet are made up of a combination of stressed and unstressed syllables that create the meter of a poem.
Syllables are exactly what you are asking about. A sonnet is made up of 14 lines, and each line is in iambic pentameter. An iamb is a particular combination of stresses; it is a weak stress followed by a strong stress. Think of the word 'begin'. So in one line of iambic pentameter there are 10 stresses, or syllables if you will, 5 weak stresses each followed by a strong stress. The stresses of an iamb do not have to be part of a single word. Syllables are usually thought of as a way to break down a single word into component stresses. In poetry, there is great beauty in being able to creatively bend the number of syllables in a line of iambic pentameter while maintaining the basic rhythm inherent in the pattern. If you don't do this, you run the risk of writing nothing but doggerel, Hallmark verse. Rhythm is the key to great poetry, and not necessarily the exact break-down of individual words. Think of poetry as music made of words.
The most common metrical lines in English poetry are iambic pentameter, which consists of five feet with each foot made up of an unstressed syllable followed by a stressed syllable, and iambic tetrameter, which consists of four feet following the same pattern. Other common metrical lines include trochaic tetrameter and anapestic pentameter.