The division into Octave and Sestet mainly applies to Petrarchan sonnets. In a Shakespearean Sonnet the sestet is less important (sometimes not important at all).
The Petrachan sonnet works by taking two views of its topic. The main idea comes in the first eight lines (the Octave) then a slightly different point of view is presented in the closing six (the Sestet). The change of viewpoint is often called the Volta (and is really the defining feature of a Petrarchan sonnet).
Poems can tend to be a bit one-sided, with the poet presenting his point of view - and the reader has to agree with this, or else find a different poem. (This is a huge problem with Italian Canzone or the early Renaissance - the sort of poem Petrarch was trying to react against; it is also a huge issue with most contemporary poetry).
But because the Petrarchan sonnet has a Volta, it naturally presents two points of view. This means that instead of the reader being given the poet's opinion - on a take-it-or-leave-it basis - the poem itself invites the reader to think for herself (by weighing up the differences between the two points of view).
This second-opinion aspect of the Petrarchan sonnet makes it enormously more difficult to write successfully, and quite a bit more challenging to read - compared with a standard 'Oh What a Beautiful Morning' type poem.
But quite often a poem which makes you think for yourself is one which will stay with you longer
This inherent dynamic quality of the sonnet is a main reason why the form has lasted so long, and has produced so many truly great poems.
Sonnet 333 is a Petrarchan (Italian) sonnet, which typically consists of an octave followed by a sestet, with a specific rhyme scheme of ABBAABBA for the octave and either CDCDCD or CDECDE for the sestet.
It is a petrarchan sonnet, made out of an octave and a sestet.
sonnet is consisted of fourteen lines,there are two kinds of sonnet-octave and sestet
The last six lines of a sonnet are known as the sestet. In a Shakespearean sonnet, these lines typically follow a shift in tone or theme known as the volta. The sestet often presents a resolution or conclusion to the ideas presented in the first eight lines (the octave).
A sestet is the name given to the second division of a Sonnet which must consist of an octave, of eight lines, succeeded by a sestet, of six lines.
Yes, an Italian Sonnet consists of an octave (eight lines) followed by a sestet (six lines). The rhyme scheme typically follows the pattern ABBAABBA for the octave and either CDECDE or CDCDCD for the sestet.
A sestet is the second part in an Italian sonnet that is six lines long. An example of a sestet in the sonnet "Soleasi Nel Mio Cor" by Petrarch starts with the line "They weep within my heart; and ears are deaf" and ends at the end of the poem.
"The Soote Season" is a Petrarchan sonnet because it follows the structure of an octave (eight lines) followed by a sestet (six lines). This sonnet form allows for the speaker to present a problem in the octave and then offer a resolution or reflection in the sestet.
The last two lines of a Shakespearean sonnet are called a couplet. They are the only adjacent lines which rhyme with each other, the others rhyming alternately. In a Petrarchan sonnet the last two lines form part of a six-line unit called a sestet
Sonnet 18 by Francesco Petrarch is a Petrarchan sonnet. It consists of an octave (8 lines) that presents a problem or argument, followed by a sestet (6 lines) that offers a resolution or conclusion. The rhyme scheme is typically ABBAABBA for the octave and either CDCDCD or CDECDE for the sestet.
A Petrarchean sonnet is divided into two sections, an octave and a sestet, whereas a Shakespearean sonnet is divided into four sections, three quatrains and a couplet.
The first 8 lines of a sonnet are called the octet.