Macbeth

Macduff refuses to attend Macbeth's coronation.

Macduff refuses to attend Macbeth's coronation

This is a personal preference question. Only you can answer it. That means you have to read the play and react to it.

Malcolm, in Act IV Scene 3

Well, he didn't directly have second thoughts of killing the king and he also does not tell his wife. Overall, he only questions the impact of the witches on him as he ends up realizing the mistakes that he made and how everything basically went up in flames.

She is trying to encourage Macbeth, who has been acting very strangely since killing Duncan. She says, "a little water clears us of this deed" implying that once the blood is washed off, they need never worry about the murder again. This is an ironic foreshadowing of the sleepwalking scene.

"The sleeping and the dead are but as pictures" implies that they cannot fight back. Macbeth refuses to go back to the room where the murdered Duncan lies, and Lady Macbeth is telling him in her usual contemptuous way that he has nothing to be afraid of.

Dramatically, it establishes the lengths to which she is prepared to go (or thinks she is prepared to go) in order to get the crown. The audience now knows her to be ruthless and evil. They will modify that opinion later but for now it will colour the audience's understanding of all the scenes between the Macbeths until Macduff discovers Duncan's body.

Whether the character thinks she will benefit from it is hard to say. Does she really believe in the evil spirits she is invoking? Or is it just a turn of phrase? Director's call, probably.

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He is a baby, not yet hatched. He also calls him a "fry", a baby fish.

After she has gone crazy, she is observed sleepwalking by a doctor and a servant. She carries a light and the doctor asks where she got it. The servant replies, "Why, it stood by her; she has light by her continually; 'tis her command."

In Macbeth the quote that suggests that the witches are misleading Macbeth is one from the very beginning. The quote reads ' They met me in the day of success: and I have learned by the perfectest report, they have more in them than mortal knowledge'. This quote implies that the witches may not have supernatural powers according to Macbeth's thoughts, therefore meaning they are tempting to mislead him.

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It is important that witches reappear in Act 4 of MacBeth because they tell him of his future. This helps to shapes many of the events later in the story.

The "greatness" is only predicted; it has not yet happened. Yet Macbeth is certain that it will happen, that he will be crowned without his stir.

In Act 1 Scene 7 Lines 35-45 and 47-59, Lady Macbeth goads her reluctant husband to kill their king. At the beginning of her speech, she compares his unreliability as an assassin to inconstancy in love. Thus, at lines 35-39, she chides, 'Was the hope drunk/wherein you dressed yourself? Hath it slept since?/And wakes it now to look so green and pale/At what it did so freely? From ths time/Such I account thy love.' In reality, Lady Macbeth's first husband had carried out King Duncan I's orders to have Macbeth's father killed, in 1020. With Gille Coemgairn's death in 1032, his wife married Macbeth and thereby became Lady Macbeth. In 1040, King Duncan I invaded Macbeth's lands. During the ensuing battle, he was killed on August 14, 1040 by his own men under Macbeth's leadership.

Readers and viewers of the Shakespearean play were able to compare the different reactions of fellow Generals and friends Macbeth [c. 1014-August 15, 1057] and Banquo in two instances. One was regarding the witches' predictions. Macbeth's initial reaction was fear [Act 1 Scene 3 Lines 51-52] and then complete disbelief [Line 74]. Banquo's initial reaction was aggressive, competitive, and skeptical [Lines 57-61]. He complained that the witches hadn't shared any predictions with him. He then told them to tell him what they knew. And he let the witches know that he wasn't impressed easily and couldn't be intimidated. The second instance was regarding the murder of King Duncan I [d. August 14, 1040]. Macduff discovered the bloodied corpses and the bloodied crime scene. Once again, Macbeth's reaction to the news was disbelief, in Act 2 Scene 3 Line 62. The ever-skeptical Banquo refused to believe Macduff, in Lines 82-83.

He doesn't say that, actually. He does say "This is a sorry sight" when he is looking at his bloody hands.

Shakespearean tragedies do have recurring themes and subject matter, although not all of them are present in every play. Likewise, the classification of plays as tragedies or histories (or comedies) is somewhat artificial. The play of Shakespeare's which has the most in common with Macbeth is Richard III, which is usually thought of as a history. Calling Richard a history because it is drawn from English history, and Macbeth a tragedy because it is drawn from Scottish history is a pretty arbitrary distinction.

Some common themes that turn up sometimes in tragedy:

1. The main man is a king or leader or royalty or something. True of Hamlet, Lear, Caesar, Antony and Cleopatra, and also Marlowe's Tamburlaine, but not Othello, Romeo and Juliet, Timon, Marlowe's Faust, The Yorkshire Tragedy or the Spanish Tragedy really.

2. The supernatural, as in the witches. Yes in Hamlet, Caesar, Richard III, Dr. Faustus. Not Lear or Othello or Romeo and Juliet, or Antony and Cleopatra or quite a lot of them.

3. Pathetic fallacy, when Duncan's horses eat each other. Also in Caesar but not that common.

4. Madness, as in Lady Macbeth. Also Lear, Hamlet, the Spanish Tragedy, Othello, Titus Andronicus. Also The Two Noble Kinsmen but that's a comedy, or maybe a tragicomedy. Not the Roman plays.

5. Suicide, allegedly what happened to Lady Macbeth. Nowhere near as significant as it is in Romeo and Juliet, Antony and Cleopatra, Caesar, Hamlet, Othello, Timon, or even Lear.

6. Rise and Fall: Macbeth becomes king after much scheming then loses it. This is the same as what happens to Richard III. It doesn't really happen in any of the other tragedies. They do tend to have a story arc involving things going ok for someone and then turning bad eventually, but not usually with a rise to fortune at the start. Timon starts rich, Hamlet starts a Prince, Lear starts a king, Othello starts a happily married man, and Antony starts out as one of the triple pillars of the world

7. Gruesomeness: The usurper's head at the end. But this play is much less gruesome than the revenge tragedies.

8. Right to the bitter end: once Macbeth is dead, the play is dead too. Tragedies do not drag on after the main man dies. Comedies sometimes do, as in A Midsummer Night's Dream, which is all wrapped up by the end of Act 4 and then has a joke play for Act 5. This can also happen in histories like Henry V, who has won the battle by the end of Act 4 and spends Act 5 wooing the princess. A play like Cymbeline or the Winter's Tale or even the Merry Wives of Windsor can have a lot of palaver at the end explaining how everything came about. But once Hamlet, Othello, Lear, Macbeth, Timon, Coriolanus, Brutus, Cleopatra, Juliet and Titus are dead, the curtain we know is close at hand. There's not much more to say.

On Macbeth's chair.

In the highly artificial schema from which the term 'rising action' is drawn, Act II of the play is always the rising action.

"There's no art to find the mind's construction in the face. He was a gentleman on whom I built an absolute trust."

In the Shakespearean play, the witches made two sets of promises to Macbeth [c. 1014-August 15, 1057]. The first set was an implied promise of glorious job changes. In Act 1 Scene 3, the witches implied that Macbeth would become the Thane of Cawdor and the King of Scotland. These were implied promises, because they greeted him with these two titles. There was an implicit promise that he would occupy each of those positions. The second set of promises was made in Act 4 Scene 1. Macbeth sought the witches to get an exact idea of what he needed to consolidate his kingship in the aftermath of killing King Duncan I [d. August 14, 1040] and becoming the King of Scotland. In this second visit, the witches in essence promised Macbeth security in his reign. They promised him that he only had to beware of Macduff. Likewise did they promise him that he needed to worry only about Birnam Wood moving to Dunsinane Castle and to fear only a man not born of woman. But the witches didn't connect the three baleful events. Specifically, they didn't identify Macduff as the man not born of woman. Macbeth was left trying to sort out fantastical interpretations of the dangerous mystery man. He wasn't told, or helped to find, the answer in Macduff's being delivered, not born, by Caesarian section from a dead mother who therefore was no longer a living, breathing woman but a corpse.

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Macbeth's severed head.